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Page of Ulysses Annotated | Quote | Text | Name | Post date | Link |
---|---|---|---|---|---|
34 | A woman too brought Parnell low | This refers to Irish-nationalist Charles Stewart Parnell's affair with Katherine O'Shea, wife of Captain William O'Shea, an Irish soldier and Member of Parliament. Captain O'Shea had not divorced his wife because she was expecting a large inheritance. When Captain O'Shea finally filed for divorce in 1889, the ensuing trial revealed the affair and the fact that Parnell had fathered three of Katherine's children. The divorce scandal severely damaged Parnell's reputation and caused the Catholic church to condemn his immorality. | Heather Munro P... | 2016-06-06 10:01 | view |
43 | Moi faire, she said. Tous les messieurs | French for "I do" she said "All gentlemen" | serinamarie89 | 2016-05-10 15:58 | view |
42 | chaussons | French for "slippers" | serinamarie89 | 2016-05-10 15:56 | view |
42 | Pantalon Blanc et Culotte Rouge | French for "White Pants and Red Panties" | serinamarie89 | 2016-05-10 15:56 | view |
42 | Encore deux minutes | French for "another two minutes" | serinamarie89 | 2016-05-10 15:55 | view |
42 | Fermé | French for "closed" | serinamarie89 | 2016-05-10 15:55 | view |
41 | mou en civet | French for "Lung Soup" | serinamarie89 | 2016-05-10 15:54 | view |
41 | lapin | French for "bunny" | serinamarie89 | 2016-05-10 15:53 | view |
39 | Duces Tecum | Latin for "To bring with you" Modern day subpoena for evidence | serinamarie89 | 2016-05-10 15:52 | view |
39 | Requiescat | Here is a link to Wilde's poem: http://www.poetry-archive.com/w/requiescat.html | serinamarie89 | 2016-05-10 15:45 | view |
41 | mahamanvantara | Sanskrit- used in Hinduism to denote a long period of time | serinamarie89 | 2016-05-10 15:42 | view |
41 | mahamanvantara | Helena Blavatsky "The Key to Theosophy": The great interludes between the Manus, the period of universal activity. Manvantara here implies simply a period of activity, as opposed to praylaya or rest, without reference to the length of the cycle. | serinamarie89 | 2016-05-10 15:42 | view |
40 | Descende, calve, ut ne nimium decalveris. | Latin for "Come down, thou bald head, they should not be too much hair was cut off" | serinamarie89 | 2016-05-10 15:34 | view |
43 | froeken, bonne à tout faire | Froeken- Danish for "miss" bonne a tout faire- French for "good all" | serinamarie89 | 2016-05-10 15:32 | view |
43 | La Patrie | French for "the homeland" | serinamarie89 | 2016-05-10 15:30 | view |
43 | dents jaunes. | French for "Yellow Teeth" | serinamarie89 | 2016-05-10 15:29 | view |
43 | Vieille ogresse | French for "Old Ogress" | serinamarie89 | 2016-05-10 15:29 | view |
43 | slainte | Drinking Toast | serinamarie89 | 2016-05-10 15:28 | view |
43 | Il est Irlandais. Hollandais? Non fromage. Deux Irlandais, nous, Irlande, vous savez? Ah, oui! | French for "Is it Irish. Dutch? Not cheese. Two irishmen, we, Ireland, you know? Ah yes!" | serinamarie89 | 2016-05-10 15:27 | view |
41 | physiques, chimiques et naturelles | French for "Physical, Chemical and Natural" | serinamarie89 | 2016-05-10 15:13 | view |
41 | Schluss | French for "conclusion" | serinamarie89 | 2016-05-10 15:12 | view |
41 | Mon père, oui | My father, yes. | serinamarie89 | 2016-05-10 15:11 | view |
41 | Il croit | French for "He believes" | serinamarie89 | 2016-05-10 15:11 | view |
41 | C'est tordant, vous savez. Moi je suis socialiste. Je ne crois pas en l'exis-tence de Dieu. Faut pas le dire à mon père | French for "It's twisting , you know. I am a socialist . I do not believe in the existence of God. Must not tell my father" | serinamarie89 | 2016-05-10 15:10 | view |
41 | gros lots | French for "Jackpot" | serinamarie89 | 2016-05-10 15:08 | view |
41 | lait chaud | French for "Hot Milk" | serinamarie89 | 2016-05-10 15:08 | view |
41 | C'est le pigeon | French for "This is the pigeon" | serinamarie89 | 2016-05-10 15:05 | view |
41 | Qui vous a mis dans cette fichue position | French for "Who put you in this damn position" | serinamarie89 | 2016-05-10 15:04 | view |
54 | Curious mice never squeal. Seem to like it. | Curious THAT mice never squeal. Displays the patterns that Bloom's thoughts begin to take. | hannahlynmussey | 2016-05-01 14:49 | view |
53 | : | Excessive colons. I really think that Joyce is playing on the idea of the body's colon as well as the grammatical function, especially considering what happens at the end of this episode. | hannahlynmussey | 2016-05-01 14:38 | view |
53 | Mr Leopold Bloom ate with relish the inner organs of beasts and fowls. He liked thick giblet soup, nutty gizzards, a stuffed roast heart, liver slices fried with crustcrumbs, fried hencods’ roes. Most of all he liked grilled mutton kidneys which gave to his palate a fine tang of faintly scented urine. | Compare the way Joyce introduces Stephen to the way he introduces Bloom. Stephen is a mind, Bloom is a body. | hannahlynmussey | 2016-05-01 14:31 | view |
577 | portion | apparently the narrator's 'typo', not joyce's | Tim Finnegan | 2016-01-26 13:29 | view |
586 | the figure 16 | Supposedly this is some sort of sexual code, maybe gay, but I can't find any support online | Tim Finnegan | 2016-01-26 04:07 | view |
617 | cases of which | Josie and Molly towards Poldy's social graces (not singing, as here falsely implied) | Tim Finnegan | 2016-01-25 04:16 | view |
297 | someone | The 'someone' is Bloom. | pbohan | 2016-01-24 04:48 | view |
7 | if you and I could only work together we might do something for the island. Hellenise it | Joyce's strategy-- eventually effective I think-- was to reflect back a shocking, liberating uncensored portrait of Gogarty among the rest | Tim Finnegan | 2016-01-20 04:04 | view |
268 | Bore this | Bloom mentions boredom on p58 and p81 | Tim Finnegan | 2015-12-26 04:37 | view |
249 | Married to Bloom, to greaseaseabloom | Joyce's intentional misdirection (via an anonymous narrative voice) for careless readers-- they're talking about an old fogey in Boyd's, not Bloom. | Tim Finnegan | 2015-12-26 04:22 | view |
196 | I think you’re getting on very nicely. | echoes p37 "getting on nicely in the dark" | Tim Finnegan | 2015-12-26 03:02 | view |
364 | next year in | Next year in Jerusalem cf p118? | Tim Finnegan | 2015-12-24 05:12 | view |
364 | AM. A. | like "U P up" there's an ambiguity between "I AM A..." and "I A..." Possibilities include 'I am a naughty boy' or 'I am a cad' or 'I am sorry' | Tim Finnegan | 2015-12-24 05:11 | view |
419 | THE SOAP | Joyce's 1908 notebook speaks of "the naturalism of the Celtic mind" eg "Gogarty: He addresses lifeless objects and hits them smartly with his cane" | Tim Finnegan | 2015-12-24 04:31 | view |
481 | injection mark | is Zoe a heroin addict??? | Tim Finnegan | 2015-12-24 04:19 | view |
512 | mammamufflered | does this imply Bloom's mother was still living in 1882? | Tim Finnegan | 2015-12-24 04:11 | view |
574 | halfcrowns | 2s 6p, also Bloom's gift to Martha on p268 | Tim Finnegan | 2015-12-24 04:01 | view |
599 | crosstempered | echoing father Simon? | Tim Finnegan | 2015-12-24 03:28 | view |
657 | Bernard Corrigan | identified on p602 as Dignam's brother-in-law but unmentioned in ch6, coincidentally sharing a name with Molly's childhood priest on pp683 and 693 | Tim Finnegan | 2015-12-24 03:17 | view |
662 | 1822 | in 1822 Bloom's father was about 10yo in Hungary | Tim Finnegan | 2015-12-24 03:01 | view |
9 | twining | entwining, pronounced with long i | Tim Finnegan | 2015-12-23 02:57 | view |
23 | Home | We'll glimpse the dire Dedalus home in episode 10 p217 | Tim Finnegan | 2015-12-15 05:53 | view |
22 | creek | just a narrowing inlet? | Tim Finnegan | 2015-12-15 05:49 | view |
21 | Brief | hinting of underwear? | Tim Finnegan | 2015-12-15 05:45 | view |
21 | Here I am. | Like mother May, dead/absent | Tim Finnegan | 2015-12-15 05:44 | view |
21 | businessman | what sort of businessman? | Tim Finnegan | 2015-12-15 05:29 | view |
21 | Hear, hear. Prolonged applause | is this SD's sleepy brain finally awaking for the day? | Tim Finnegan | 2015-12-15 05:28 | view |
20 | the mass for pope Marcellus, | a musical composition by Palestrina, a favorite of Joyce's | Tim Finnegan | 2015-12-15 05:25 | view |
20 | et unam sanctam catholicam et apostolicam ecclesiam: | SD has just spoken the English translation: "the holy Roman catholic and apostolic church" | Tim Finnegan | 2015-12-15 05:24 | view |
20 | I paid the rent. | if SD (unlike JAJ) has been gainfully employed for three payperiods at 4 pounds per, maybe SD did pay. but the inner voice doesn't sound like him at all-- he's not acquisitive or possessive. | Tim Finnegan | 2015-12-15 05:23 | view |
19 | Three times a day, after meals | if taken literally, this would imply SD and BM have been dining together consistently, without Haines | Tim Finnegan | 2015-12-15 05:19 | view |
18 | southward | actually NW to SE, joyce's mental compass is skewy | Tim Finnegan | 2015-12-15 05:16 | view |
18 | saw his own image | what's going on here? SD notices BM noticing SD's resemblance to Hamlet? BM can't bring himself to tease SD more? | Tim Finnegan | 2015-12-15 05:09 | view |
18 | pique | peaks... pique | Tim Finnegan | 2015-12-15 05:06 | view |
17 | Agenbite of inwit. | typo in 1st edition, deleted | Tim Finnegan | 2015-12-15 05:05 | view |
15 | Ask nothing more of me, sweet. All I can give you I give. | these are the opening lines of the song that continues below | Tim Finnegan | 2015-12-15 05:02 | view |
14 | ves | needs apostrophe | Tim Finnegan | 2015-12-15 04:59 | view |
14 | cuckquean | a cuckolded woman | Tim Finnegan | 2015-12-15 04:58 | view |
14 | Silk of the kine | like 'cream of the crop' for cattle | Tim Finnegan | 2015-12-15 04:58 | view |
13 | But, hising up her petticoats.. | The final line would have been "She pisses like a man" | Tim Finnegan | 2015-12-15 04:56 | view |
10 | us | So Mulligan was woken, too | Tim Finnegan | 2015-12-15 04:52 | view |
10 | I am the boyThat can enjoyIn | align stanza | Tim Finnegan | 2015-12-15 04:51 | view |
10 | birdcage | Alderman Hooper gave the Blooms a stuffed owl as a wedding present, see p109 and 660 | Tim Finnegan | 2015-12-15 04:50 | view |
10 | a gaud of amber beads | Bloom gave Milly an amberoid necklace, see p60 | Tim Finnegan | 2015-12-15 04:48 | view |
9 | White breast of the dim sea | a further quote from the yeats lyric | Tim Finnegan | 2015-12-15 04:45 | view |
9 | And no more | If Mulligan is specifically making fun of Stephen's emotions around his mother's death by singing the same song, it seems brutal. | Tim Finnegan | 2015-12-15 04:44 | view |
7 | Parried | Who's parried whom? SD sees this as a duel, each trying to gain some advantage | Tim Finnegan | 2015-12-15 04:37 | view |
5 | Someone killed her | God? Simon? Isn't this a logical fallacy? | Tim Finnegan | 2015-12-15 04:32 | view |
5 | snotgreen sea. | pic: https://twitter.com/JJ_Gazette/status/673914678481985538 | Tim Finnegan | 2015-12-15 04:30 | view |
5 | Scutter | shit http://www.jjon.org/gifford-corrections | Tim Finnegan | 2015-12-15 04:28 | view |
4 | trouser | so he's wearing pants | Tim Finnegan | 2015-12-15 04:27 | view |
4 | jejune | Depending on how we understand 'jejune' couldn't the answer be yes or no? Does he starve himself of experiences, or hunger for them? | Tim Finnegan | 2015-12-15 04:26 | view |
12 | hewing thick slices from the loaf | cf Bloom's genteel preparation of Molly's breakfast tray, p53 | Tim Finnegan | 2015-12-13 06:45 | view |
10 | locked drawer | We'll visit Bloom's locked drawer in episode 17; May's 'secrets' are just private memories | Tim Finnegan | 2015-12-13 06:02 | view |
9 | I sang it | Could Mulligan know Stephen sang this then, so intensifying his assault? | Tim Finnegan | 2015-12-13 05:58 | view |
3 | like pale oak | The Trojan horse idea is intriguing-- 'equine' fits too. Are there further echoes anywhere? (It would be the Iliad not the Odyssey) | Tim Finnegan | 2015-12-08 15:03 | view |
3 | current | The tower doesn't seem to be electrified yet (nor does 7 Eccles) | Tim Finnegan | 2015-12-08 14:59 | view |
660 | Dublin Post Office Directory | http://catalog.hathitrust.org/Record/012466567?type[]=title&lookfor[]=Dublin%20Post%20Office%20Directory&ft= | Tim Finnegan | 2015-11-29 11:43 | view |
661 | 5 plates | http://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t6h12wr0t;view=1up;seq=11 | Tim Finnegan | 2015-11-29 11:41 | view |
661 | Laurence Bloomfield in Ireland | http://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t7gq6x182;view=1up;seq=9 | Tim Finnegan | 2015-11-29 11:39 | view |
661 | 2 volumes | http://catalog.hathitrust.org/Record/001239631?type[]=title&lookfor[]=History%20of%20the%20Russo-Turkish%20War&filter[]=authorStr%3AHozier%2C%20Henry%20Montague%2C%20Sir%2C%201842-1907&ft= | Tim Finnegan | 2015-11-29 11:37 | view |
661 | p. 24 | http://babel.hathitrust.org/cgi/pt?id=hvd.32044102865649;view=1up;seq=36 | Tim Finnegan | 2015-11-29 11:35 | view |
661 | Life of Napoleon | http://babel.hathitrust.org/cgi/pt?id=uc1.31175008533526;view=1up;seq=13 | Tim Finnegan | 2015-11-29 11:33 | view |
661 | Stark-Munro Letters | http://babel.hathitrust.org/cgi/pt?id=coo.31924013342799;view=1up;seq=11 | Tim Finnegan | 2015-11-29 11:29 | view |
661 | Three Trips to Madagascar | http://babel.hathitrust.org/cgi/pt?id=uc1.$b577968;view=1up;seq=11 | Tim Finnegan | 2015-11-29 11:27 | view |
661 | The Story of the Heavens | http://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t5fb4z22m;view=1up;seq=7 | Tim Finnegan | 2015-11-29 11:24 | view |
661 | p. 217 | http://babel.hathitrust.org/cgi/pt?id=uc1.$b149281;view=1up;seq=229 | Tim Finnegan | 2015-11-29 11:21 | view |
661 | Secret History of the Court of Charles II | http://babel.hathitrust.org/cgi/pt?id=nnc1.50180639;view=1up;seq=7 | Tim Finnegan | 2015-11-29 11:20 | view |
661 | Ready Reckoner | http://babel.hathitrust.org/cgi/pt?id=mdp.39015035513475;view=1up;seq=7 | Tim Finnegan | 2015-11-29 11:18 | view |
661 | Denis Florence M'Carthy | http://babel.hathitrust.org/cgi/pt?id=loc.ark:/13960/t56d6fz0c;view=1up;seq=5 | Tim Finnegan | 2015-11-29 11:16 | view |
662 | In the Track of the Sun | http://babel.hathitrust.org/cgi/pt?id=hvd.hnngzm;view=1up;seq=9 | Tim Finnegan | 2015-11-29 11:14 | view |
662 | Short but yet Plain Elements of Geometry | http://babel.hathitrust.org/cgi/pt?id=mdp.39015057044789;view=1up;seq=5 | Tim Finnegan | 2015-11-29 11:10 | view |
3 | Dedalus | Does anyone know for sure if Joyce pronounced this DEED or DEAD? | Tim Finnegan | 2015-11-27 04:01 | view |
8 | You said | a rare use of italics for direct quotation | Tim Finnegan | 2015-11-25 03:30 | view |
8 | only | is it possible SD is offended by the dismissive word "only"? Gogarty accepting his mother's rejection of Stephen? | Tim Finnegan | 2015-11-25 03:28 | view |
77 | Dr | 1922 uses a rare superscript 'r' here, maybe to echo the sign's typography? (also twice with 'th's) | Tim Finnegan | 2015-11-22 03:21 | view |
27 | Wh | no indent | Tim Finnegan | 2015-11-22 02:04 | view |
36 | phlegm | Pattern of excretions: phlegm. | wvarga7a1 | 2015-11-02 06:42 | view |
6 | bile | Part of the pattern of excretions: bile vomited. | wvarga7a1 | 2015-11-02 06:40 | view |
415 | That tired feeling | http://www.jjon.org/joyce-s-environs/tired-feeling | Tim Finnegan | 2015-10-30 03:17 | view |
411 | Stag | http://www.jjon.org/gifford-corrections/gifford-corrections-3#Circe | Tim Finnegan | 2015-10-30 03:15 | view |
409 | tatts | http://www.jjon.org/gifford-corrections/gifford-corrections-3#Circe | Tim Finnegan | 2015-10-30 03:14 | view |
405 | Tarnally dog gone my shins if this beent the bestest puttiest longbreak yet. | http://www.jjon.org/joyce-s-allusions/the-best-puttiest-longbreak | Tim Finnegan | 2015-10-30 03:11 | view |
406 | Dusty Rhodes | http://www.jjon.org/joyce-s-allusions/dusty | Tim Finnegan | 2015-10-30 03:10 | view |
405 | prandypalls | http://www.jjon.org/gifford-corrections/gifford-corrections-3#Oxen | Tim Finnegan | 2015-10-30 03:09 | view |
405 | Bonsoir la compagnie | http://www.jjon.org/joyce-s-allusions/bonsoir | Tim Finnegan | 2015-10-30 03:07 | view |
405 | Landlord, landlord, have you good wine, staboo? | http://www.jjon.org/gifford-corrections/gifford-corrections-3#Oxen | Tim Finnegan | 2015-10-30 03:07 | view |
405 | Tell a cram | http://www.jjon.org/joyce-s-words/tell-a-cram | Tim Finnegan | 2015-10-30 03:06 | view |
405 | blurry | http://www.jjon.org/gifford-corrections/gifford-corrections-3#Oxen | Tim Finnegan | 2015-10-30 03:05 | view |
406 | Sign on long o me | http://www.jjon.org/joyce-s-allusions/lincoln | Tim Finnegan | 2015-10-30 03:01 | view |
404 | Smutty Moll for a mattress jig | http://www.jjon.org/gifford-corrections/gifford-corrections-3#Oxen | Tim Finnegan | 2015-10-30 02:58 | view |
404 | Cribbed out of Meredith | http://www.jjon.org/joyce-s-allusions/meredith | Tim Finnegan | 2015-10-30 02:57 | view |
404 | Lapland | http://www.jjon.org/joyce-s-words/lapland | Tim Finnegan | 2015-10-30 02:56 | view |
404 | Your starving eyes and allbeplastered neck you stole my heart, O gluepot | http://www.jjon.org/joyce-s-allusions/glue-pots | Tim Finnegan | 2015-10-30 02:55 | view |
403 | Bet to the ropes | http://www.jjon.org/gifford-corrections/gifford-corrections-3#Oxen | Tim Finnegan | 2015-10-30 02:53 | view |
403 | Ma mère m'a mariée | http://www.jjon.org/joyce-s-allusions/mother | Tim Finnegan | 2015-10-30 02:51 | view |
403 | armstrong, hollering | http://www.jjon.org/joyce-s-allusions/fitzgerald | Tim Finnegan | 2015-10-30 02:49 | view |
401 | the wellremembered grove of lilacs at Roundtown | http://www.jjon.org/joyce-s-allusions/pater | Tim Finnegan | 2015-10-30 02:47 | view |
397 | Lafayette | http://www.jjon.org/gifford-corrections/gifford-corrections-3#Oxen | Tim Finnegan | 2015-10-29 19:18 | view |
395 | leave his mother an orphan | http://www.jjon.org/joyce-s-allusions/orphan | Tim Finnegan | 2015-10-29 19:16 | view |
393 | Jacob’s pipe | http://www.jjon.org/joyce-s-environs/jacob | Tim Finnegan | 2015-10-29 19:15 | view |
389 | old Glory Allelujerum | http://www.jjon.org/joyce-s-words/hallelujurum | Tim Finnegan | 2015-10-29 19:13 | view |
384 | or was due as with the noted physician, Mr Austin Meldon, to a wolf in the stomach | http://www.jjon.org/gifford-corrections/gifford-corrections-3#Oxen | Tim Finnegan | 2015-10-29 19:11 | view |
379 | to crush a cup of wine | http://www.jjon.org/gifford-corrections/gifford-corrections-3#Oxen | Tim Finnegan | 2015-10-29 19:10 | view |
372 | Malachi’s praise of that beast the unicorn | http://www.jjon.org/joyce-s-allusions/unicorn | Tim Finnegan | 2015-10-29 19:08 | view |
370 | This meanwhile this good sister | http://www.jjon.org/joyce-s-allusions/malory | Tim Finnegan | 2015-10-29 19:07 | view |
368 | Some man that wayfaring was | http://www.jjon.org/joyce-s-allusions/cuthbert | Tim Finnegan | 2015-10-29 19:05 | view |
367 | loose boyconnell flux | http://www.jjon.org/gifford-corrections/gifford-corrections-3#Oxen | Tim Finnegan | 2015-10-29 19:03 | view |
358 | Corns on his kismet | http://www.jjon.org/joyce-s-allusions/kismet | Tim Finnegan | 2015-10-29 19:01 | view |
357 | far away on the pillow | http://www.jjon.org/joyce-s-allusions/billow | Tim Finnegan | 2015-10-29 19:00 | view |
351 | Catch em alive, O. | http://www.jjon.org/joyce-s-environs/catch-em-alive | Tim Finnegan | 2015-10-29 18:58 | view |
350 | pettiwidth | http://www.jjon.org/joyce-s-environs/pettiwidth | Tim Finnegan | 2015-10-29 18:56 | view |
349 | a light broke in upon her | http://www.jjon.org/joyce-s-allusions/harraden | Tim Finnegan | 2015-10-29 18:55 | view |
347 | catch it while it was flying | http://www.jjon.org/joyce-s-allusions/catch-it | Tim Finnegan | 2015-10-29 18:53 | view |
347 | Puddeny pie! | http://www.jjon.org/gifford-corrections/gifford-corrections-3#Nausicaa | Tim Finnegan | 2015-10-29 18:51 | view |
338 | pay a visit to the Miss White | http://www.jjon.org/gifford-corrections/gifford-corrections-3#Nausicaa | Tim Finnegan | 2015-10-29 18:50 | view |
334 | joyous little laugh | http://www.jjon.org/joyce-s-allusions/harraden | Tim Finnegan | 2015-10-29 18:44 | view |
334 | Thursday for wealth | http://www.jjon.org/joyce-s-allusions/thursday | Tim Finnegan | 2015-10-29 18:43 | view |
334 | eyebrowleine | http://www.jjon.org/joyce-s-environs/eyebrow-line | Tim Finnegan | 2015-10-29 18:42 | view |
333 | that tired feeling | http://www.jjon.org/joyce-s-environs/tired-feeling | Tim Finnegan | 2015-10-29 18:40 | view |
673 | Y. IM | MI.Y | Tim Finnegan | 2015-10-25 12:59 | view |
42 | 1904 | Joyce changed this from 1902, though factually it could only have been 1903 | Tim Finnegan | 2015-10-25 04:16 | view |
687 | 1893, to the birth on 29 December 1893 of second (and only male) issue, deceased 9 January 1895 | elsewhere Bloom and Molly claim Rudy would have been 11 in 1904, so he may have been born in 1892. in any case '1895' is wrong | Tim Finnegan | 2015-10-25 04:08 | view |
96 | The last house | actually next-to-last | Tim Finnegan | 2015-10-25 03:59 | view |
130 | eightyone | eightytwo | Tim Finnegan | 2015-10-25 03:57 | view |
243 | Dame gate | anachronism | Tim Finnegan | 2015-10-25 03:47 | view |
244 | Deep in Leinster street | actually Lincoln place | Tim Finnegan | 2015-10-25 03:46 | view |
263 | wrong | not wrong here | Tim Finnegan | 2015-10-25 03:44 | view |
383 | his intention to buy a colour or a cornetcy in the fencibles and list for the wars | Seymour not Bannon | Tim Finnegan | 2015-10-25 03:40 | view |
429 | Then too far. | it sounds like he missed the train stop and had to walk back, but the timing is impossible | Tim Finnegan | 2015-10-25 03:38 | view |
461 | mix. | nux | Tim Finnegan | 2015-10-25 03:35 | view |
558 | prone, his face to the sky | paradoxical, cf notesheet "Head front human, back animal" | Tim Finnegan | 2015-10-25 03:32 | view |
582 | five | two | Tim Finnegan | 2015-10-25 03:30 | view |
585 | eightyone | eightytwo | Tim Finnegan | 2015-10-25 03:29 | view |
620 | perceived by both | meteorologically absurd, they were seven miles apart | Tim Finnegan | 2015-10-25 03:25 | view |
622 | MXMIV | MCMIV | Tim Finnegan | 2015-10-25 03:23 | view |
625 | thirteen | fifteen | Tim Finnegan | 2015-10-25 03:21 | view |
626 | 72 | 162 | Tim Finnegan | 2015-10-25 03:20 | view |
631 | 1893 | 1897 | Tim Finnegan | 2015-10-25 03:19 | view |
632 | 714 | 762 | Tim Finnegan | 2015-10-25 03:18 | view |
632 | 83,300 | 20,230 | Tim Finnegan | 2015-10-25 03:18 | view |
632 | 81,396 B. C. | 17,158 B.C. | Tim Finnegan | 2015-10-25 03:17 | view |
663 | 2 weeks and 3 days | 3 weeks and 4 days | Tim Finnegan | 2015-10-25 03:13 | view |
669 | 2 Febuary 1888 | 1 Feb | Tim Finnegan | 2015-10-25 03:11 | view |
670 | 1866 | 1865 | Tim Finnegan | 2015-10-25 03:10 | view |
678 | elm | oak | Tim Finnegan | 2015-10-25 03:08 | view |
687 | 5 months and 18 days | actually 6 months and 19 days | Tim Finnegan | 2015-10-25 03:07 | view |
366 | Universally | it's anachronistic, but this paragraph reminds me of a long DNA molecule with mostly 'junk' DNA | Tim Finnegan | 2015-10-13 02:26 | view |
722 | worse and worse says Warden Daly | No one has traced this, though Joyce recycles it in Finnegans Wake as "Woe on woe, says Wardeb Daly." There was a historical Warden Daly in Galway in the early 19thC so maybe Joyce picked it up from Nora? | Tim Finnegan | 2015-10-09 02:42 | view |
681 | Where was Moses when the candle went out ? | The traditional answer to this antique riddle was "In the dark" or later "Down in the cellar eating sauerkraut" | Tim Finnegan | 2015-10-08 12:00 | view |
693 | his eyes were red when his father died | the only hint Molly knew Poldy in 1886 | Tim Finnegan | 2015-10-07 13:58 | view |
393 | a goodly hunk of wheaten loaf, a mother's thought. | rare evidence of Ellen Higgins Bloom | Tim Finnegan | 2015-10-07 13:56 | view |
503 | dear Gerald | cf p485 | Tim Finnegan | 2015-10-07 13:54 | view |
485 | dear Gerald | cf p503 | Tim Finnegan | 2015-10-07 13:53 | view |
356 | foreskin | Bloom is uncircumcised | Tim Finnegan | 2015-10-07 13:50 | view |
634 | Higgins (born Hegarty | both Catholic names | Tim Finnegan | 2015-10-07 13:49 | view |
675 | the portrait atelier of their (respectively) 1st and 2nd cousin | on p148 Bloom claims Rudolph had a 'daguerreotype atelier'; on p716 Molly thinks it was Lipoti's | Tim Finnegan | 2015-10-07 13:47 | view |
405 | Too full for words | cf p74 where Bloom applies this phrase to horses just after meeting Lyons | Tim Finnegan | 2015-09-22 03:22 | view |
366 | incorrupted | what sense of 'corrupted' here? | Tim Finnegan | 2015-09-18 12:00 | view |
366 | omnipollent | what Latin nuance distinguishes "poll" from "pot"? | Tim Finnegan | 2015-09-18 12:00 | view |
366 | of evils the original if it be absent | is Eve's original sin being blamed here for painful labor? | Tim Finnegan | 2015-09-18 11:58 | view |
689 | Where ? | See Gifford, pg. 12: https://books.google.com/books?id=uW5iTi8f_b8C&lpg=PA12&ots=a1mugZdlHL&dq=gifford%20ulysses%20annotated%20SMP&pg=PA12#v=onepage&q=gifford%20ulysses%20annotated%20SMP&f=false | wvarga7a1 | 2015-08-30 14:55 | view |
364 | next year in drawers | does this refer to Gerty's age? | Tim Finnegan | 2015-08-06 04:56 | view |
356 | papa’s pants will soon fit Willy | music-hall catchphrase, cliche of child's growth (Google disagrees with Gifford) | Tim Finnegan | 2015-08-06 03:01 | view |
355 | Looked round. She smelt an onion. | Wrinkling her nose-- he disgusts her? | Tim Finnegan | 2015-08-06 02:56 | view |
336 | a man among men | consensus is this alludes to Lincoln but GoogleBooks disagrees | Tim Finnegan | 2015-08-04 13:48 | view |
345 | conundrum | Gifford says "Slang for a thing with an unknown or puzzling name" but what's puzzling about 'pocketwatch'? instead maybe 'chronometer' or hinting 'condom'??? | Tim Finnegan | 2015-08-04 13:44 | view |
331 | Howth | was this visible then? | Tim Finnegan | 2015-08-03 05:53 | view |
187 | T | Why is the "T" capitalized? I suspect that some or all of this passage ought to have been set as verse. with "Tried" starting a verse line. | wvarga7a1 | 2015-08-01 09:30 | view |
187 | Ulysses | This is the first of four instances of "Ulysses" in the text , marking this passage as notable. The character Ulysses appears in Shakespeare's Troilus and Cressida, Dante's Inferno, and as Odysseus in Homer's Iliad and Odyssey. The character's "appearance" in Joyce appears to be part of the latter's 3+1 pattern: or why the number "four" is significant in Joyce's book. | wvarga7a1 | 2015-08-01 09:28 | view |
37 | Ineluctable | also available here in comic form: http://www.infiniteulysses.com/proteus-comic | Tim Finnegan | 2015-08-01 06:28 | view |
77 | Pity so empty. | Bloom is just using the church backdoor as a discreet shortcut, but he's content to make a show of joining in (why doesn't he express any annoyance here?) | Tim Finnegan | 2015-08-01 06:24 | view |
80 | southward | https://goo.gl/maps/3ixal | Tim Finnegan | 2015-07-31 18:26 | view |
68 | sir John Rogerson’s quay | https://goo.gl/maps/Abu1j | Tim Finnegan | 2015-07-31 18:20 | view |
55 | He crossed | https://goo.gl/maps/avvUd | Tim Finnegan | 2015-07-31 18:16 | view |
17 | He walked on | https://goo.gl/maps/Cir9i | Tim Finnegan | 2015-07-31 17:33 | view |
619 | followed | https://goo.gl/maps/d3KC2 | Tim Finnegan | 2015-07-31 14:36 | view |
54 | Curious mice never squeal. Seem to like it. | Bloom/Joyce's masochism as natural law? Cf Christian martyrs?? | Tim Finnegan | 2015-07-28 04:13 | view |
5 | new art colour | cf the citizen's handkerchief on p318 | Tim Finnegan | 2015-07-20 12:08 | view |
7 | oxy | or ox-like? | Tim Finnegan | 2015-07-20 11:59 | view |
8 | Humour her | Stephen considered this betraying his art | Tim Finnegan | 2015-07-20 11:57 | view |
9 | A cloud began to cover the sun slowly, | Although it seems synchronized with Bloom's cloud in episode 4, meteorologically they must be miles apart. | Tim Finnegan | 2015-07-20 11:51 | view |
9 | loudly | even if Haines is standing at the stairs, a loud call would be pretty faint by the time it reached the roof | Tim Finnegan | 2015-07-20 11:47 | view |
11 | grease | butter or lard? | Tim Finnegan | 2015-07-20 11:32 | view |
12 | coming up | is she already on the stairs, or coming up the road/path? | Tim Finnegan | 2015-07-20 11:32 | view |
12 | the fry | eggs and rashers/bacon | Tim Finnegan | 2015-07-20 11:31 | view |
13 | entering | has Haines signalled her to come in, or did the open door suffice? | Tim Finnegan | 2015-07-20 11:29 | view |
14 | confidently | he was nervous she might be able to criticize his pronunciation | Tim Finnegan | 2015-07-20 11:19 | view |
17 | his trunk | page 6 had "his strong wellknit trunk" | Tim Finnegan | 2015-07-20 11:02 | view |
22 | stew | the context suggests cramming for army exams? | Tim Finnegan | 2015-07-20 10:51 | view |
304 | So and So | could Bergan be sparing Bloom's feelings?? | Tim Finnegan | 2015-07-16 10:48 | view |
304 | Delany | does joyce omit any british-sounding names? | Tim Finnegan | 2015-07-16 08:08 | view |
304 | clergy | is joyce saying the numerous clergy are a burden? | Tim Finnegan | 2015-07-16 08:07 | view |
304 | canon | in the 1901 census he capitalises this | Tim Finnegan | 2015-07-16 07:44 | view |
304 | Amongst | is this joyce's lifetime-worst paragraph? a list copied from thom's? any hidden redeeming artistry? | Tim Finnegan | 2015-07-16 07:43 | view |
307 | truth of a libel | cf Joyce and Ardilaun? | Tim Finnegan | 2015-07-14 04:26 | view |
303 | talk steady | Ellmann: "Furlan enjoyed this kind of discussion, but was less pleased when he was asked to describe an oil lamp. He fumbled helplessly for the technical language, and Joyce then took over and spent half an hour, in what seemed to Furlan 'a descriptive lust,' explaining the lamp's obvious and minute details." | Tim Finnegan | 2015-07-14 04:18 | view |
286 | Ah! Ow! Don’t be talking! | the alternative reading is that this 'Ow' reflects the 'click' of the drink, not the pissing | Tim Finnegan | 2015-07-13 12:06 | view |
285 | gave me the wheeze | this isn't about Throwaway yet, just payday at the newspaper office | Tim Finnegan | 2015-07-13 11:42 | view |
285 | the prudent member | this is enough of a clue for the others to know who he means | Tim Finnegan | 2015-07-13 11:40 | view |
283 | he | ambiguous, but surely the human | Tim Finnegan | 2015-07-13 11:34 | view |
315 | Black Beast Burned in Omaha. Ga. | 1919 story: https://en.wikipedia.org/wiki/Omaha_race_riot_of_1919 | Tim Finnegan | 2015-07-12 04:40 | view |
315 | Ga. | London Times error for Nebraska | Tim Finnegan | 2015-07-12 04:40 | view |
312 | our white flint glass down there by Ballybough | Gifford says fragments were found in a cave, but I can't find anything online | Tim Finnegan | 2015-07-12 04:17 | view |
311 | trick of the loop | can this really just mean a ring toss game? it sounds more like fancy knot-tying | Tim Finnegan | 2015-07-12 03:51 | view |
311 | There’s hair | used repeatedly in Finnegans Wake, traceable to a Robert Burns song, maybe alluding to puberty? | Tim Finnegan | 2015-07-11 14:06 | view |
292 | a half one | Doran only offers Bergan half a drink?? | Tim Finnegan | 2015-07-11 04:06 | view |
5 | mummer | Specifically an actor in a British seasonal folk play | Min Wild | 2015-07-09 11:02 | view |
321 | when I got back | if the urination has been present tense, how can this post-urination be past tense? | Tim Finnegan | 2015-07-06 14:00 | view |
282 | ingots | among all the fishwords we get this metal, and "seagems" | Tim Finnegan | 2015-07-03 05:23 | view |
282 | gunnard | Joyce's error for 'gurnard' | Tim Finnegan | 2015-07-03 04:57 | view |
280 | There is | should we assume the 'is' is emphasized as if italicised, if joyce ever allowed italics for emphasis which he doesn't? | Tim Finnegan | 2015-07-03 04:26 | view |
280 | thief | Joyce used a real name and address out of Thom's so this was libelous | Tim Finnegan | 2015-07-02 04:20 | view |
280 | Joe Hynes | Hynes was at Dignam's funeral and misunderstood Bloom re McIntosh | Tim Finnegan | 2015-07-02 04:19 | view |
281 | John of God’s | a real insane asylum | Tim Finnegan | 2015-07-02 04:14 | view |
281 | our friend | who? | Tim Finnegan | 2015-07-02 04:14 | view |
281 | alienated | not even eaten? | Tim Finnegan | 2015-07-02 04:13 | view |
280 | any God’s quantity | the debt would be a little over $150 today | Tim Finnegan | 2015-07-02 04:06 | view |
56 | Sad thing about poor Dignam, Mr O’Rourke. | Anticipating what he'll say in his head.-- but he doesn't have the courage to raise the subject of death-- weather safer. | Min Wild | 2015-06-30 12:35 | view |
286 | Ah! Ow! Don’t be talking! | As will be later revealed (http://www.infiniteulysses.com/ulysses/321), these Ahs and ows are sound effects which accompany the urination of our gonorrheic unnamed narrator. David Hayman proposes that at least this part of the tale of Bloom in the Cyclops' sordid den is being recounted by the speaker and his auditor(s) while both are engaged in pissing. | bbogle | 2015-06-27 09:16 | view |
286 | Ah! Ow! Don’t be talking! | As will be later revealed (http://www.infiniteulysses.com/ulysses/321), these Ahs and ows are sound effects which accompany the urination of our gonorrheic unnamed narrator. David Hayman proposes that at least this part of the tale of Bloom in the Cyclops' sordid den is being recounted by the speaker and his auditor(s) while both are engaged in pissing. | bbogle | 2015-06-27 09:16 | view |
316 | Didn't I tell you? As true as I’m drinking this porter | David Hayman proposes that these sentences can be read as revealing to us that the unnamed Narrator is telling some unknown auditor(s) what he saw some time earlier at Barney Kiernan's pub. That is, all of Cyclops would be a retelling that is recounted at some time removed from the hour in which the action unfolded. See annotations here: http://www.infiniteulysses.com/ulysses/321 | bbogle | 2015-06-27 09:03 | view |
316 | Didn't I tell you? As true as I’m drinking this porter | David Hayman proposes that these sentences can be read as revealing to us that the unnamed Narrator is telling some unknown auditor(s) what he saw some time earlier at Barney Kiernan's pub. That is, all of Cyclops would be a retelling that is recounted at some time removed from the hour in which the action unfolded. See annotations here: http://www.infiniteulysses.com/ulysses/321 | bbogle | 2015-06-27 09:03 | view |
321 | ow! | Ows and ahs: a gonorrheal urination. | bbogle | 2015-06-27 08:54 | view |
321 | ow! | Ows and ahs: a gonorrheal urination. | bbogle | 2015-06-27 08:54 | view |
321 | hoik! phthook! | Our friend Joyce vividly illustrating another physiological function in Ulysses: the act of expectoration. | bbogle | 2015-06-27 08:52 | view |
321 | hoik! phthook! | Our friend Joyce vividly illustrating another physiological function in Ulysses: the act of expectoration. | bbogle | 2015-06-27 08:52 | view |
321 | letting off my load | Our friend Joyce vividly illustrating another physiological function in Ulysses: the act of micturation. | bbogle | 2015-06-27 08:51 | view |
321 | letting off my load | Our friend Joyce vividly illustrating another physiological function in Ulysses: the act of micturation. | bbogle | 2015-06-27 08:51 | view |
321 | cuckoos | David Hayman proposes that the use of the word cuckoos synchs the telling of this Cyclopean tale by our unnamed Narrator with the end of Nausicaa; that is, the Narrator is retelling the whole story sometime later in another pub. | bbogle | 2015-06-27 08:42 | view |
321 | cuckoos | David Hayman proposes that the use of the word cuckoos synchs the telling of this Cyclopean tale by our unnamed Narrator with the end of Nausicaa; that is, the Narrator is retelling the whole story sometime later in another pub. | bbogle | 2015-06-27 08:42 | view |
319 | — But it’s no use, says he. Force, hatred, history, all that. That’s not life for men and women, insult and hatred. And everybody knows that it’s the very opposite of that that is really life. — What? says Alf. — Love, says Bloom. | This is one of the moments that really endear Bloom to me. You see people making fun of him etc. all day, and he's quietly holding these very firm and optimistic opinions. | Amanda Visconti | 2015-06-26 17:08 | view |
319 | — But it’s no use, says he. Force, hatred, history, all that. That’s not life for men and women, insult and hatred. And everybody knows that it’s the very opposite of that that is really life. — What? says Alf. — Love, says Bloom. | This is one of the moments that really endear Bloom to me. You see people making fun of him etc. all day, and he's quietly holding these very firm and optimistic opinions. | Amanda Visconti | 2015-06-26 17:08 | view |
319 | — But it’s no use, says he. Force, hatred, history, all that. That’s not life for men and women, insult and hatred. And everybody knows that it’s the very opposite of that that is really life. — What? says Alf. — Love, says Bloom. | This is one of the moments that really endear Bloom to me. You see people making fun of him etc. all day, and he's quietly holding these very firm and optimistic opinions. | Amanda Visconti | 2015-06-26 17:08 | view |
3 | Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed. | i'd suggest that if you believe joyce counted the words in sentences you can compile a table of all the sentence lengths and see if the patterns hold globally. | Tim Finnegan | 2015-06-25 16:56 | view |
3 | a mirror | the shape of hand mirrors is a possible source for the traditional symbol for female/Venus: ♀ | Tim Finnegan | 2015-06-25 16:50 | view |
319 | Love | Because Bloom is not the point of view character in Cyclops, it's easy to forget how very heavily the rendezvous between Boylan and Molly, begun more or less an hour earlier, is weighing on his mind during this episode. When Bloom's words and actions are read in that context, a deeper pathos emerges. | bbogle | 2015-06-25 06:26 | view |
319 | Love | Because Bloom is not the point of view character in Cyclops, it's easy to forget how very heavily the rendezvous between Boylan and Molly, begun more or less an hour earlier, is weighing on his mind during this episode. When Bloom's words and actions are read in that context, a deeper pathos emerges. | bbogle | 2015-06-25 06:26 | view |
233 | She is drowning | Interesting that the metaphor Stephen latches onto to describe Dilly's plight is "drowning." He feels guilt ― perhaps not elevated to full consciousness ― because he imagines that all his siblings are drowning in poverty and he can do nothing to save them: each one, including Stephen, can only fend for him- or herself. We must reassess what's previously been on his mind when he has thought about drownings, and maybe extend our consideration of the significance of "agenbite of inwit." The guilt he feels is not only related to his mother's death, perhaps, but also to his incapacity of helping his siblings. In Proteus (http://www.infiniteulysses.com/ulysses/45) Stephen asked himself if, in certain circumstances, he would try to save a drowning man. Now, in Wandering Rocks, he identifies his own sister in a drowning condition right before him. Does he try to help her? No. | bbogle | 2015-06-25 06:17 | view |
233 | She is drowning | Interesting that the metaphor Stephen latches onto to describe Dilly's plight is "drowning." He feels guilt ― perhaps not elevated to full consciousness ― because he imagines that all his siblings are drowning in poverty and he can do nothing to save them: each one, including Stephen, can only fend for him- or herself. We must reassess what's previously been on his mind when he has thought about drownings, and maybe extend our consideration of the significance of "agenbite of inwit." The guilt he feels is not only related to his mother's death, perhaps, but also to his incapacity of helping his siblings. In Proteus (http://www.infiniteulysses.com/ulysses/45) Stephen asked himself if, in certain circumstances, he would try to save a drowning man. Now, in Wandering Rocks, he identifies his own sister in a drowning condition right before him. Does he try to help her? No. | bbogle | 2015-06-25 06:17 | view |
220 | 16 June 1904 | Now we know on what day the action of Ulysses takes place. | bbogle | 2015-06-25 05:39 | view |
220 | 16 June 1904 | Now we know on what day the action of Ulysses takes place. | bbogle | 2015-06-25 05:39 | view |
60 | The kettle is boiling | he left it on the fire!? | Tim Finnegan | 2015-06-21 04:25 | view |
95 | A coffin bumped out | in imagination only | Tim Finnegan | 2015-06-20 04:39 | view |
33 | Koch's preparation | This refers to the work of German physician and bacteriologist Heinrich Hermann Robert Koch (1843-1910), who performed groundbreaking work on the causes of anthrax, tuberculosis, cholera, and other bacterial diseases. Mr. Deasy is trying to show he is up to date on scientific discoveries. Unfortunately, in this case his interpretation of Koch's discoveries is wrong: foot and mouth disease cannot be cured. For more, see http://cas.umt.edu/english/joyce/notes/020055serumandvirus.htm | Heather Munro P... | 2015-06-16 16:35 | view |
3 | he | Mulligan | Amanda Visconti | 2015-06-14 15:49 | view |
3 | he | Mulligan | Amanda Visconti | 2015-06-14 15:49 | view |
3 | he | Mulligan | Amanda Visconti | 2015-06-14 15:49 | view |
218 | bridgepiers | Recall from Nestor that a pier is a disappointed bridge. | bbogle | 2015-06-10 14:06 | view |
218 | bridgepiers | Recall from Nestor that a pier is a disappointed bridge. | bbogle | 2015-06-10 14:06 | view |
221 | points of vantage | An echo of "coign of vantage" expression used by Stephen Dedalus when imaging a visit to the Richie Goulding house in Proteus. | bbogle | 2015-06-10 13:43 | view |
221 | points of vantage | An echo of "coign of vantage" expression used by Stephen Dedalus when imaging a visit to the Richie Goulding house in Proteus. | bbogle | 2015-06-10 13:43 | view |
651 | For what creature was the door of egress a door of ingress ? | Compare to passage in Wandering Rocks (http://www.infiniteulysses.com/ulysses/224) and Stephen Dedalus' consideration of the difference between a gate and a door in Proteus. | bbogle | 2015-06-10 13:28 | view |
651 | For what creature was the door of egress a door of ingress ? | Compare to passage in Wandering Rocks (http://www.infiniteulysses.com/ulysses/224) and Stephen Dedalus' consideration of the difference between a gate and a door in Proteus. | bbogle | 2015-06-10 13:28 | view |
224 | The gates of the drive opened wide to give egress to the viceregal cavalcade. | Compare to passage in Ithaca (http://www.infiniteulysses.com/ulysses/651) and Stephen Dedalus' consideration of the difference between a gate and a door in Proteus. | bbogle | 2015-06-10 13:26 | view |
224 | The gates of the drive opened wide to give egress to the viceregal cavalcade. | Compare to passage in Ithaca (http://www.infiniteulysses.com/ulysses/651) and Stephen Dedalus' consideration of the difference between a gate and a door in Proteus. | bbogle | 2015-06-10 13:26 | view |
83 | buoyed lightly upward | Recalling his earlier thoughts about the Dead Sea: "Where was the chap I saw in that picture somewhere? Ah, in the dead sea..." See: http://www.infiniteulysses.com/ulysses/69 | bbogle | 2015-06-10 12:43 | view |
83 | buoyed lightly upward | Recalling his earlier thoughts about the Dead Sea: "Where was the chap I saw in that picture somewhere? Ah, in the dead sea..." See: http://www.infiniteulysses.com/ulysses/69 | bbogle | 2015-06-10 12:43 | view |
265 | Seven days in jail, Ben Dollard said, on bread and water. Then you’d sing, Simon, like a garden thrush. | Because Simon Dedalus would not have access to alcohol in that time. | bbogle | 2015-06-10 12:34 | view |
265 | Seven days in jail, Ben Dollard said, on bread and water. Then you’d sing, Simon, like a garden thrush. | Because Simon Dedalus would not have access to alcohol in that time. | bbogle | 2015-06-10 12:34 | view |
209 | Laud we the gods And let our crooked smokes climb to their nostrils From our bless'd altars. | Did you enjoy that, gentle first-time reader? Did you have fun? I hope so, because that's it for the kiddie rides. Scylla and Charybdis is the first climax of Ulysses, the first summing-up, a tentative balancing of accounts. Next we pass through the central carousel-carousal that is Wandering Rocks, slowly rotating on its axis: time to catch your breath while it turns through 90 degrees, 180, 270, 360, and then you step off and, what? Huh? Wait! The kiddie carnival is gone! All is strictly adult entertainment from here on in. So keep your hands in the vehicle at all times. Not responsible for lost personal items or innocence. Hold on tight! Here goes! | bbogle | 2015-06-08 23:12 | view |
209 | Laud we the gods And let our crooked smokes climb to their nostrils From our bless'd altars. | Did you enjoy that, gentle first-time reader? Did you have fun? I hope so, because that's it for the kiddie rides. Scylla and Charybdis is the first climax of Ulysses, the first summing-up, a tentative balancing of accounts. Next we pass through the central carousel-carousal that is Wandering Rocks, slowly rotating on its axis: time to catch your breath while it turns through 90 degrees, 180, 270, 360, and then you step off and, what? Huh? Wait! The kiddie carnival is gone! All is strictly adult entertainment from here on in. So keep your hands in the vehicle at all times. Not responsible for lost personal items or innocence. Hold on tight! Here goes! | bbogle | 2015-06-08 23:12 | view |
216 | Corny Kelleher sped a silent jet of hayjuice arching from his mouth while a generous white arm from a window in Eccles street flung forth a coin. | Twin parabolic arcs traced by matter accelerating at 32 feet per second per second under the influence of gravity. See also Ithaca: http://www.infiniteulysses.com/ulysses/655 | bbogle | 2015-06-08 19:09 | view |
216 | Corny Kelleher sped a silent jet of hayjuice arching from his mouth while a generous white arm from a window in Eccles street flung forth a coin. | Twin parabolic arcs traced by matter accelerating at 32 feet per second per second under the influence of gravity. See also Ithaca: http://www.infiniteulysses.com/ulysses/655 | bbogle | 2015-06-08 19:09 | view |
210 | Five to three. | (Re: comment by Tim Finnegan: Assuming his watch is accurately set. It appears to be.) The importance of baldly stating an exact, or near-exact, time is that it allows us to reasonably accurately synchronize all the activity of the 19 sections of Wandering Rocks. A few other exact, or near-exact, timestamps which are relevant to this episode may also be found in Sirens and Penelope. No doubt Mr Joyce directly stated the time in the very first paragraph deliberately to signal to us that we *could* synchronize all the action. Synchronizations in space and time are central to a deeper understanding of this pivoting mid-book episode, although it can also be read more superficially with considerable enjoyment. | bbogle | 2015-06-08 18:53 | view |
210 | Five to three. | (Re: comment by Tim Finnegan: Assuming his watch is accurately set. It appears to be.) The importance of baldly stating an exact, or near-exact, time is that it allows us to reasonably accurately synchronize all the activity of the 19 sections of Wandering Rocks. A few other exact, or near-exact, timestamps which are relevant to this episode may also be found in Sirens and Penelope. No doubt Mr Joyce directly stated the time in the very first paragraph deliberately to signal to us that we *could* synchronize all the action. Synchronizations in space and time are central to a deeper understanding of this pivoting mid-book episode, although it can also be read more superficially with considerable enjoyment. | bbogle | 2015-06-08 18:53 | view |
23 | A voice, sweettoned and sustained, called to him from the sea. Turning the curve he waved his hand. It called again. | Mayn't this be conceived of as the first siren's call heard in Ulysses? Aye, it may. | bbogle | 2015-06-08 10:19 | view |
23 | A voice, sweettoned and sustained, called to him from the sea. Turning the curve he waved his hand. It called again. | Mayn't this be conceived of as the first siren's call heard in Ulysses? Aye, it may. | bbogle | 2015-06-08 10:19 | view |
163 | Nosey Flynn said from his nook. | "Nosey Flynn was sitting up in his usual corner of Davy Byrne's..." From "Counterparts" in Dubliners. | bbogle | 2015-06-08 10:06 | view |
163 | Nosey Flynn said from his nook. | "Nosey Flynn was sitting up in his usual corner of Davy Byrne's..." From "Counterparts" in Dubliners. | bbogle | 2015-06-08 10:06 | view |
68 | Oriental | The Oriental motif which emerged in Calypso ― although in Proteus Stephen *almost* remembered a recurring dream involving, or associated with, Haroun al Raschid, who reigned in Baghdad during the Islamic Golden Age and is closely associated with the Book of One Thousand and One Nights ― coils cloyingly throughout Lotus Eaters, always carrying with it a wafting insinuation of exotic sensuality, particularly of a sexual proclivity. | bbogle | 2015-06-07 19:08 | view |
68 | Oriental | The Oriental motif which emerged in Calypso ― although in Proteus Stephen *almost* remembered a recurring dream involving, or associated with, Haroun al Raschid, who reigned in Baghdad during the Islamic Golden Age and is closely associated with the Book of One Thousand and One Nights ― coils cloyingly throughout Lotus Eaters, always carrying with it a wafting insinuation of exotic sensuality, particularly of a sexual proclivity. | bbogle | 2015-06-07 19:08 | view |
68 | At eleven it is. | That is, he has confirmed the hour of Dignam's funeral. | bbogle | 2015-06-07 18:49 | view |
68 | At eleven it is. | That is, he has confirmed the hour of Dignam's funeral. | bbogle | 2015-06-07 18:49 | view |
81 | her skin | First time readers, when they come to Lotus Eaters, sometimes (often) begin to conceive of Bloom as something of a philandering blackguard because of his illicit correspondence with Martha and his sneaking around, ogling women. These same readers usually begin to temper these uncharitable impressions about the time they read a few certain passages in Hades. Joyce is building a tower of expectations and beliefs in his readers which he shall, in due course, tear down, thereby strengthening considerably our sympathy for Mr Bloom. To begin to come to Leo's defense...You will note that throughout the day he never long stops thinking about Molly, in past or present tense, sometimes with humor, but never without admiration. He would never consider actually meeting Martha and consummating this flirtatious correspondence. Would Molly remain so true to him? We shall see. | bbogle | 2015-06-07 18:46 | view |
81 | her skin | First time readers, when they come to Lotus Eaters, sometimes (often) begin to conceive of Bloom as something of a philandering blackguard because of his illicit correspondence with Martha and his sneaking around, ogling women. These same readers usually begin to temper these uncharitable impressions about the time they read a few certain passages in Hades. Joyce is building a tower of expectations and beliefs in his readers which he shall, in due course, tear down, thereby strengthening considerably our sympathy for Mr Bloom. To begin to come to Leo's defense...You will note that throughout the day he never long stops thinking about Molly, in past or present tense, sometimes with humor, but never without admiration. He would never consider actually meeting Martha and consummating this flirtatious correspondence. Would Molly remain so true to him? We shall see. | bbogle | 2015-06-07 18:46 | view |
61 | he carried the tray in and set it on the chair | Interpretation: Bloom's serving breakfast echos Venus in Furs by Ritter von Leopold Sacher-Masoch: "Breakfast." I hasten to get it, and then kneel down with the tray beside her bed. "Here is breakfast, my mistress." http://www.gutenberg.org/cache/epub/6852/pg6852.txt | wvarga7a1 | 2015-06-07 10:46 | view |
622 | gained retarded access to the kitchen through the subadjacent scullery | See Gunn's "Figure 3 shows a single view of the model [of 7 Eccles St.]. This example has transparent walls and is part of a fly-through that follows Bloom's path in 'Ithaca' over the railings into the front area, through the door, along the passage, up the stairs and back to the front door." http://hjs.ff.cuni.cz/archives/v7/essays/gunn.htm See Raleigh's floorplan: https://books.google.com/books?id=QsJmAejhq68C&lpg=PP2&ots=TNggYzwWpj&dq=chronicle%20of%20leopold%20and%20molly%20bloom&pg=PA143#v=onepage&q&f=false | wvarga7a1 | 2015-06-07 10:06 | view |
674 | Miss Callan | Conjecture: her name is "Ethel." See pg. 26: " Edith, Ethel, Gerty, Lily." As there is none expessly named "Ethel" in Ulysses, the conjecture is that Miss Callan's first name is "Ethel," making the joke of her being "Martha" funny. | wvarga7a1 | 2015-06-06 10:26 | view |
731 | of Mulvey | In Calyspo anent a novel Molly asked, "Is she in love with the first fellow all the time?" In Nausicaa, Bloom thought, "Remember that till their dying day. Molly, lieutenant Mulvey that kissed her under the Moorish wall beside the gardens. Fifteen she told me." So "I was thinking of so many things he didnt know of Mulvey" gives the reader an answer: Molly IS in love with Mulvey "all the time" in this novel. | wvarga7a1 | 2015-06-06 10:04 | view |
56 | Dlugacz’s | "Dlugacz's, pork butcher, is one of the few invented shops of Ulysses." Epic Geography: James Joyce's Ulysses, Michael Seidel, 1976, pg. 151: http://www.goodreads.com/book/show/4275560-epic-geography | wvarga7a1 | 2015-06-05 21:30 | view |
558 | fists outstretched | Parallax: Stephen Dedalus vs. Private Carr mirrors that fight from May 22 recounted in Wandering Rocks missed by Master Dignam: "Myler Keogh, Dublin's pet lamb, will meet sergeantmajor Bennett, the Portobello bruiser." | wvarga7a1 | 2015-06-05 10:35 | view |
87 | it’s the most natural thing in the world | Bloom does not appear to register the innuendo; maybe because his thoughts of Rudy are too sombre or maybe because he really does not share the allusion with the other men. | pbohan | 2015-06-05 07:26 | view |
86 | the cease to do evil | Cease to do evil; learn to do well was the motto over the door of the Richmond Bridewell (prison) which was later part of Griffith Barracks. | pbohan | 2015-06-05 07:11 | view |
84 | Huggermugger | We have done but greenly in hugger-mugger to inter him: Claudius (Hamlet IV v 85) describing the rushed and secretive burial of Polonius, slain by Hamlet. | pbohan | 2015-06-05 06:51 | view |
258 | 4 Lismore terrace | Not on maps? Why just here, an exact address? | Tim Finnegan | 2015-06-04 13:08 | view |
258 | Keogh’s | Who? | Tim Finnegan | 2015-06-04 13:06 | view |
259 | two gentlemen | Who? | Tim Finnegan | 2015-06-04 13:04 | view |
261 | told | Told who what? | Tim Finnegan | 2015-06-04 12:51 | view |
258 | drummajor | Is there any reason to consider this factual? | Tim Finnegan | 2015-06-04 06:22 | view |
260 | grave, tall | Simon or Dollard or Cowley? Is Simon ever called 'tall'? (Is he singing to his dead wife?) | Tim Finnegan | 2015-06-04 05:21 | view |
260 | A Last Farewell | Both Gifford and Bowen think this is a song title Simon sings, but they choose different songs. It's also claimed this is the title of a painting on the wall, but all these are guesses. | Tim Finnegan | 2015-06-04 05:18 | view |
242 | Passing by | Limping, surely? | Tim Finnegan | 2015-06-03 10:21 | view |
245 | A jumping rose on satiny breasts of satin, | Joyce is trying to evoke a wide range of musical instruments, one per line. This would be a viola or violin. | Tim Finnegan | 2015-06-03 10:17 | view |
253 | one reserve | Does this just mean he only needs one? why then two envelopes? | Tim Finnegan | 2015-06-03 10:14 | view |
185 | Dana | See the literary magazine, Dana http://babel.hathitrust.org/cgi/pt?id=mdp.39015042108806;view=1up;seq=5 , to appreciate the insult perceived by Joyce from A.E. and his literary cronies. | wvarga7a1 | 2015-06-03 07:33 | view |
687 | 10 years | Corresponds to the ten years in which Odysseus was absent from Penelope. | bbogle | 2015-06-01 10:10 | view |
687 | 10 years | Corresponds to the ten years in which Odysseus was absent from Penelope. | bbogle | 2015-06-01 10:10 | view |
59 | — Poldy! | In the following pages note the inversion of traditional domestic roles: this is the palace of feminine authority with the male acting as servant, as was the case when Odysseus was captive to (captivated by) Calypso. | bbogle | 2015-06-01 10:00 | view |
59 | — Poldy! | In the following pages note the inversion of traditional domestic roles: this is the palace of feminine authority with the male acting as servant, as was the case when Odysseus was captive to (captivated by) Calypso. | bbogle | 2015-06-01 10:00 | view |
62 | Bath of the Nymph | Bloom regards the portrayal of a bathing nymph hung over the bed. Who is Calypso in this episode: Molly or the depicted nymph? | bbogle | 2015-06-01 09:53 | view |
62 | Bath of the Nymph | Bloom regards the portrayal of a bathing nymph hung over the bed. Who is Calypso in this episode: Molly or the depicted nymph? | bbogle | 2015-06-01 09:53 | view |
62 | reincarnation | Should Odysseus reincarnate as Bloom, and should the process happen repeatedly in the fullness of time, then we have the essential premise of Finnegans Wake. | bbogle | 2015-06-01 09:45 | view |
62 | reincarnation | Should Odysseus reincarnate as Bloom, and should the process happen repeatedly in the fullness of time, then we have the essential premise of Finnegans Wake. | bbogle | 2015-06-01 09:45 | view |
710 | was the first | First time readers of Penelope may appreciate the reformatted text (Barger's RobotWisdom) at: http://web.archive.org/web/20111228211806/http://www.robotwisdom.com/jaj/ulysses/penelope2.html | wvarga7a1 | 2015-06-01 07:46 | view |
711 | yes O yes I pulled him off into my handkerchief | Biography: see Brenda Maddox's Nora, pg. 21 "...the art of pleasing a man without losing her virtue": https://goo.gl/OD5Z7W | wvarga7a1 | 2015-05-31 09:01 | view |
710 | Mulveys | Biography: Brenda Maddox recounts the model for Mulvey in Nora: https://goo.gl/GcEIzp | wvarga7a1 | 2015-05-31 08:49 | view |
690 | Yes | First time readers of Penelope may appreciate the reformatted text (Barger's RobotWisdom) at: http://web.archive.org/web/20111228210145/http://www.robotwisdom.com/jaj/ulysses/penelope1.html | wvarga7a1 | 2015-05-31 08:41 | view |
39 | coign of vantage | From the Scottish play, description of the castle at Inverness. The birds love it. "Coign" = corner; viz., a useful corner. http://shakespeare.mit.edu/macbeth/macbeth.1.6.html | bbogle | 2015-05-29 09:22 | view |
39 | coign of vantage | From the Scottish play, description of the castle at Inverness. The birds love it. "Coign" = corner; viz., a useful corner. http://shakespeare.mit.edu/macbeth/macbeth.1.6.html | bbogle | 2015-05-29 09:22 | view |
618 | no pun intended. | Interpretation: what's the pun? First, "budding" vs. "blooming" and "bud" vs. "bloom". Second, see Gogarty's verse, Molly, with its deniable smut on "bloom" and "bud": http://goo.gl/910ln6 So an inside joke is Joyce putting down Gogarty upon whom Mulligan is based. | wvarga7a1 | 2015-05-29 08:41 | view |
618 | no pun intended. | Interpretation: what's the pun? First, "budding" vs. "blooming" and "bud" vs. "bloom". Second, see Gogarty's verse, Molly, with its deniable smut on "bloom" and "bud": http://goo.gl/U8i44b So an inside joke is Joyce putting down Gogarty upon whom Mulligan is based. | wvarga7a1 | 2015-05-29 08:40 | view |
618 | no pun intended | Interpretation: What pun? First, "bloom" vs. "bud", "blooming" vs "budding". Second: see Gogarty's poem of deniable smut, Molly, with its "bud": http://goo.gl/OVCgpF | wvarga7a1 | 2015-05-29 08:36 | view |
576 | humorous element, Dr Mulligan, as a guide, philosopher, and friend, if I were in your shoes | Interpretation: note the humor: Bloom putting down Mulligan while Stephen is literally wearing the shoes Mulligan gave him.. Thus if Bloom were "in [Stephen's] shoes" he'd be in those of Mulligan. | wvarga7a1 | 2015-05-29 08:27 | view |
35 | Irish Homestead | George Russell (AE) is associated with (editor of, 1905-23) The Irish Homestead. When Stephen goes to the National Library (Scylla and Charybdis), it is to deliver this letter of Deasy's to AE. | bbogle | 2015-05-28 12:21 | view |
35 | Irish Homestead | George Russell (AE) is associated with (editor of, 1905-23) The Irish Homestead. When Stephen goes to the National Library (Scylla and Charybdis), it is to deliver this letter of Deasy's to AE. | bbogle | 2015-05-28 12:21 | view |
31 | Lal the ral the raThe rocky road to Dublin. | Another Irish ballad. https://www.youtube.com/watch?v=jxBKgOyMzSc | bbogle | 2015-05-28 12:05 | view |
31 | Lal the ral the raThe rocky road to Dublin. | Another Irish ballad. https://www.youtube.com/watch?v=jxBKgOyMzSc | bbogle | 2015-05-28 12:05 | view |
31 | Croppies lie down | Title of a Protestant, anti-Catholic rebel song. https://www.youtube.com/watch?t=44&v=orLeh3GsY6s | bbogle | 2015-05-28 12:02 | view |
31 | Croppies lie down | Title of a Protestant, anti-Catholic rebel song. https://www.youtube.com/watch?t=44&v=orLeh3GsY6s | bbogle | 2015-05-28 12:02 | view |
31 | Glorious, pious and immortal memory. | The opening of the Orange Toast of loyal Irish Protestants. See: http://www.finnegansweb.com/wiki/index.php/Orange_Toast | bbogle | 2015-05-28 11:54 | view |
31 | Glorious, pious and immortal memory. | The opening of the Orange Toast of loyal Irish Protestants. See: http://www.finnegansweb.com/wiki/index.php/Orange_Toast | bbogle | 2015-05-28 11:54 | view |
31 | Russell | Presumably George William Russell (AE). http://en.wikipedia.org/wiki/George_William_Russell | bbogle | 2015-05-28 11:50 | view |
31 | Russell | Presumably George William Russell (AE). http://en.wikipedia.org/wiki/George_William_Russell | bbogle | 2015-05-28 11:50 | view |
28 | The only true thing in life? | Stephen remembering Cranly's words and argument from Portrait. | bbogle | 2015-05-28 11:41 | view |
28 | The only true thing in life? | Stephen remembering Cranly's words and argument from Portrait. | bbogle | 2015-05-28 11:41 | view |
26 | Hocke | Field hockey which the boys play. That is, ritualized and stylized violence (sport): imparting through play the tradition of martial violence. | bbogle | 2015-05-28 11:39 | view |
26 | Hocke | Field hockey which the boys play. That is, ritualized and stylized violence (sport): imparting through play the tradition of martial violence. | bbogle | 2015-05-28 11:39 | view |
26 | an actuality of the possible as possible | Stephen reflecting on the unfolding of history, of individual actualities precipitating out of a sea of potentialities in an indeterminate universe; or is the universe determinant, so that everything that happens unfolds as if by clockwork? | bbogle | 2015-05-28 11:36 | view |
26 | an actuality of the possible as possible | Stephen reflecting on the unfolding of history, of individual actualities precipitating out of a sea of potentialities in an indeterminate universe; or is the universe determinant, so that everything that happens unfolds as if by clockwork? | bbogle | 2015-05-28 11:36 | view |
37 | iambs marching | Martial poetic feet: feet marching. See also Joyce's essay on James Clarence Mangan; search on the page for the word iambs. http://andromeda.rutgers.edu/~ehrlich/382/MANGAN1 | bbogle | 2015-05-28 10:35 | view |
37 | iambs marching | Martial poetic feet: feet marching. See also Joyce's essay on James Clarence Mangan; search on the page for the word iambs. http://andromeda.rutgers.edu/~ehrlich/382/MANGAN1 | bbogle | 2015-05-28 10:35 | view |
24 | the daughters of memory | Haines' earlier casual comment in Telemachus about history being to blame has triggered many of Stephen's subsequent thoughts this day concerning the meaning, significance, and (un)reality of what we call history. Nestor is thematically concerned with history's fables leading so often to violence. To go deeper down this particular rabbit hole, see this 1902 essay by Joyce about the Irish poet James Clarence Mangan. A search on the page for the word daughters reveals the relevant paragraph. http://andromeda.rutgers.edu/~ehrlich/382/MANGAN1 | bbogle | 2015-05-28 10:10 | view |
24 | the daughters of memory | Haines' earlier casual comment in Telemachus about history being to blame has triggered many of Stephen's subsequent thoughts this day concerning the meaning, significance, and (un)reality of what we call history. Nestor is thematically concerned with history's fables leading so often to violence. To go deeper down this particular rabbit hole, see this 1902 essay by Joyce about the Irish poet James Clarence Mangan. A search on the page for the word daughters reveals the relevant paragraph. http://andromeda.rutgers.edu/~ehrlich/382/MANGAN1 | bbogle | 2015-05-28 10:10 | view |
43 | Shattered glass and toppling masonry. | Compare this Blakean passage to Nestor, http://www.infiniteulysses.com/ulysses/24 | bbogle | 2015-05-28 09:42 | view |
43 | Shattered glass and toppling masonry. | Compare this Blakean passage to Nestor, http://www.infiniteulysses.com/ulysses/24 | bbogle | 2015-05-28 09:42 | view |
25 | ghoststory | A ghost story is much on Stephen's mind: the recurring vision of his dead mother, and of her death. The riddle he tells the class might be construed as an age-appropriate version of this ghost story. | bbogle | 2015-05-28 09:14 | view |
25 | ghoststory | A ghost story is much on Stephen's mind: the recurring vision of his dead mother, and of her death. The riddle he tells the class might be construed as an age-appropriate version of this ghost story. | bbogle | 2015-05-28 09:14 | view |
176 | U | Of this episode, Robert Kellogg said: "Formally, 'Scylla and Charybdis' is a mock-Socratic dialogue, with something of the Quaker meeting and theosophic seance added." Hard to sum it up better than that. | bbogle | 2015-05-28 08:27 | view |
176 | U | Of this episode, Robert Kellogg said: "Formally, 'Scylla and Charybdis' is a mock-Socratic dialogue, with something of the Quaker meeting and theosophic seance added." Hard to sum it up better than that. | bbogle | 2015-05-28 08:27 | view |
239 | Pokorny | 1916 | Tim Finnegan | 2015-05-26 16:55 | view |
229 | grinning | can she really be amused? did the shilling allow her to relax?? | Tim Finnegan | 2015-05-26 05:05 | view |
96 | Childs | Samuel Childs tried and acquitted of murdering his seventy-six-year-old brother, Thomas. | bbogle | 2015-05-24 10:49 | view |
96 | Childs | Samuel Childs tried and acquitted of murdering his seventy-six-year-old brother, Thomas. | bbogle | 2015-05-24 10:49 | view |
96 | Fogarty | Mentioned in Dubliners, a grocer-friend of Tom Kernan's. | bbogle | 2015-05-24 10:44 | view |
96 | Fogarty | Mentioned in Dubliners, a grocer-friend of Tom Kernan's. | bbogle | 2015-05-24 10:44 | view |
244 | Merrion square | we last saw him on Nassau street so he's made some progress, maybe passing CBOFTF? | Tim Finnegan | 2015-05-24 05:08 | view |
244 | Finn’s hotel | less than a block from where he collided with the stripling | Tim Finnegan | 2015-05-24 05:05 | view |
244 | Broadbent’s | since colliding with CBOFTF on p240, the stripling has gone several blocks | Tim Finnegan | 2015-05-24 05:04 | view |
214 | Don John | is he really identifying himself with the lothario??? | Tim Finnegan | 2015-05-23 04:25 | view |
143 | deus nobis hæc otia fecit | Virgil's Eclogues, Book I, line 3 God has given us this ease. | pbohan | 2015-05-22 11:40 | view |
138 | ears of porches | Hamlet again (I.5): And in the porches of mine ears did pour/ The leperous distilment | pbohan | 2015-05-22 10:49 | view |
137 | Hosts at Mullaghmast and Tara of the kings. | The locations of two of O'Connell's monster meetings. | pbohan | 2015-05-22 10:48 | view |
95 | A man | I.e., Charon. | bbogle | 2015-05-21 19:13 | view |
95 | A man | I.e., Charon. | bbogle | 2015-05-21 19:13 | view |
94 | Mrs Riordan | "Dante" from A Portrait of the Artist as a Young Man. | bbogle | 2015-05-21 18:59 | view |
94 | Mrs Riordan | "Dante" from A Portrait of the Artist as a Young Man. | bbogle | 2015-05-21 18:59 | view |
93 | Monday morning start afresh. Shoulder to the wheel. | Martin Cunningham as Sisyphus, encountered by Odysseus in Hades. | bbogle | 2015-05-21 18:51 | view |
93 | Monday morning start afresh. Shoulder to the wheel. | Martin Cunningham as Sisyphus, encountered by Odysseus in Hades. | bbogle | 2015-05-21 18:51 | view |
92 | like little Rudy’s was | Not uncommonly, first time readers of Ulysses are put off by Bloom's dalliance with Martha Clifford and as various aspects of his character are revealed in The Louts Eaters. But as more of his back story emerges in Hades, a new sympathy begins to emerge. Reassessment follows. | bbogle | 2015-05-21 18:46 | view |
92 | like little Rudy’s was | Not uncommonly, first time readers of Ulysses are put off by Bloom's dalliance with Martha Clifford and as various aspects of his character are revealed in The Louts Eaters. But as more of his back story emerges in Hades, a new sympathy begins to emerge. Reassessment follows. | bbogle | 2015-05-21 18:46 | view |
92 | Foundation stone for Parnell. | Another statue reference. The base of Parnell's monument was erected 8 October 1899; the statue itself would only be added in 1911. Anyone making it this far into Ulysses without knowing Parnell's history should really stop now and do some independent research. | bbogle | 2015-05-21 18:37 | view |
92 | Foundation stone for Parnell. | Another statue reference. The base of Parnell's monument was erected 8 October 1899; the statue itself would only be added in 1911. Anyone making it this far into Ulysses without knowing Parnell's history should really stop now and do some independent research. | bbogle | 2015-05-21 18:37 | view |
92 | The best death | An unpopular opinion among his Catholic companions, for a sudden death precludes administration of the last rites. | bbogle | 2015-05-21 18:31 | view |
92 | The best death | An unpopular opinion among his Catholic companions, for a sudden death precludes administration of the last rites. | bbogle | 2015-05-21 18:31 | view |
92 | Nelson’s pillar | Another prominent statue. Easiest to quote Gifford directly: In the middle of Sackville (now O'Connell) Street, a column 121 feet tall, surmounted by a thirteen-foot statue of Admiral Lord Nelson (1758-1805). In the early twentieth century most of the electric trams that served Dublin and its suburbs started from Nelson's Pillar. The monument was rather ineptly destroyed by Irish patriots in 1966 on the fiftieth anniversary of the Easter 1916 Uprising. | bbogle | 2015-05-21 17:55 | view |
92 | Nelson’s pillar | Another prominent statue. Easiest to quote Gifford directly: In the middle of Sackville (now O'Connell) Street, a column 121 feet tall, surmounted by a thirteen-foot statue of Admiral Lord Nelson (1758-1805). In the early twentieth century most of the electric trams that served Dublin and its suburbs started from Nelson's Pillar. The monument was rather ineptly destroyed by Irish patriots in 1966 on the fiftieth anniversary of the Easter 1916 Uprising. | bbogle | 2015-05-21 17:55 | view |
134 | pour | From Hamlet | pbohan | 2015-05-21 11:57 | view |
134 | Childs | Discussed in Hades as the carriage passed the house in Glasnevin | pbohan | 2015-05-21 11:56 | view |
50 | Shells | Comparing his teeth to shells connects them to the many other mentions of shells in this episode, affiliated with the seaside as well as to Deasy's preoccupation with money in Nestor. | bbogle | 2015-05-20 23:15 | view |
50 | Shells | Comparing his teeth to shells connects them to the many other mentions of shells in this episode, affiliated with the seaside as well as to Deasy's preoccupation with money in Nestor. | bbogle | 2015-05-20 23:15 | view |
37 | Signatures of all things I am here to read | Jakob Boehme: http://www.sacred-texts.com/eso/sat/index.htm | bbogle | 2015-05-20 23:07 | view |
37 | Signatures of all things I am here to read | Jakob Boehme: http://www.sacred-texts.com/eso/sat/index.htm | bbogle | 2015-05-20 23:07 | view |
44 | A bloated carcase of a dog | "Dogsbody" physicalized. | bbogle | 2015-05-20 22:47 | view |
44 | A bloated carcase of a dog | "Dogsbody" physicalized. | bbogle | 2015-05-20 22:47 | view |
122 | cretic | A poetic foot which scans long-short-long, or ‘O-hi-O’ – rather than the expected ‘o-HI-o’ of standard pronunciation: http://www.jjon.org/joyce-s-allusions/ohio-1 | pbohan | 2015-05-20 07:17 | view |
221 | Ned Lambert | I have trouble keeping Tom Kernan and Ned Lambert separate (is that just me?) | Tim Finnegan | 2015-05-19 14:27 | view |
240 | Metropolitan | Joyce's error, Merrion hall | Tim Finnegan | 2015-05-19 12:30 | view |
240 | behind him | but heading in the opposite direction, toward the Ormond hotel to tune their piano | Tim Finnegan | 2015-05-19 12:29 | view |
240 | cottage fruit cake | what is this? | Tim Finnegan | 2015-05-19 12:20 | view |
117 | See his phiz then. | Bloom shows esprit d'escalier thinking about John Henry Menton. | pbohan | 2015-05-19 11:56 | view |
115 | M. A. P. | Mainly About People: a gossipy weekly publication founded in 1898 by journalist and M.P. Thomas Power O'Connor | pbohan | 2015-05-19 11:22 | view |
216 | white careworn | JJOM's complexion is both pale and ruddy, in an unhealthy way. Bloom in Eolus explains he's lost his promising legal career due to drink. | Tim Finnegan | 2015-05-17 05:29 | view |
216 | bated | what is Joyce up to here? it seems to suggest an ongoing conspiracy, with Corny as equal or superior in rank | Tim Finnegan | 2015-05-17 05:00 | view |
243 | Henry, dernier cri James | it's very unlikely Joyce was lowering himself to make fun of (or even salute) Henry James here | Tim Finnegan | 2015-05-16 03:50 | view |
218 | crinkled | what's crinkled (besides the tissuepaper)? | Tim Finnegan | 2015-05-15 18:43 | view |
25 | Ethel, | Nurse Callan seems a bit old for these boys to be whispering about, methinks. So perhaps is Lily. Hm. | bbogle | 2015-05-15 08:36 | view |
25 | Ethel, | Nurse Callan seems a bit old for these boys to be whispering about, methinks. So perhaps is Lily. Hm. | bbogle | 2015-05-15 08:36 | view |
242 | unsaluted | Joyce uses the word 'salute' everywhere very loosely, and in the Conmee section everyone salutes everyone, but here it seems more freighted? | Tim Finnegan | 2015-05-15 08:35 | view |
238 | leaders | in section 19 these are described as having "skyblue frontlets and high action" but here they seem to be horses? | Tim Finnegan | 2015-05-15 08:30 | view |
54 | green stones | Where have I seen this before? http://www.infiniteulysses.com/ulysses/19 | bbogle | 2015-05-15 08:15 | view |
54 | green stones | Where have I seen this before? http://www.infiniteulysses.com/ulysses/19 | bbogle | 2015-05-15 08:15 | view |
237 | twirling the peak of his beard | he does this in Hades too | Tim Finnegan | 2015-05-15 07:39 | view |
237 | their | different parties? | Tim Finnegan | 2015-05-15 07:37 | view |
237 | marshal | John Howard Parnell is a block south in the DBC playing chess | Tim Finnegan | 2015-05-15 07:36 | view |
237 | corns | One suspects a hidden symmetry here, eg p96 "On the curbstone before Jimmy Geary the sexton's an old tramp sat, grumbling, emptying the dirt and stones out of his huge dustbrown yawning boot. After life's journey." | Tim Finnegan | 2015-05-15 07:27 | view |
237 | ascending towards | This image is weird, unless the ceiling was mirrored??? | Tim Finnegan | 2015-05-15 07:22 | view |
233 | having read his little hours | He was reading Nones when he encountered Lynch and Kitty, just a few moments earlier? | Tim Finnegan | 2015-05-15 07:09 | view |
233 | Dilly | She parted from Simon as the cavalcade left the Park, and will see it pass from Fownes street, four blocks south of here, a mile and a half (15min?) from the Park, having crossed the river and bought a book. So maybe this scene is later??? | Tim Finnegan | 2015-05-15 07:04 | view |
227 | Those lovely curtains | It sounds like her thought, but she's not expecting the profit-- are they being sold by a Dedalus creditor? | Tim Finnegan | 2015-05-14 14:12 | view |
25 | Ethel, | Conjecture: Women named Edith & Gerty appear in Nausicaa; a girl named Lily appeared in Telemachus, the Carlisle girl. There is none named Ethel in Ulysses, unless that may be nurse Callan's name (as in Ithaca, it is noted her first name is unknown). I don't mean the boys are whispering about these particular women or girls: Rather I take it that the reader is to puzzle together these names with those recited in Ithaca: "a nurse, Miss Callan (Christian name unknown), a maid, Gertrude (Gerty, family name unknown)." The reader knows Gerty's family name from the Narrator. Note too these four names echo the four names (of the patron saints of the then United Kingdom) in Circe: "Patrick, Andrew, David, George, be thou anointed!" Four women's names in a boys school in Stephen's head; four saint's names in a brothel in Bloom's head.. | wvarga7a1 | 2015-05-14 07:19 | view |
731 | yes | Why “yes” so many times? The series may be interpreted as Molly “is coming,” she is masturbating at the end of her monologue, Penelope, and thus, she fulfills the phrophecy made by Malachi Mulligan in Scylla & Charybdis: the novel has become “a national immorality in three orgasms.” Part I of Ulysses ends with Stephen about to masturbate at the conclusion of his monologue, Proteus: he will come (future) just off scene. Part II shows Bloom has masturbated (past), he has come, by when the reader recognizes him in Nausicaa after which Bloom continues with his monologue. Part III concludes with Molly masturbating (present) before the reader, she is coming. See Fionnula Flanagan, 1985 Joyce's Women (9:33, nudity, masturbation mature video) at: http://tu.tv/videos/molly-bloom-s-soliloquy-ulysses-fionn | wvarga7a1 | 2015-05-14 06:26 | view |
91 | I wish to Christ | The Christian sentiment expressed here is doubtful. | bbogle | 2015-05-13 22:54 | view |
91 | I wish to Christ | The Christian sentiment expressed here is doubtful. | bbogle | 2015-05-13 22:54 | view |
91 | Gray’s statue | Another haunting by Irish ghosts. Sir John Gray (1816-75), Protestant, patriot, owner/editor of the Freeman's Journal, advocated disestablishment of the Church of Ireland, land reform, free denominational education. | bbogle | 2015-05-13 22:33 | view |
91 | Gray’s statue | Another haunting by Irish ghosts. Sir John Gray (1816-75), Protestant, patriot, owner/editor of the Freeman's Journal, advocated disestablishment of the Church of Ireland, land reform, free denominational education. | bbogle | 2015-05-13 22:33 | view |
22 | go to God | Interpretation: Why does Joyce have Mulligan exclaim "Go to God"? We might expect "Go to Hell." This exclamation appears to be the first instance of Joyce throwing the reader a clue as to his method: Take something familiar (from Homer, Dante, or Shakespeare) and invert it. Joseph Campbell writes (Mythic Worlds, Modern Words, pg. 15), "Dante depicts Florence as Hell. Joyce reverses this idea: he depicts hell as Dublin." Hence "Go to God" that reverses "Go to Hell" indicates the reader is "not in Kansas anymore." | wvarga7a1 | 2015-05-13 22:27 | view |
4 | to shave | Why does Joyce have Mulligan shave? Mulligan's whiskers begin the pattern of excretions/secretions that will follow: everything the human body can excrete/secrete, will be in Ulysses. | wvarga7a1 | 2015-05-13 22:10 | view |
731 | Mr Stanhope | Why does Joyce have Molly think of Mr Stanhope? Because the reader has learned that "fathers friend Mrs Stanhope sent [Molly that lovely frock] from the B Marche paris." Plainly, Major Tweedy had been doing to the Mrs what Boylan willl have done to Molly come this day in her marriage: before she accepted Bloom’s marriage proposal she thought of the cuckold, Mr Stanhope. | wvarga7a1 | 2015-05-13 21:53 | view |
223 | Dan Lowry’s | ie, the Empire | Tim Finnegan | 2015-05-13 17:37 | view |
222 | Mary’s abbey | here, a streetname | Tim Finnegan | 2015-05-13 14:29 | view |
220 | capital esses | any guesses? | Tim Finnegan | 2015-05-13 12:03 | view |
218 | chip | anyone know etymology/size? | Tim Finnegan | 2015-05-13 10:42 | view |
219 | Dalkey | Is it possible SD has told AA his job is now open, and AA is going to apply??? | Tim Finnegan | 2015-05-13 10:39 | view |
7 | aproned | The garb of a craftsman, one who creates, an artist. | bbogle | 2015-05-12 21:39 | view |
7 | aproned | The garb of a craftsman, one who creates, an artist. | bbogle | 2015-05-12 21:39 | view |
7 | watching narrowly | Watching narrowly....Could this be another of Stephen's contemplations on the God of Creation who has refined Himself out of His Work, watching narrowly from the sidelines? A deaf gardener mowing down the grass stems: that would be an interesting metaphor. | bbogle | 2015-05-12 21:38 | view |
7 | watching narrowly | Watching narrowly....Could this be another of Stephen's contemplations on the God of Creation who has refined Himself out of His Work, watching narrowly from the sidelines? A deaf gardener mowing down the grass stems: that would be an interesting metaphor. | bbogle | 2015-05-12 21:38 | view |
7 | Shouts from the open window | Compare to schoolyard shouts heard outside the window in Nestor, and Stephen's famous declaration that "God is a shout in the street." | bbogle | 2015-05-12 21:35 | view |
7 | Shouts from the open window | Compare to schoolyard shouts heard outside the window in Nestor, and Stephen's famous declaration that "God is a shout in the street." | bbogle | 2015-05-12 21:35 | view |
7 | ox | This bovine ceremony, rife with ritual violence, suggests foreshadowing of the Nestor episode, as well as Oxen of the Sun. We may also consider that Leopold Bloom has been psychically gelded. This little imagining of Stephen's probably bears more weight than is superficially apparent. | bbogle | 2015-05-12 21:30 | view |
7 | ox | This bovine ceremony, rife with ritual violence, suggests foreshadowing of the Nestor episode, as well as Oxen of the Sun. We may also consider that Leopold Bloom has been psychically gelded. This little imagining of Stephen's probably bears more weight than is superficially apparent. | bbogle | 2015-05-12 21:30 | view |
7 | gilded | Debagged: to remove the trousers; in this context a more intimate amputation is implied, and there's probable wordplay at work here involving gilded/gelded. Don't be steered wrong. | bbogle | 2015-05-12 21:20 | view |
7 | gilded | Debagged: to remove the trousers; in this context a more intimate amputation is implied, and there's probable wordplay at work here involving gilded/gelded. Don't be steered wrong. | bbogle | 2015-05-12 21:20 | view |
7 | Young shouts of moneyed voices in Clive Kempthorpe's rooms. | Here Buck professes a readiness to abuse Haines if it will please Stephen. Stephen never went to Oxford and never met Clive Kempthorpe, but Buck did. Earlier Buck flattered Stephen, speaking from experience: "You have the real Oxford manner." Buck and Haines likely met at Oxford. Buck has previously told Stephen the story of Clive Kempthorpe's brutal hazing there, and he may well have participated in that ugly event. Stephen's ability to visualize the story he's heard second- or third-hand, populating it with rich detail ― including the presence of a deaf gardener outside (probably his Matthew Arnold face is intended to help fix the scene at Oxford) ― is remarkable. (Note that Arnold's 1860 work, On Translating Homer, might alone boost his significance to Joyce.) | bbogle | 2015-05-12 21:09 | view |
7 | Young shouts of moneyed voices in Clive Kempthorpe's rooms. | Here Buck professes a readiness to abuse Haines if it will please Stephen. Stephen never went to Oxford and never met Clive Kempthorpe, but Buck did. Earlier Buck flattered Stephen, speaking from experience: "You have the real Oxford manner." Buck and Haines likely met at Oxford. Buck has previously told Stephen the story of Clive Kempthorpe's brutal hazing there, and he may well have participated in that ugly event. Stephen's ability to visualize the story he's heard second- or third-hand, populating it with rich detail ― including the presence of a deaf gardener outside (probably his Matthew Arnold face is intended to help fix the scene at Oxford) ― is remarkable. (Note that Arnold's 1860 work, On Translating Homer, might alone boost his significance to Joyce.) | bbogle | 2015-05-12 21:09 | view |
7 | they | This puzzled me for a long time. Who are "they?" See comments in following paragraphs. | bbogle | 2015-05-12 20:39 | view |
7 | they | This puzzled me for a long time. Who are "they?" See comments in following paragraphs. | bbogle | 2015-05-12 20:39 | view |
42 | their mouths yellowed | An echo of the Chrysostomos material of Telemachus. | bbogle | 2015-05-12 20:31 | view |
42 | their mouths yellowed | An echo of the Chrysostomos material of Telemachus. | bbogle | 2015-05-12 20:31 | view |
42 | a saucer of acetic acid | Vinegar is a dilution of acetic acid, if that helps. | bbogle | 2015-05-12 20:26 | view |
42 | a saucer of acetic acid | Vinegar is a dilution of acetic acid, if that helps. | bbogle | 2015-05-12 20:26 | view |
90 | Elvery’s elephant house | Sellers of waterproof cloaks, etc. | bbogle | 2015-05-07 19:54 | view |
90 | Elvery’s elephant house | Sellers of waterproof cloaks, etc. | bbogle | 2015-05-07 19:54 | view |
90 | the hugecloaked Liberator’s form | Statue of Daniel O'Connell (1775-1847) at O'Connell Bridge. Fought for and won Catholic representation in the British Parliament. Arrested and imprisoned for sedition and conspiracy. Alleged cousin of John O'Connell, great grandfather of James Joyce. | bbogle | 2015-05-07 19:52 | view |
90 | the hugecloaked Liberator’s form | Statue of Daniel O'Connell (1775-1847) at O'Connell Bridge. Fought for and won Catholic representation in the British Parliament. Arrested and imprisoned for sedition and conspiracy. Alleged cousin of John O'Connell, great grandfather of James Joyce. | bbogle | 2015-05-07 19:52 | view |
90 | Moira | Moira Hotel. | bbogle | 2015-05-07 19:45 | view |
90 | Moira | Moira Hotel. | bbogle | 2015-05-07 19:45 | view |
90 | Jury’s | Jury's Commercial and Family Hotel. | bbogle | 2015-05-07 19:45 | view |
90 | Jury’s | Jury's Commercial and Family Hotel. | bbogle | 2015-05-07 19:45 | view |
90 | bringing her a pound of rumpsteak | Hmmm.... | bbogle | 2015-05-07 19:44 | view |
90 | bringing her a pound of rumpsteak | Hmmm.... | bbogle | 2015-05-07 19:44 | view |
90 | Crofton | Reticent character in "Ivy Day in the Committee Room," fat, conservative, inclined to take a superior attitude toward his fellow Dubliners; said to be too reserved and therefore not much of a canvasser. | bbogle | 2015-05-07 19:43 | view |
90 | Crofton | Reticent character in "Ivy Day in the Committee Room," fat, conservative, inclined to take a superior attitude toward his fellow Dubliners; said to be too reserved and therefore not much of a canvasser. | bbogle | 2015-05-07 19:43 | view |
90 | Mrs Fleming | Housekeeper for the Bloom homestead. | bbogle | 2015-05-07 19:34 | view |
90 | Mrs Fleming | Housekeeper for the Bloom homestead. | bbogle | 2015-05-07 19:34 | view |
90 | O’Callaghan | Gifford: either a disbarred attorney now selling bootlaces or (maybe more probably) an elaborate dramatic embodiment of "a brief and once-popular two-act farce" called "His Last Legs.: | bbogle | 2015-05-07 19:32 | view |
90 | O’Callaghan | Gifford: either a disbarred attorney now selling bootlaces or (maybe more probably) an elaborate dramatic embodiment of "a brief and once-popular two-act farce" called "His Last Legs.: | bbogle | 2015-05-07 19:32 | view |
90 | Kicked about like snuff at a wake. | I.e., in order to mask the odor of death. | bbogle | 2015-05-07 19:26 | view |
90 | Kicked about like snuff at a wake. | I.e., in order to mask the odor of death. | bbogle | 2015-05-07 19:26 | view |
90 | Smith O’Brien | Gifford: They pass a statue of William Smith O'Brien at the intersection of Westmoreland and D'Olier streets. Formed the Irish Confederation in 1847. Attempted to raise the country during the famine in 1848. Found guilty of high treason after attacking a police garrison. His death sentence later commuted to penal servitude. Released in 1854, pardoned in 1856. | bbogle | 2015-05-07 19:24 | view |
90 | Smith O’Brien | Gifford: They pass a statue of William Smith O'Brien at the intersection of Westmoreland and D'Olier streets. Formed the Irish Confederation in 1847. Attempted to raise the country during the famine in 1848. Found guilty of high treason after attacking a police garrison. His death sentence later commuted to penal servitude. Released in 1854, pardoned in 1856. | bbogle | 2015-05-07 19:24 | view |
90 | Mary Anderson | As per Gifford: "the World-Renowned Actress, Miss Mary Anderson (Madame de Marano) in the Balcony Scene from 'Romeo and Juliet,' etc. etc." | bbogle | 2015-05-07 18:53 | view |
90 | Mary Anderson | As per Gifford: "the World-Renowned Actress, Miss Mary Anderson (Madame de Marano) in the Balcony Scene from 'Romeo and Juliet,' etc. etc." | bbogle | 2015-05-07 18:53 | view |
90 | J. C. Doyle and John MacCormack | Gifford identifies them "as among the cream of contemporary Irish musicians in the early twentieth century." | bbogle | 2015-05-07 18:51 | view |
90 | J. C. Doyle and John MacCormack | Gifford identifies them "as among the cream of contemporary Irish musicians in the early twentieth century." | bbogle | 2015-05-07 18:51 | view |
243 | flagon | rare definition, or Joyce's neologism? | Tim Finnegan | 2015-05-04 08:30 | view |
243 | Dilly Dedalus | Is this before or after she sees Stephen? She parted from Simon as the cavalcade left the Park. If she crossed by O'Connell bridge (free) it would take her five minutes to reach Stephen and a few more to get to Fownes. If she paid the halfpenny toll it would be a little faster. | Tim Finnegan | 2015-05-04 08:27 | view |
243 | stop in front of her | she's more forgiving than Bloom was in episode 5 | Tim Finnegan | 2015-05-04 07:53 | view |
242 | Catesby’s cork lino | a brand of floor covering | Tim Finnegan | 2015-05-04 07:52 | view |
242 | mindful | he's an enthusiast of the past, as Haines is of Irish culture, and Conmee of his barony | Tim Finnegan | 2015-05-04 07:48 | view |
242 | greenhouse | urinal | Tim Finnegan | 2015-05-04 07:46 | view |
242 | surprise | why? | Tim Finnegan | 2015-05-04 07:46 | view |
242 | him | if the viceroy, why surprised? if Dudley White, surprised he didn't salute?? | Tim Finnegan | 2015-05-04 07:45 | view |
241 | the drunk | Bob Doran | Tim Finnegan | 2015-05-04 07:29 | view |
240 | God’s curse | Escalating negativity | Tim Finnegan | 2015-05-04 07:27 | view |
240 | Coactus volui | loosely, I'm doing it against my will | Tim Finnegan | 2015-05-04 07:26 | view |
240 | shunned the lamp | his OCD/paranoia makes him walk outside streetlamps | Tim Finnegan | 2015-05-04 07:24 | view |
239 | in ten years | 'Dubliners' could have been published much earlier, and 'Portrait' took a little longer, but Joyce was pretty accurate about how slowly he wrote | Tim Finnegan | 2015-05-04 07:20 | view |
239 | deftly | So the melange is made with whipped cream, but still not sweet enough for Haines-- so how do the sugarcubes dissolve? | Tim Finnegan | 2015-05-04 07:16 | view |
239 | strange | he was trained by priests! | Tim Finnegan | 2015-05-04 06:58 | view |
239 | The joy of creation | Mulligan embraces spontaneity in a way Stephen doesn't | Tim Finnegan | 2015-05-04 06:57 | view |
239 | He will never capture the Attic note | How did Joyce rate his own poems? They do seem to lack something | Tim Finnegan | 2015-05-04 06:55 | view |
238 | D. B. C. | Dublin Bakery Company | Tim Finnegan | 2015-05-04 06:50 | view |
238 | butter and some cakes | Mulligan indulges shamelessly at Haines' expense | Tim Finnegan | 2015-05-04 06:49 | view |
238 | mélange | fruits in cream | Tim Finnegan | 2015-05-04 06:48 | view |
238 | O, but | Does the joke remind him? | Tim Finnegan | 2015-05-04 06:47 | view |
238 | Buck Mulligan | he was in the Library with Stephen in the last chapter | Tim Finnegan | 2015-05-04 06:46 | view |
238 | he | Haines' artificial value system | Tim Finnegan | 2015-05-04 06:44 | view |
236 | our friend | does this hint at some brotherhood like the Masons? | Tim Finnegan | 2015-05-04 06:35 | view |
236 | Jack Mooney’s brother-in-law | Bob Doran, on a bender | Tim Finnegan | 2015-05-04 06:34 | view |
236 | castle car | this seems to be a carriage with driver for the exclusive use of Castle officials (eg Cunningham) | Tim Finnegan | 2015-05-04 06:31 | view |
236 | list | of donors to a fund to help the Dignms | Tim Finnegan | 2015-05-04 06:29 | view |
236 | Boyd | Protestant head of YMCA | Tim Finnegan | 2015-05-04 06:28 | view |
236 | Ormond hotel | Just three blocks north, across the river | Tim Finnegan | 2015-05-04 06:26 | view |
235 | The landlord has the prior claim | Reuben Dodd can't seize Cowley's property because Hugh Love has first claim | Tim Finnegan | 2015-05-04 06:21 | view |
233 | Don’t let see. | She'd wonder why he was looking at love spells | Tim Finnegan | 2015-05-04 05:57 | view |
233 | Maggy | probably the oldest, trying to play May's role (cf 20yo Margaret Joyce) | Tim Finnegan | 2015-05-02 14:31 | view |
233 | the other cart | in Merchant's arch?? When Lenehan sees Bloom, the cavalcade hasn't yet left the Park, so Dilly is still with Simon (so if she crossed the river by the Halfpenny bridge and visited that bookcart, Bloom should have been long gone) | Tim Finnegan | 2015-05-02 14:29 | view |
233 | Donnycarney | This is north of the O'Brien Institute, so Conmee must be going to Artane itself, and it's after Kitty's twig, so after 3:30pm | Tim Finnegan | 2015-05-02 14:23 | view |
230 | westward | The throwaway is flowing east, downstream, so it's the hulls and anchorchains that are sailing west | Tim Finnegan | 2015-05-02 14:15 | view |
229 | From the sundial | Based solely on the intrusions in the previous section, this has to be before the cavalcade leaves the park, so about 3:25pm | Tim Finnegan | 2015-05-02 14:09 | view |
215 | twig | cf "Lizzie Twigg" and her saggy stockings in episode 8 | Tim Finnegan | 2015-05-02 13:58 | view |
229 | out of Parkgate | the cavalcade shouldn't take more than 10 minutes to exit the Park, if it started at 3:15, so this seems belated | Tim Finnegan | 2015-05-02 13:12 | view |
229 | from Jack Power | did Simon beg? | Tim Finnegan | 2015-05-02 13:04 | view |
229 | twopence | a shilling is 12p, so Simon keeps 8p | Tim Finnegan | 2015-05-02 13:04 | view |
227 | Dilly | the Joyce sisters in 1904 were 20, 15, 13, 12 and 11. If Maggy Dedalus is Margaret Joyce, Dilly is probably 15yo Eileen. Bloom saw her here already 2 hours ago, maybe hoping to catch Simon after the funeral. | Tim Finnegan | 2015-05-02 12:59 | view |
228 | uncle John the cornetplayer | see episode 3: Richie Goulding's brother | Tim Finnegan | 2015-05-02 12:55 | view |
227 | halfmile | the halfmile race will be followed by a quartermile one | Tim Finnegan | 2015-05-02 12:49 | view |
227 | Barang! | This intruded into the Dedalus girls' section after Conmee's ankles, which ought to put it around 3:30pm, but it's followed here by the cavalcade leaving the Park, which ought to be earlier. Could more time invisibly pass between Conmee's ankles and Kitty's twig? | Tim Finnegan | 2015-05-02 12:49 | view |
226 | O’Connell bridge | Maginni could have walked from Dignam's court (where we saw him at 3pm) in ten minutes, so this might not be under the arch | Tim Finnegan | 2015-05-02 12:42 | view |
226 | behind the dingy curtain | apparently he knows Bloom likes the ones he dare not put out for display. | Tim Finnegan | 2015-05-02 12:19 | view |
225 | artist | surprisingly thoughtful | Tim Finnegan | 2015-05-02 12:16 | view |
225 | cubit | about 18 inches | Tim Finnegan | 2015-05-02 12:14 | view |
225 | I was with the wife | what does this say about Bloom's relationship with Molly then? | Tim Finnegan | 2015-05-02 12:13 | view |
224 | Master Patrick | he'll see Boylan on Grafton street with the red carnation in a moment | Tim Finnegan | 2015-05-02 12:10 | view |
224 | two bob | about $13 today | Tim Finnegan | 2015-05-02 12:08 | view |
224 | darkbacked figure | This image intrudes on Boylan shortly before his phonecall to Miss Dunne whose section had just been intruded on by Rochford's invention, but the timing here seems much much longer than the brief moment there. | Tim Finnegan | 2015-05-02 12:07 | view |
221 | refined accent | Reverend Love | Tim Finnegan | 2015-05-02 11:23 | view |
221 | tiny torch | a"vesta" was just a small wooden match, so "torch" is poetic | Tim Finnegan | 2015-05-02 11:14 | view |
220 | four | 30-40 minutes from now | Tim Finnegan | 2015-05-02 10:31 | view |
220 | them | several mysterious hints about Boylan's business | Tim Finnegan | 2015-05-02 10:30 | view |
220 | The disk | This intrusion from Lenehan's section establishes the timing as before the cavalcade leaves the Park | Tim Finnegan | 2015-05-02 10:23 | view |
219 | stone | metal | Tim Finnegan | 2015-05-02 10:21 | view |
219 | Human eyes | cf Bloom with Martin Cunningham in episode 6 | Tim Finnegan | 2015-05-02 10:19 | view |
215 | Mr Kelleher | subservient? | Tim Finnegan | 2015-05-02 07:35 | view |
215 | detached | synchronised by intrusions with Ned Lambert and Mulligan | Tim Finnegan | 2015-05-02 06:28 | view |
215 | tickled | synchronised by intrusion to the Dedalus girls arriving home | Tim Finnegan | 2015-05-02 06:18 | view |
214 | showed | the field is fenced in a way that blocks his view? | Tim Finnegan | 2015-05-02 06:15 | view |
214 | which were not our ways | still wrestling with doubts? | Tim Finnegan | 2015-05-02 06:12 | view |
214 | not startled when an otter plunged | is this Conmee's poetic image, or borrowed from somewhere? | Tim Finnegan | 2015-05-02 06:08 | view |
214 | lost | a self-serving Catholic doctrine that makes priests essential | Tim Finnegan | 2015-05-02 06:05 | view |
214 | j | surely Conmee himself would have capitalised this word?! | Tim Finnegan | 2015-05-02 06:03 | view |
213 | stepped on to | a cascade of unrelated events can be synchronised to this: Molly and the sailor (via Corny), the start of the cavalcade via a Lenahan intrusion, which is itself framed by Rochford's invention and Bloom-at-the-bookcart, which align (via intrusions) with Miss Dunne and Boylan's phonecall | Tim Finnegan | 2015-05-02 05:54 | view |
214 | that | not even 'who'? | Tim Finnegan | 2015-05-02 05:29 | view |
213 | old woman | compassionate | Tim Finnegan | 2015-05-02 05:27 | view |
213 | placed | Conmee's memories are framed by Joyce like the 'intrusions' from other subsections | Tim Finnegan | 2015-05-02 05:25 | view |
213 | glasses | it's quite likely Joyce is challenging us here to find this couple with serious business on their minds elsewhere in the book | Tim Finnegan | 2015-05-02 05:23 | view |
213 | kid glove | despite the heat? | Tim Finnegan | 2015-05-02 05:20 | view |
213 | dingy | unlike Stephen who got his boots muddy in episode 3 | Tim Finnegan | 2015-05-02 05:19 | view |
213 | poor people | Conmee's making a virtue of necessity | Tim Finnegan | 2015-05-02 05:15 | view |
212 | pig’s puddings | a kind of sausage | Tim Finnegan | 2015-05-02 05:12 | view |
212 | on his beat | he'll visit Corny in a moment | Tim Finnegan | 2015-05-02 05:10 | view |
212 | unlabouring | a polite way to say lazy? | Tim Finnegan | 2015-05-02 05:09 | view |
212 | catastrophe | Kernan will also contemplate this from a businessman's perspective | Tim Finnegan | 2015-05-02 05:08 | view |
212 | but occasionally | like Bloom he considers both sides | Tim Finnegan | 2015-05-02 05:06 | view |
212 | more than once | expressing patience and predictability? | Tim Finnegan | 2015-05-02 05:05 | view |
211 | most respectfully | like Conmee? | Tim Finnegan | 2015-05-02 05:03 | view |
211 | sixeyed | they aren't individuals yet? | Tim Finnegan | 2015-05-02 05:01 | view |
211 | The little house | supposedly a house next door to the main school building, for younger students | Tim Finnegan | 2015-05-02 04:56 | view |
210 | probably | if he gets permission from his father provincial? | Tim Finnegan | 2015-05-02 04:55 | view |
211 | That letter | maybe asking permission to go to Buxton | Tim Finnegan | 2015-05-02 04:53 | view |
211 | cleaned his teeth | unspiritual self-advertisement? | Tim Finnegan | 2015-05-02 04:52 | view |
210 | Father Bernard Vaughan | is it realistic the Sheehys went to see him? or did Joyce have other reasons here? | Tim Finnegan | 2015-05-02 04:50 | view |
210 | at Belvedere | they'd graduated five years ago | Tim Finnegan | 2015-05-02 04:47 | view |
210 | M. P. | the year before, Sheehy beat Parnell's brother (as noted by Bloom in episode 8). Parnell's brother appears near the end of this episode | Tim Finnegan | 2015-05-02 04:46 | view |
210 | Dignam | Master Patrick Dignam will get the next-to-last subsection of this episode | Tim Finnegan | 2015-05-02 04:31 | view |
210 | reset | meaning 'replaced' not 'adjusted the time' | Tim Finnegan | 2015-05-02 04:29 | view |
210 | Cunningham | Martin Cunningham's letter is mentioned in his section 15 below | Tim Finnegan | 2015-04-30 16:03 | view |
210 | Five to three | One of the rare statements of an exact time | Tim Finnegan | 2015-04-30 16:02 | view |
211 | Dignam’s court | several blocks south, so not visible to Conmee | Tim Finnegan | 2015-04-30 16:02 | view |
212 | tramline | cf Bloom in episode 6 | Tim Finnegan | 2015-04-30 15:58 | view |
213 | niggerlips | a white entertainer in blackface | Tim Finnegan | 2015-04-30 15:58 | view |
213 | awkward man | who? | Tim Finnegan | 2015-04-30 15:57 | view |
213 | explaining | something solemn? | Tim Finnegan | 2015-04-30 15:57 | view |
213 | thrown away | cf Stephen in Paris, episode 3 | Tim Finnegan | 2015-04-30 15:56 | view |
213 | ticket | fare one penny | Tim Finnegan | 2015-04-30 15:56 | view |
213 | Mud Island | now reclaimed as Fairview Park, never really an island | Tim Finnegan | 2015-04-30 15:55 | view |
214 | ceiled | fancy plaster | Tim Finnegan | 2015-04-30 15:54 | view |
214 | Old Times in the Barony | 36 pages, c1900. the barony was Athlone | Tim Finnegan | 2015-04-30 15:53 | view |
215 | rededged | the closed book shows rededged paper | Tim Finnegan | 2015-04-30 15:51 | view |
215 | Rathcoffey | This is part of the Clongowes reminiscence | Tim Finnegan | 2015-04-30 15:49 | view |
214 | Howth road stop | how does he get to Malahide road from here? | Tim Finnegan | 2015-04-30 15:48 | view |
215 | stepped | could Corny have seen this? | Tim Finnegan | 2015-04-30 15:47 | view |
215 | young woman | Kitty Ricketts, a prostitute | Tim Finnegan | 2015-04-30 15:47 | view |
215 | flushed young man | Vincent Lynch, see episode 14 | Tim Finnegan | 2015-04-30 15:46 | view |
216 | yellowslobbered | was some licorice yellow? | Tim Finnegan | 2015-04-30 15:45 | view |
216 | stout lady | Maybe Molly's housekeeper, Mrs Fleming?? | Tim Finnegan | 2015-04-30 15:44 | view |
216 | J. J. O’Molloy’s | it's unclear how long before Lambert's section 8 this occurs-- logically it could be just a few minutes, but the current consensus says 15-20min | Tim Finnegan | 2015-04-30 15:44 | view |
216 | past Katey and Boody Dedalus | in 15min they'll be home, 7 St Peter's terrace, Cabra, but it's unclear where they're coming from and what direction they're currently going | Tim Finnegan | 2015-04-30 15:42 | view |
216 | onelegged sailor | we saw him greet Conmee at 2:55pm so he's taken 15min to get here, coming from the northeast | Tim Finnegan | 2015-04-30 15:40 | view |
216 | generous white arm | Molly intruding from the following section, c3:15pm | Tim Finnegan | 2015-04-30 15:37 | view |
216 | that particular party | who? | Tim Finnegan | 2015-04-30 15:36 | view |
217 | The | An intrusion from Dilly and Simon | Tim Finnegan | 2015-04-30 15:36 | view |
217 | Sister Mary Patrick | probably the convent across from the pawnshop | Tim Finnegan | 2015-04-30 15:35 | view |
217 | her big face | Conmee awarded her "queenly mien" | Tim Finnegan | 2015-04-30 15:34 | view |
217 | Clongowes | Conmee's old memory intruding via Conmee's section c3:30pm | Tim Finnegan | 2015-04-30 15:34 | view |
217 | Boody | So it was Maggy, not Katey and Boody, who was trying to pawn them | Tim Finnegan | 2015-04-30 15:33 | view |
218 | A darkbacked figure | Bloom, intruding from section 9 (Lenehan) | Tim Finnegan | 2015-04-30 15:31 | view |
218 | H. E. L. Y’ S. | Bloom has seen them around 1pm by the ballast office, and guessed they weren't Boylan's employees | Tim Finnegan | 2015-04-30 15:30 | view |
218 | jar | what? | Tim Finnegan | 2015-04-30 15:30 | view |
218 | bottle | champagne for Molly? | Tim Finnegan | 2015-04-30 15:29 | view |
218 | throwaway | Bloom's discard from the bridge around 1pm | Tim Finnegan | 2015-04-30 15:29 | view |
219 | band | playing for the bike race, factual; the cavalcade will hear them as it passes. they were announced for 3pm so either they're late or this section is pre-3pm | Tim Finnegan | 2015-04-30 15:28 | view |
220 | stared at the large poster | Maybe Boylan is promoting her and has a copy in the office? Or maybe she can see one outside? Maybe even the one on the Empire, or the one Master Dignam sees? | Tim Finnegan | 2015-04-30 15:25 | view |
220 | Monypeny’s corner | just south of Thornton's | Tim Finnegan | 2015-04-30 15:24 | view |
220 | gaudy notepaper | who is she writing to? not one of Boylan's customers!? | Tim Finnegan | 2015-04-30 15:20 | view |
220 | barekneed | bagpipe band wearing kilts | Tim Finnegan | 2015-04-30 15:19 | view |
222 | top disk | anachronism from years later | Tim Finnegan | 2015-04-30 15:17 | view |
222 | The young woman | An intrusion from Conmee's section, around 3:30pm | Tim Finnegan | 2015-04-30 15:16 | view |
223 | for Jervis street | headed west-- but was Jervis the only possibility in that direction? or was it named on the car? | Tim Finnegan | 2015-04-30 15:15 | view |
223 | down a manhole | true, but years later | Tim Finnegan | 2015-04-30 15:14 | view |
223 | turn | One of the acts in a variety show | Tim Finnegan | 2015-04-30 15:13 | view |
223 | elderly female | reminiscent of the characters in Stephen's Parable of the Plums | Tim Finnegan | 2015-04-30 15:12 | view |
223 | Lawyers | An intrusion from Four Courts to Crampton court, but with no source subsection | Tim Finnegan | 2015-04-30 15:10 | view |
224 | reappeared | Perhaps some longer time after it fell | Tim Finnegan | 2015-04-30 15:09 | view |
224 | in there | Has Lyons waited five hours to lay the bet? Is this the only place for it? | Tim Finnegan | 2015-04-30 15:07 | view |
226 | counter | Bloom is in a shop now, not at a cart outside. | Tim Finnegan | 2015-04-30 15:02 | view |
227 | having heard | these were the real cases heard that day; she was probably just curious/bored. when we saw her last on p223 she had one more session to visit, but the conventional timeline allows her only 5 minutes there before Lenehan spots Bloom. | Tim Finnegan | 2015-04-30 14:58 | view |
230 | Palmoil. | No one knew yet that the inspector had been bribed to ignore faulty firehoses | Tim Finnegan | 2015-04-30 14:53 | view |
3 | gunrest | The stairs did have a sort of 'handrail' but it was just a straight metal pole, not something round you could mount. The roof was designed for one cannon on wheels linked to the central axis, which is the raised round central platform Joyce is referring to. (It's unlikely the builders called it that.) | Tim Finnegan | 2015-04-30 14:38 | view |
3 | Chrysostomos | S. Bazargan suggests that this is a reference to Stephen or Joyce himself. See http://goo.gl/Vxt51u | amWard | 2015-04-30 00:23 | view |
232 | bookcart | Bloom's cart in Merchant's Arch is two blocks west | Tim Finnegan | 2015-04-29 15:48 | view |
233 | To learn French | Heartwrenchingly, she admires Stephen and hopes to follow him in some way | Tim Finnegan | 2015-04-29 15:45 | view |
233 | penny | out of the 14p Simon gave her (1p then was worth about 50 cents today) | Tim Finnegan | 2015-04-29 15:44 | view |
236 | five shillings | about $30 today | Tim Finnegan | 2015-04-29 15:38 | view |
236 | wrote | motivating Conmee's trek in section 1 | Tim Finnegan | 2015-04-29 15:36 | view |
241 | No Sandymount tram | It would save him lots of walking, following the path the funeral cortege took, and it normally passes every ten minutes, so perhaps it's out of commission for repairs? | Tim Finnegan | 2015-04-29 15:14 | view |
241 | toff | Boylan | Tim Finnegan | 2015-04-29 15:12 | view |
241 | image of Marie Kendall | not the one on the Empire, but maybe the one Miss Dunne also sees? | Tim Finnegan | 2015-04-29 15:11 | view |
242 | Wood | Joyce errs or more likely distorts the truth | Tim Finnegan | 2015-04-29 15:08 | view |
243 | poster | The same one Lenehan passed earlier on the Empire Palace Theatre, but maybe not the same Miss Dunne sees | Tim Finnegan | 2015-04-29 15:06 | view |
244 | Royal | Apparently Joyce's error for Grand Canal bridge | Tim Finnegan | 2015-04-29 15:04 | view |
358 | See ourselves as others see us. | Quoting/paraphrasing a line from the last stanza of Robert Burns. (https://goo.gl/3WZRER). The expression is used by Stephen in Telemachus, and by Bloom in Lestrygonians and Nausicca. | bbogle | 2015-04-27 22:07 | view |
358 | See ourselves as others see us. | Quoting/paraphrasing a line from the last stanza of Robert Burns. (https://goo.gl/3WZRER). The expression is used by Stephen in Telemachus, and by Bloom in Lestrygonians and Nausicca. | bbogle | 2015-04-27 22:07 | view |
50 | My teeth are very bad. Why, I wonder? Feel. That one is going too. Shells. | After all that business about chrysostomos in Telemachus it's only now, in the third episode, that we discover that Joyce (and Stephen) was setting up this dichotomy; that is, it is in part because of Stephen's bad teeth that he was sensitive to Buck's golden teeth, even, white and glittering. Stephen was not only describing but contrasting, presumably reflecting on the injustice of the situation. Thus at this line about Stephen's teeth, so far removed from the original observation, we suddenly have a new interpretation, or way of understanding, what had been informing Stephen's thoughts much earlier. How we understood at least one part of Telemachus is subtly altered. Of course by widely distributing meanings and interpretations throughout the entire text of Ulysses Joyce insures that our understanding of the whole is constantly being challenged. This technique makes the book more life-like and keeps us coming back to it as we slowly fall under, and eventually fully succumb to, the spell which Joyce weaves. | bbogle | 2015-04-27 21:20 | view |
50 | My teeth are very bad. Why, I wonder? Feel. That one is going too. Shells. | After all that business about chrysostomos in Telemachus it's only now, in the third episode, that we discover that Joyce (and Stephen) was setting up this dichotomy; that is, it is in part because of Stephen's bad teeth that he was sensitive to Buck's golden teeth, even, white and glittering. Stephen was not only describing but contrasting, presumably reflecting on the injustice of the situation. Thus at this line about Stephen's teeth, so far removed from the original observation, we suddenly have a new interpretation, or way of understanding, what had been informing Stephen's thoughts much earlier. How we understood at least one part of Telemachus is subtly altered. Of course by widely distributing meanings and interpretations throughout the entire text of Ulysses Joyce insures that our understanding of the whole is constantly being challenged. This technique makes the book more life-like and keeps us coming back to it as we slowly fall under, and eventually fully succumb to, the spell which Joyce weaves. | bbogle | 2015-04-27 21:20 | view |
202 | touched the foil | probably an allusion to fencing, ie accepting a challenge | Tim Finnegan | 2015-04-24 04:54 | view |
203 | Esau | In myth, the lapwing is to Icarus as Jacob is to Esau: less favored by Daedalus by prevailing by stealth. Stephen may be debating which of the two he'll turn out to be-- in Finnegans Wake, he definitely sides with Jacob-Shem | Tim Finnegan | 2015-04-24 04:25 | view |
197 | gorbellied | cf p24 above, "the gorescarred book" | Tim Finnegan | 2015-04-23 12:06 | view |
196 | Shakespeare and company | One wants to see a tribute to Sylvia Beach's bookstore, but the phrase was drafted in Dec 1918, the bookstore was founded a year later in Nov 1919, and SB's offer to publish Ulysses wasn't until Apr 1921. (Isn't it likelier she took the name from here?) | Tim Finnegan | 2015-04-23 11:31 | view |
194 | Charenton | This reference is such a nonsequitur one suspects a riddle: could Joyce's personal association be homosexual? | Tim Finnegan | 2015-04-23 11:15 | view |
295 | Gladiolus Cruentus | South African blood-red sword lily | Tim Finnegan | 2015-04-22 05:02 | view |
89 | Mr Bloom reviewed the nails of his left hand, then those of his right hand. The nails, yes. | During this brief exchange Bloom wishes he could refine himself out of existence. See this passage of Stephen's from Portrait: "...The dramatic form is reached when the vitality which has flowed and eddied round each person fills every person with such vital force that he or she assumes a proper and intangible esthetic life. The personality of the artist, at first a cry or a cadence or a mood and then a fluid and lambent narrative, finally refines itself out of existence, impersonalizes itself, so to speak. The esthetic image in the dramatic form is life purified in and reprojected from the human imagination. The mystery of esthetic, like that of material creation, is accomplished. The artist, like the God of creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails." | bbogle | 2015-04-21 16:39 | view |
89 | Mr Bloom reviewed the nails of his left hand, then those of his right hand. The nails, yes. | During this brief exchange Bloom wishes he could refine himself out of existence. See this passage of Stephen's from Portrait: "...The dramatic form is reached when the vitality which has flowed and eddied round each person fills every person with such vital force that he or she assumes a proper and intangible esthetic life. The personality of the artist, at first a cry or a cadence or a mood and then a fluid and lambent narrative, finally refines itself out of existence, impersonalizes itself, so to speak. The esthetic image in the dramatic form is life purified in and reprojected from the human imagination. The mystery of esthetic, like that of material creation, is accomplished. The artist, like the God of creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails." | bbogle | 2015-04-21 16:39 | view |
89 | He’s coming in the afternoon. | Blazes Boylan. Why Bloom will lack the strength to return home too early this night. | bbogle | 2015-04-21 16:29 | view |
89 | He’s coming in the afternoon. | Blazes Boylan. Why Bloom will lack the strength to return home too early this night. | bbogle | 2015-04-21 16:29 | view |
89 | I said I. | That is, not "we"; not himself with Molly. He recognizes here -- as we saw with Stephen, who thought along the same lines at the end of Telemachus -- home [also] I cannot go. | bbogle | 2015-04-21 16:26 | view |
89 | I said I. | That is, not "we"; not himself with Molly. He recognizes here -- as we saw with Stephen, who thought along the same lines at the end of Telemachus -- home [also] I cannot go. | bbogle | 2015-04-21 16:26 | view |
59 | Sandow’s exercises | Eugen Sandow is considered the first modern bodybuilder, and he published fitness magazines and books in which he outlines his personal strength-building regimen. We see Sandow's Strength and How to Obtain It on Bloom's bookshelf in "Ithaca." | Apathetic Star | 2015-04-21 13:39 | view |
113 | Co-ome | From Flotow's opera 'Martha' | pbohan | 2015-04-21 11:20 | view |
18 | these cliffs | The path they're walking on is at the edge of a 30 foot drop | Tim Finnegan | 2015-04-21 09:08 | view |
17 | Did you bring the key? | Mulligan is hinting he wants it, he can't really think Stephen left it in the lock | Tim Finnegan | 2015-04-21 09:06 | view |
16 | I see little hope | Around this time Joyce hoped for a singing career | Tim Finnegan | 2015-04-21 09:04 | view |
3 | in rapt attention | He knows the mailboat's outgoing routine, and plays on it | Tim Finnegan | 2015-04-21 09:00 | view |
4 | twenty quid | about $2000 today | Tim Finnegan | 2015-04-21 08:56 | view |
5 | I must teach you | Joyce had chosen to study Italian in school instead of Greek | Tim Finnegan | 2015-04-21 08:54 | view |
6 | g. p. i. | Dementia from syphilis | Tim Finnegan | 2015-04-21 08:52 | view |
6 | He kills his mother | Mulligan here is needling Stephen's greatest vulnerability, the conflict between art and duty | Tim Finnegan | 2015-04-21 08:50 | view |
7 | Bray Head | apparently Joyce's error-- Howth might have been visible but not Bray | Tim Finnegan | 2015-04-21 08:45 | view |
7 | debagged | Joyce's notes suggest Stephen is falsely 'remembering' Oxford where he's never been, confusing words like 'debagged' and 'gilded' | Tim Finnegan | 2015-04-21 08:44 | view |
8 | Yes | Mulligan is fearless, anyway | Tim Finnegan | 2015-04-21 08:39 | view |
9 | rashers. | sausages, cf Bloom's cooking for himself and Molly | Tim Finnegan | 2015-04-21 08:36 | view |
10 | Liliata rutilantium te confessorum turma circumdet; iubilantium te virginum chorus excipiat. | Stephen seems genuinely upset, and may use this cheerful Latin formula to soothe his nerves | Tim Finnegan | 2015-04-21 08:34 | view |
10 | blood of squashed lice | Supposedly the color 'puce' (see Mulligan's gloves below) was favored to conceal lousebloodstains | Tim Finnegan | 2015-04-21 08:33 | view |
11 | domed | designed to support the weight of a cannon | Tim Finnegan | 2015-04-21 08:30 | view |
11 | O, wont we have a merry time,Drinking whisky, beer and wine,On coronation Coronation day?O, wont we have a merry timeOn coronation day? | to the tune of 'O, Dem Golden Slippers' | Tim Finnegan | 2015-04-21 08:29 | view |
11 | I get paid | Unlike Mulligan, Stephen seems reluctant to beg when he has an alternative | Tim Finnegan | 2015-04-21 08:28 | view |
12 | that subject | masturbation | Tim Finnegan | 2015-04-21 08:25 | view |
13 | prepuces. | pronounced PREP-yooces (cf puce gloves) | Tim Finnegan | 2015-04-21 08:24 | view |
13 | Five lines of text and ten pages of notes | Joyce very self-consciously packed every sentence with nuances that would require explication, but even Finnegans Wake seems to require less than one page per line | Tim Finnegan | 2015-04-21 08:21 | view |
16 | your | 'your' must mean 'you Irish folk's' since Haines has shown no special respect for Stephen | Tim Finnegan | 2015-04-21 08:16 | view |
16 | Would I make money by it? | Stephen/Joyce had been selling his writing for years so this seems a reasonable question, though the answer is pretty obviously no. Haines seems to feel Stephen is a peasant who should be grateful just to be noticed | Tim Finnegan | 2015-04-21 08:14 | view |
17 | ladder | Historically there had been a ladder that could be pulled up, but it's inconceivable the milkwoman climbed a ladder carrying her can, so this must be the later immovable iron staircase | Tim Finnegan | 2015-04-21 07:57 | view |
19 | fortyfoot hole | Probably not named for its depth, maybe for its association with the 42nd Highland Regiment of Foot | Tim Finnegan | 2015-04-21 07:53 | view |
19 | tinderbox | Self-consciously retro | Tim Finnegan | 2015-04-21 07:48 | view |
21 | piously | A mocking gesture to warn them it's a priest | Tim Finnegan | 2015-04-21 07:45 | view |
23 | a seal's | is this Mulligan or a real seal? | Tim Finnegan | 2015-04-21 07:33 | view |
23 | Liliata rutilantium.Turma circumdet.Jubilantium te virginum. | Does Stephen find these words soothing? | Tim Finnegan | 2015-04-21 07:31 | view |
36 | path | It seems significant that in the first three chapters Stephen never walks on a named road, while Bloom never does anything else | Tim Finnegan | 2015-04-21 07:28 | view |
31 | five weeks' board | Was this where he was living before the Tower? If he'd been paid twice while living there, why didn't he pay her? | Tim Finnegan | 2015-04-21 07:18 | view |
88 | Crosbie and Alleyne | Mr Alleyne is a prominent supporting character in Counterparts in Dubliners. Crosbie and Alleyne's is a firm of solicitors. | bbogle | 2015-04-20 18:23 | view |
88 | Crosbie and Alleyne | Mr Alleyne is a prominent supporting character in Counterparts in Dubliners. Crosbie and Alleyne's is a firm of solicitors. | bbogle | 2015-04-20 18:23 | view |
88 | Peake | The following sentence from Counterparts, in Dubliners: <<He could remember the way in which Mr. Alleyne had hounded little Peake out of the office in order to make room for his own nephew.>> So obviously Bloom is familiar with the story of that Peake's downfall. | bbogle | 2015-04-20 18:21 | view |
88 | Peake | The following sentence from Counterparts, in Dubliners: <<He could remember the way in which Mr. Alleyne had hounded little Peake out of the office in order to make room for his own nephew.>> So obviously Bloom is familiar with the story of that Peake's downfall. | bbogle | 2015-04-20 18:21 | view |
187 | Said that. | His performance is so superhuman this lapse is surprising. | Tim Finnegan | 2015-04-20 18:15 | view |
185 | Blushing | Stephen has perhaps been violently snubbed by AE, perhaps historically provoking the Holy Office rant. | Tim Finnegan | 2015-04-20 18:11 | view |
180 | ghoststory | The boys in episode two wanted a ghoststory | Tim Finnegan | 2015-04-20 18:04 | view |
178 | I couldn’t bring him in to hear the discussion. | This is the Hamlet-theory Mulligan touted to Haines, but Haines has lost interest | Tim Finnegan | 2015-04-20 18:01 | view |
177 | He holds my follies hostage. | Stephen is embarrassed by some of his his past excesses, here something Eglinton witnessed and still teases him about | Tim Finnegan | 2015-04-20 17:58 | view |
158 | Her stockings are loose over her ankles | Padraic Colum guessed the loose-stockings woman would more likely have been Susan Langstaff Mitchell | Tim Finnegan | 2015-04-20 17:47 | view |
151 | U. P. : up | This ambiguity has been argued to imply the card had four characters: "U P UP" but just two characters is more plausible | Tim Finnegan | 2015-04-20 17:34 | view |
141 | Been walking in muck somewhere. | Does Bloom notice this now, or in episode six by Watery Lane? | Tim Finnegan | 2015-04-20 17:28 | view |
136 | Mr chairman | A recording exists of Joyce reading this speech | Tim Finnegan | 2015-04-20 17:25 | view |
119 | I could go home still | Bloom hasn't completely resigned himself to cuckoldry | Tim Finnegan | 2015-04-20 17:16 | view |
113 | through the printing works | The Evening Telegraph was in the south half of the building, the Freeman's Journal the north, with the printers shared | Tim Finnegan | 2015-04-20 17:09 | view |
109 | gramophone | Bloom anticipates future media | Tim Finnegan | 2015-04-20 17:05 | view |
98 | whispered | No longer Bloom's point of view | Tim Finnegan | 2015-04-20 16:59 | view |
89 | From the door of the Red Bank | A restaurant on their right | Tim Finnegan | 2015-04-20 16:49 | view |
88 | by Mr Bloom’s window | A clue to their seating arrangement: if the 'standard' is in the middle of Gt Brunswick, Bloom is on the right; if it's in Westland Row he's on the left | Tim Finnegan | 2015-04-20 16:48 | view |
83 | broke a window | Anticipating Stephen's song in episode 17 | Tim Finnegan | 2015-04-20 16:39 | view |
83 | How do you do | From the punctuation this is just imaginary dialog | Tim Finnegan | 2015-04-20 16:38 | view |
83 | Hornblower | Maybe his real name, maybe just Bloom's nickname | Tim Finnegan | 2015-04-20 16:38 | view |
79 | Footdrill | Probably just restless foot tapping | Tim Finnegan | 2015-04-20 16:33 | view |
74 | Cumberland street | Very narrow, like an alley: http://bit.ly/1eHOpRh | Tim Finnegan | 2015-04-20 16:24 | view |
73 | Think he’s that way inclined a bit. Against my grain somehow. | Maybe homosexuality | Tim Finnegan | 2015-04-20 16:22 | view |
88 | Paddy Leonard | Another character from Dubliners, where he had a bit role in Counterparts. | bbogle | 2015-04-20 16:15 | view |
88 | Paddy Leonard | Another character from Dubliners, where he had a bit role in Counterparts. | bbogle | 2015-04-20 16:15 | view |
87 | Hynes | Joe Hynes appeared in Ivy Day in the Committee Room in Dubliners. In Ulysses he is apparently writing for the Freeman's Journal. | bbogle | 2015-04-20 16:09 | view |
87 | Hynes | Joe Hynes appeared in Ivy Day in the Committee Room in Dubliners. In Ulysses he is apparently writing for the Freeman's Journal. | bbogle | 2015-04-20 16:09 | view |
65 | opened it | There's a door between the kitchen and the stairs, that also gives access to the back door. Bloom expects the cat will want the back door opened too, but it chooses the stairs instead. | Tim Finnegan | 2015-04-20 15:46 | view |
65 | Hope no ape comes knocking | So the outhouse is shared with neighbors? | Tim Finnegan | 2015-04-20 15:41 | view |
62 | having wiped her fingertips smartly on the blanket | Hilarious and eloquent | Tim Finnegan | 2015-04-20 15:34 | view |
60 | ringwise | Why? | Tim Finnegan | 2015-04-20 15:29 | view |
59 | Mrs Marion | Boylan's bad manners: it should say "Mrs Leopold" | Tim Finnegan | 2015-04-20 15:25 | view |
59 | Why is that? | Bloom fights depression by mental exercises | Tim Finnegan | 2015-04-20 15:23 | view |
58 | A cloud began to cover the sun wholly slowly wholly. | Though Joyce might have thought it could be the same cloud as in episode one, the geometry is impossible | Tim Finnegan | 2015-04-20 15:22 | view |
57 | to the right | Implying the butcher shop is on the east side of Dorset street | Tim Finnegan | 2015-04-20 15:19 | view |
57 | Eccles' Lane | On old maps this is where St Joseph's Parade was in 1904 (not to be confused with Eccles Street or Eccles Place) | Tim Finnegan | 2015-04-20 15:18 | view |
57 | Woods his name is. Wonder what he does. Wife is oldish. | According to the 1901 census he was a 'carrier' aged 50, his wife aged 40, both illiterate. | Tim Finnegan | 2015-04-20 14:59 | view |
56 | Dlugacz’s window | Apparently he's crossed Dorset street, because when he sees his neighbor leave she turns right | Tim Finnegan | 2015-04-20 14:55 | view |
55 | Well, meet him. | Ambiguous-- maybe 'embrace the risks' | Tim Finnegan | 2015-04-20 14:52 | view |
55 | Plasto’s | Cheaply made | Tim Finnegan | 2015-04-20 14:49 | view |
55 | officers are in the swim | Echoes the swimmers in episode one | Tim Finnegan | 2015-04-20 14:48 | view |
54 | Tweedy | Penelope's father was Icarius, Calypso's was probably Atlas | Tim Finnegan | 2015-04-20 14:47 | view |
54 | Still perhaps : once in a way. | A difficult sentence | Tim Finnegan | 2015-04-20 14:42 | view |
54 | milkman | It seems likelier the milkman visited before the episode starts, than that Bloom has already ventured out once to Hanlon's shop. | Tim Finnegan | 2015-04-20 14:40 | view |
53 | Wonder what I look like to her. | Bloom shows vast empathy | Tim Finnegan | 2015-04-20 14:37 | view |
53 | tower | Paralleling episode one | Tim Finnegan | 2015-04-20 14:36 | view |
53 | The cat | Never named | Tim Finnegan | 2015-04-20 14:35 | view |
53 | writingtable | In episode 17 (p662ff) we'll see Bloom writing at a table with two drawers in the center of the livingroom, but that seems like the place for their dining table, not his writingtable. | Tim Finnegan | 2015-04-20 14:02 | view |
48 | What she? | He's choosing a female to fantasize about | Tim Finnegan | 2015-04-20 13:46 | view |
47 | trudges, schlepps, trains, drags, trascines | Searching for the best synonym | Tim Finnegan | 2015-04-20 13:42 | view |
42 | a saucer of acetic acid | Any guesses what this was for? | Tim Finnegan | 2015-04-20 13:34 | view |
41 | Ring-send | A village he may be walking towards | Tim Finnegan | 2015-04-20 13:31 | view |
40 | what else were they invented for? | Biologically, it's more accurate to say women invented men for sex | Tim Finnegan | 2015-04-20 13:28 | view |
38 | Am I going to Aunt Sara's or not? | A mysterious clue correlated somehow to a sighting near the start of episode six | Tim Finnegan | 2015-04-20 13:23 | view |
38 | the liberties | A slum south of the Liffey, associated for both Stephen and Bloom with prostitution | Tim Finnegan | 2015-04-20 13:20 | view |
38 | the steps from Leahy's terrace | We know exactly where these were, one of the very few fixed landmarks in the episode. | Tim Finnegan | 2015-04-20 13:18 | view |
36 | On his wise shoulders through the checkerwork of leaves the sun flung spangles, dancing coins. | [spoiler] Foreshadows a later anecdote of Deasy's disagreeable wife throwing soup at a waiter | Tim Finnegan | 2015-04-20 13:14 | view |
659 | ritirando | The expected term would be "ritardando" | Tim Finnegan | 2015-04-20 08:02 | view |
688 | westward | Actually eastward | Tim Finnegan | 2015-04-20 07:59 | view |
683 | some crumbs | Echoing the funeral carriage in episode six | Tim Finnegan | 2015-04-20 07:54 | view |
682 | to the foot | The consensus is he habitually sleeps this way because he's obsessed with Molly's arse | Tim Finnegan | 2015-04-20 07:53 | view |
682 | perceived | Molly left a light on in the bedroom | Tim Finnegan | 2015-04-20 07:51 | view |
681 | timber | Not majolicacovered? Or both timber and inlay? | Tim Finnegan | 2015-04-20 07:49 | view |
680 | before rising | From the table? | Tim Finnegan | 2015-04-20 07:47 | view |
675 | 2nd drawer | Maybe no lock, maybe just unopened | Tim Finnegan | 2015-04-20 07:45 | view |
673 | unlocked | All these meditations have flashed through his mind as he sits at the table with the statue. (Maybe it was the key to the drawer he hid among the books?) | Tim Finnegan | 2015-04-20 07:40 | view |
666 | carbon monoxide | There's no explanation for this except to suggest Bloom is suicidally upset by whatever he'd hidden among the books. | Tim Finnegan | 2015-04-20 07:32 | view |
665 | ultimate ambition | Bloom may be soothing his anxiety by this habitual fantasy | Tim Finnegan | 2015-04-20 07:31 | view |
663 | 10 October 1903 | The last time he wore funeral clothes | Tim Finnegan | 2015-04-20 07:28 | view |
663 | sitting | A moment ago he was standing in front of the fireplace, then he straightened the books on their shelves, now he's sitting at a "central" table with a statue and two drawers-- presumably the table he called "my writingtable" on page 53. | Tim Finnegan | 2015-04-20 07:26 | view |
662 | the insecurity of hiding any secret document behind, beneath or between the pages of a book | Bloom had hidden something, not anticipating anyone would move the books; now he's heartsick to think what he hid was found by Molly and Boylan. | Tim Finnegan | 2015-04-20 07:23 | view |
662 | closestool | This enclosed chamberpot could not have been present in the livingroom, so neither are the apple and umbrella | Tim Finnegan | 2015-04-20 07:22 | view |
661 | gilt | Scintillating? | Tim Finnegan | 2015-04-20 07:20 | view |
660 | inverted volumes improperly arranged | By Molly or Boylan or the movers, maybe to make moving the bookshelves easier, maybe by Boylan making fun of Bloom, maybe by Molly looking something up? | Tim Finnegan | 2015-04-20 07:17 | view |
660 | in the order of their common letters | Alphabetical? | Tim Finnegan | 2015-04-20 07:15 | view |
660 | scintillating | Gold-colored? | Tim Finnegan | 2015-04-20 07:14 | view |
660 | the two bookshelves opposite | Between the piano and the windows? | Tim Finnegan | 2015-04-20 07:12 | view |
659 | homothetic | Maybe: implying a microcosm? | Tim Finnegan | 2015-04-20 07:02 | view |
659 | mantelpiece | He can reach both table and mantel | Tim Finnegan | 2015-04-20 06:46 | view |
659 | pleasant diffusion of gradual discolouration | So he's relieved to see evidence she cheated | Tim Finnegan | 2015-04-20 06:43 | view |
659 | discoloured | Lipstick? | Tim Finnegan | 2015-04-20 06:39 | view |
658 | similitude | Is Bloom thinking the easychair resembles Molly while the cane chair resembles Boylan (thus mistaking their real positions)? | Tim Finnegan | 2015-04-20 06:38 | view |
658 | directly opposite | Probably Molly was sitting here before she moved onto Boylan's knee | Tim Finnegan | 2015-04-20 06:32 | view |
658 | a centralised diffusing and diminishing discolouration | Molly's interior monolog will explain she had Boylan sit here, and he took off his pants without asking, and she sat on his knee while "he was so busy where he oughtnt to be". But if this is a wet spot still drying hours later was it just their juices, or did something else spill? Maybe she tried to wash some evidence away? | Tim Finnegan | 2015-04-20 06:28 | view |
658 | inlaid majolicatopped | Expensive, but unlikely to have lockable drawers? | Tim Finnegan | 2015-04-20 06:21 | view |
658 | the position originally occupied | Mysteriously unspecified! | Tim Finnegan | 2015-04-20 06:19 | view |
658 | more advantageous | Why? Closer to the dining table? More visible to guests? | Tim Finnegan | 2015-04-20 06:19 | view |
658 | the door of the front room | Which way it opened is unclear | Tim Finnegan | 2015-04-20 06:18 | view |
658 | hallfloor | The upper floors wouldn't need halls (the hall is so residents of the upper floors can reach the front door without disturbing the residents of the hallfloor) | Tim Finnegan | 2015-04-20 06:16 | view |
658 | beside the door | On the left as you enter | Tim Finnegan | 2015-04-20 06:13 | view |
658 | table | In a moment Bloom will sit down at "the central table" which has two drawers, at least one of which is lockable. So either "central" and "opposite the door" are compatible descriptions, or there's a second table in the middle of this extremely cramped room. | Tim Finnegan | 2015-04-20 06:10 | view |
658 | opposite the door | To the right of the fireplace? | Tim Finnegan | 2015-04-20 05:55 | view |
658 | ingleside | More usually a capitalised placename than (as here) an apparent synonym for fireside or inglenook. The fireplace would have been somewhere along the northwest wall, apparently closer to the southwest end by the windows. | Tim Finnegan | 2015-04-20 05:49 | view |
658 | alterations effected | Barger suggests Boylan arrived with a rented piano (so Molly directed Boylan and the deliverymen how to clear a space for it by the door) | Tim Finnegan | 2015-04-20 05:48 | view |
658 | right temporal lobe | Just above his right ear | Tim Finnegan | 2015-04-20 05:45 | view |
658 | a solid timber angle | The upper right corner of a tall walnut sideboard for dishes | Tim Finnegan | 2015-04-20 05:45 | view |
86 | crust-crumbs | Crumbs left scattered at the scene in flagrante delicto, prefiguring the flecks of Plumtree's Potted Meat which eventually will be found to festoon Molly's bed. | bbogle | 2015-04-17 12:36 | view |
86 | crust-crumbs | Crumbs left scattered at the scene in flagrante delicto, prefiguring the flecks of Plumtree's Potted Meat which eventually will be found to festoon Molly's bed. | bbogle | 2015-04-17 12:36 | view |
86 | Noisy selfwilled man. Full of his son. He is right. | Simon Dedalus' protective response to a perceived threat or accosting of his son triggers parallel (if truncated and wistful) feelings in Bloom, which he'll subsequently revisit throughout the day. This linkage, established by Simon Dedalus' words here, will allow for Bloom to gradually transfer his emotion from Rudy to Stephen Dedalus: note that Bloom first judges Simon as a "noisy selfwilled man," which will help Bloom, in a psychological sense, to be dismissive of Simon's effective role in providing adequate paternalism and so open the door for Bloom to enter in and play that role. | bbogle | 2015-04-17 12:25 | view |
86 | Noisy selfwilled man. Full of his son. He is right. | Simon Dedalus' protective response to a perceived threat or accosting of his son triggers parallel (if truncated and wistful) feelings in Bloom, which he'll subsequently revisit throughout the day. This linkage, established by Simon Dedalus' words here, will allow for Bloom to gradually transfer his emotion from Rudy to Stephen Dedalus: note that Bloom first judges Simon as a "noisy selfwilled man," which will help Bloom, in a psychological sense, to be dismissive of Simon's effective role in providing adequate paternalism and so open the door for Bloom to enter in and play that role. | bbogle | 2015-04-17 12:25 | view |
75 | he read the letter again | Note that Bloom reads and re-reads as a deliberate means of memorizing text; the same behavior we saw with the Milly letter in Calypso. | bbogle | 2015-04-17 12:07 | view |
75 | he read the letter again | Note that Bloom reads and re-reads as a deliberate means of memorizing text; the same behavior we saw with the Milly letter in Calypso. | bbogle | 2015-04-17 12:07 | view |
64 | Then he read the letter again : twice. | Note that Bloom reads and re-reads as a deliberate means of memorizing text; the same behavior will be repeated with the Martha Clifford letter in Lotus Eaters. | bbogle | 2015-04-17 12:03 | view |
64 | Then he read the letter again : twice. | Note that Bloom reads and re-reads as a deliberate means of memorizing text; the same behavior will be repeated with the Martha Clifford letter in Lotus Eaters. | bbogle | 2015-04-17 12:03 | view |
62 | Some people believe, he said, that we go on on living in another body after death, that we lived before. They call it reincarnation. | Reincarnation isn't the same as metempsychosis. The former requires death to move into a different form, the latter doesn't | Apathetic Star | 2015-04-16 10:36 | view |
37 | iambs | Stephen has made a mistake. The syllables are trochees (stressed syllable, unstressed syllable), not iambs (unstressed syllable, stressed syllable, made famous by Shakespearean verse). Despite his intellectualism, Stephen DOES make mistakes | Apathetic Star | 2015-04-15 21:29 | view |
3 | faced about | "to turn and face in the opposite direction" (Macmillan Dictionary) | grf | 2015-04-15 19:11 | view |
85 | Ignatius Gallaher | Successful Irish expat, a journalist, come back to Dublin in "A Little Cloud" in Dubliners. | bbogle | 2015-04-15 18:12 | view |
85 | Ignatius Gallaher | Successful Irish expat, a journalist, come back to Dublin in "A Little Cloud" in Dubliners. | bbogle | 2015-04-15 18:12 | view |
84 | Mr Power | It was Jack Power who rescued Tom Kernan from an unfortunate brush with the law in "Grace" in Dubliners. | bbogle | 2015-04-15 17:47 | view |
84 | Mr Power | It was Jack Power who rescued Tom Kernan from an unfortunate brush with the law in "Grace" in Dubliners. | bbogle | 2015-04-15 17:47 | view |
82 | Bantam Lyons | He is mentioned as a tenant in "The Boarding House" in Dubliners. | bbogle | 2015-04-15 17:03 | view |
82 | Bantam Lyons | He is mentioned as a tenant in "The Boarding House" in Dubliners. | bbogle | 2015-04-15 17:03 | view |
80 | candles melting | Recall Buck Mulligan's abortive joke about the melting candle in Telemachus: the cause of the blushes she might wish to hide. | bbogle | 2015-04-15 16:44 | view |
80 | candles melting | Recall Buck Mulligan's abortive joke about the melting candle in Telemachus: the cause of the blushes she might wish to hide. | bbogle | 2015-04-15 16:44 | view |
279 | Prrprr. Must be the bur. Fff. Oo. Rrpr. Nations of the earth. No-one behind. She’s passed. Then and not till then. Tram. Kran, kran, kran. Good oppor. Coming. Krandlkrankran. I’m sure it’s the burgund. Yes. One, two. Let my epitaph be. Kraaaaaaaa. Written. I have. Pprrpffrrppfff. Done | This narrates Bloom farting just a little bit ("Pprrp. Fff. Oo."), making sure the lady behind him didn't hear, and deciding to hold it in until the "Kran kran kran" of the upcoming tram offers "a good oppor"[tunity] to cover it with a loud noise. When it brakes ("Krraaaaaaa") he lets loose ("PPrrrpprrfffprrff"). This chapter, "Sirens," is the music chapter, so ending it with Bloom's windy instrument is not only funny but thematically appropriate. | Apathetic Star | 2015-04-15 14:21 | view |
74 | world | See page 152 for explication | Apathetic Star | 2015-04-15 13:03 | view |
152 | called you naughty darling because I do not like that other world | Bloom quoting Martha's letter from earlier. Note the misspelling of "word" as "world" - whoever Martha is, she is not a very good typist, even though she responded to Bloom's ad in the hopes of employment as one | Apathetic Star | 2015-04-15 13:02 | view |
152 | Wanted smart lady typist to aid gentleman in literary work. | References an ad Bloom placed in the Irish Times. Martha responds to help him with his "literary work" | Apathetic Star | 2015-04-15 12:58 | view |
74 | I do wish I could punish you for that. I called you naughty boy | Bloom enjoys the "D" and "S" of BDSM - discipline and submission. See "Circe" for an extended scene. | Apathetic Star | 2015-04-15 12:55 | view |
75 | MARTHA | Considering that Bloom's wife is named "Marion" and his mistress is named "Martha," one could consider Bloom as either a Christ figure (in the home of Mary and Martha) or as Lazarus, the brother, or potentially both - Bloom as resurrector and resurrected. See next chapter for explicit references to Lazarus and resurrection | Apathetic Star | 2015-04-15 12:51 | view |
61 | A strip of torn envelope peeped from under the dimpled pillow. In the act of going he stayed to straighten the bedspread. — Who was the letter from? he asked. Bold hand. Marion. — O, Boylan, she said | [Spoiler Alert] We later learn that Blazes Boylan is a man with whom Molly is having an affair, hence the attempt to hide the letter out of sight and brush it off as a work-related matter - even though Bloom already knows about the extra-marital relations. He himself is also engaged in a (solely) epistolary affair with a woman named Martha Clifford, whose letter to Bloom we see in the next chapter. This marks an instance that slips by, but it actually contains a lot of information on the upcoming narrative and insight into the Blooms' marriage. | Apathetic Star | 2015-04-15 12:25 | view |
77 | Martin Cunningham | Appears in "Grace" in Dubliners. Resembles William Shakespeare in countenance. A good-souled man married to a tosspot harridan. | bbogle | 2015-04-14 15:56 | view |
77 | Martin Cunningham | Appears in "Grace" in Dubliners. Resembles William Shakespeare in countenance. A good-souled man married to a tosspot harridan. | bbogle | 2015-04-14 15:56 | view |
77 | the very reverend John Conmee S. J. | Rector of Clongowes Wood College when Stephen Dedalus attended; later, prefect of studies at Belvedere College when Stephen attended there. Prominent figure in the Wandering Rocks episode. | bbogle | 2015-04-14 15:47 | view |
77 | the very reverend John Conmee S. J. | Rector of Clongowes Wood College when Stephen Dedalus attended; later, prefect of studies at Belvedere College when Stephen attended there. Prominent figure in the Wandering Rocks episode. | bbogle | 2015-04-14 15:47 | view |
75 | meaning of that word | As Molly had asked him for the meaning of the word metempsychosis: consulting Bloom the lexicologist. | bbogle | 2015-04-14 15:20 | view |
75 | meaning of that word | As Molly had asked him for the meaning of the word metempsychosis: consulting Bloom the lexicologist. | bbogle | 2015-04-14 15:20 | view |
73 | Bob Cowley | About him Gifford says: "A 'spoiled priest,' that is, a priest who has drifted out of his calling but not flamboyantly enough to be unfrocked by the Church and not courageously enough to request that he be released from his vows. Cowley appears later in the novel." | bbogle | 2015-04-14 15:00 | view |
73 | Bob Cowley | About him Gifford says: "A 'spoiled priest,' that is, a priest who has drifted out of his calling but not flamboyantly enough to be unfrocked by the Church and not courageously enough to request that he be released from his vows. Cowley appears later in the novel." | bbogle | 2015-04-14 15:00 | view |
77 | Damn it. | In chapter four, Bloom could not remember removing his hat-probably because of the tension caused by Boylan's letter- but now he makes an association with Milly's letter. | pbohan | 2015-04-10 11:02 | view |
67 | Poor Dignam! | When we catch up with Bloom next, he is already on the other side of the city so it is reasonable to assume that there is a farewell conversation with Molly outside the narrative when she confirms the time she expects Boylan and Bloom indicates he will not interrupt them. | pbohan | 2015-04-10 10:40 | view |
67 | Ponchielli’s dance of the hours | From the opera La Gioconda: it represents the passing of one day through dance and music. A possible inspiration for the structure of Ulysses. | pbohan | 2015-04-10 10:36 | view |
63 | student | Bannon: mentioned by Mulligan in chapter one. | pbohan | 2015-04-10 10:31 | view |
73 | papa | Rudolph Bloom was a suicide so Leopold's mind makes the association. | pbohan | 2015-04-10 10:27 | view |
72 | body | This is the drowning that occupied Stephen's thoughts in chapter one. | pbohan | 2015-04-10 10:22 | view |
55 | felt in his hip pocket for the latchkey | Missing key | Manek | 2015-04-05 21:26 | view |
55 | White slip of paper. | Card with the name Henry Flowers on it. | Manek | 2015-04-05 21:25 | view |
54 | the loose brass quoits of the bedstead jingled | Repeating motif, foreshadows the coming adultery | Manek | 2015-04-05 21:17 | view |
75 | the Coombe | The Coombe is a street in a poor neighborhood called the Liberties. Joyce hints that it was similar to Nighttown in offering prostitution. | Tim Finnegan | 2015-04-02 03:19 | view |
82 | risk | Lyons will try a bet on this other outsider. | pbohan | 2015-03-30 15:39 | view |
53 | my | There are many deliberate ambivalences in this chapter. This 'my' could be Bloom thinking or even an intromission by Joyce. Later, 'she' might refer to either Molly or the cat. Molly is both Calypso and Penelope. Unlike Stephen who insists on 'only one sense of the word', Bloom is associated with many senses. | pbohan | 2015-03-30 15:04 | view |
70 | outsider | A type of jaunting car but also suggesting Bloom's status and anticipating the Throwaway bet. | pbohan | 2015-03-30 14:59 | view |
72 | Who’s getting it up? | The first inadvertent taunting of L Bloom. | bbogle | 2015-03-30 05:58 | view |
72 | Who’s getting it up? | The first inadvertent taunting of L Bloom. | bbogle | 2015-03-30 05:58 | view |
36 | On his wise shoulders through the checkerwork of leaves the sun flung spangles, dancing coins. | Going completely subjective: simply a lovely sentence. Notice how the episode ends, regardless, with one last grace note ringing a major motif of this episode: coins. | bbogle | 2015-03-30 05:49 | view |
36 | On his wise shoulders through the checkerwork of leaves the sun flung spangles, dancing coins. | Going completely subjective: simply a lovely sentence. Notice how the episode ends, regardless, with one last grace note ringing a major motif of this episode: coins. | bbogle | 2015-03-30 05:49 | view |
442 | gauntlets with braided drums | Probably the braids on the back of her gloves. See: http://www.jjon.org/joyce-s-words/drums. Within Ulysses, see also, in Lotus-Eaters: http://www.infiniteulysses.com/ulysses/71 | bbogle | 2015-03-30 05:35 | view |
442 | gauntlets with braided drums | Probably the braids on the back of her gloves. See: http://www.jjon.org/joyce-s-words/drums. Within Ulysses, see also, in Lotus-Eaters: http://www.infiniteulysses.com/ulysses/71 | bbogle | 2015-03-30 05:35 | view |
71 | braided drums | Probably the braids on the back of her gloves. See: http://www.jjon.org/joyce-s-words/drums. Within Ulysses, see also, in Circe: http://www.infiniteulysses.com/ulysses/442 | bbogle | 2015-03-30 05:34 | view |
71 | braided drums | Probably the braids on the back of her gloves. See: http://www.jjon.org/joyce-s-words/drums. Within Ulysses, see also, in Circe: http://www.infiniteulysses.com/ulysses/442 | bbogle | 2015-03-30 05:34 | view |
71 | vailed | Lowered in submission or feigned respect. See: http://goo.gl/4EMFCj | bbogle | 2015-03-30 05:26 | view |
71 | vailed | Lowered in submission or feigned respect. See: http://goo.gl/4EMFCj | bbogle | 2015-03-30 05:26 | view |
71 | Brutus is an honourable man | Julius Caeser allusion. | bbogle | 2015-03-30 05:18 | view |
71 | Brutus is an honourable man | Julius Caeser allusion. | bbogle | 2015-03-30 05:18 | view |
70 | Holohan. You know Hoppy? | Hoppy Holohan appears in "A Mother" in Dubliners: <<MR HOLOHAN, assistant secretary of the Eire Abu Society, had been walking up and down Dublin for nearly a month, with his hands and pockets full of dirty pieces of paper, arranging about the series of concerts. He had a game leg and for this his friends called him Hoppy Holohan. He walked up and down constantly, stood by the hour at street corners arguing the point and made notes; but in the end it was Mrs. Kearney who arranged everything.>> | bbogle | 2015-03-30 05:17 | view |
70 | Holohan. You know Hoppy? | Hoppy Holohan appears in "A Mother" in Dubliners: <<MR HOLOHAN, assistant secretary of the Eire Abu Society, had been walking up and down Dublin for nearly a month, with his hands and pockets full of dirty pieces of paper, arranging about the series of concerts. He had a game leg and for this his friends called him Hoppy Holohan. He walked up and down constantly, stood by the hour at street corners arguing the point and made notes; but in the end it was Mrs. Kearney who arranged everything.>> | bbogle | 2015-03-30 05:17 | view |
70 | M’Coy | Appears in "Grace" in Dubliners., where it is said of him: <<Mr. M'Coy had been at one time a tenor of some reputation. His wife, who had been a soprano, still taught young children to play the piano at low terms. His line of life had not been the shortest distance between two points and for short periods he had been driven to live by his wits. He had been a clerk in the Midland Railway, a canvasser for advertisements for The Irish Times and for The Freeman's Journal, a town traveller for a coal firm on commission, a private inquiry agent, a clerk in the office of the Sub-Sheriff, and he had recently become secretary to the City Coroner. His new office made him professionally interested in Mr. Kernan's case.>> | bbogle | 2015-03-30 05:11 | view |
70 | M’Coy | Appears in "Grace" in Dubliners., where it is said of him: <<Mr. M'Coy had been at one time a tenor of some reputation. His wife, who had been a soprano, still taught young children to play the piano at low terms. His line of life had not been the shortest distance between two points and for short periods he had been driven to live by his wits. He had been a clerk in the Midland Railway, a canvasser for advertisements for The Irish Times and for The Freeman's Journal, a town traveller for a coal firm on commission, a private inquiry agent, a clerk in the office of the Sub-Sheriff, and he had recently become secretary to the City Coroner. His new office made him professionally interested in Mr. Kernan's case.>> | bbogle | 2015-03-30 05:11 | view |
71 | Bantam Lyons | Appears as "Mr Lyons" in "Ivy Day in the Committee Room" in Dubliners. | bbogle | 2015-03-30 05:08 | view |
71 | Bantam Lyons | Appears as "Mr Lyons" in "Ivy Day in the Committee Room" in Dubliners. | bbogle | 2015-03-30 05:08 | view |
71 | Bob Doran | Character appearing in "The Boarding House" in Dubliners, where he is trapped in a marriage. Later in Cyclops we'll see him rip-roaring drunk. | bbogle | 2015-03-30 05:03 | view |
71 | Bob Doran | Character appearing in "The Boarding House" in Dubliners, where he is trapped in a marriage. Later in Cyclops we'll see him rip-roaring drunk. | bbogle | 2015-03-30 05:03 | view |
53 | O | Contrast Bloom's "O" with Molly's first syllable to come. | wvarga7a1 | 2015-03-29 18:06 | view |
705 | come | "Come" is the essential pun in Ulysses: a noun, a verb: not only motion, but also orgasm and semen. This is the last instance of "come" used for orgasm, although there are eight more instances to come in the Penelope episode. Recognition of Joyce's pun is part of the fun in the novel. | wvarga7a1 | 2015-03-29 17:52 | view |
65 | Come, come, pussy. Come | These are (arguably) Molly's last audible words in the novel, as (arguably) the words in the Penelope episode are thought, not spoken aloud, by Molly. | wvarga7a1 | 2015-03-29 14:52 | view |
54 | milkman | There's no need for a "milkman" to come to 7 Eccles Street as there was for a "milkwoman" to come to the Martello Tower in the Telemachus episode. | wvarga7a1 | 2015-03-29 14:47 | view |
42 | Mother | Later editions correct "Mother dying" to "Nother dyng" hence being a "curiosity." See Ellmann in NYT: https://goo.gl/b2TFtd | wvarga7a1 | 2015-03-29 14:28 | view |
69 | Sleep six months out of twelve. | The intrusive indolence of the land of the lotus-eaters begins to settle into this episode already. | bbogle | 2015-03-29 05:38 | view |
69 | Sleep six months out of twelve. | The intrusive indolence of the land of the lotus-eaters begins to settle into this episode already. | bbogle | 2015-03-29 05:38 | view |
9 | a bowl of bitter waters. | A reference to the bile of Stephen's mother and, by extension, his own act of insubordination by not praying for her. | indigoecho | 2015-03-27 06:40 | view |
38 | Hello. Kinch here. Put me on to Edenville. Aleph, alpha: nought, nought, one. | Here Stephen is comparing the umbilical cord to telephone lines. He imitates a phone call to Adam and Eve in the biblical Eden, demonstrating both the interconnected nature of human existence (paralleling how all humans are derived from Adam and Eve with the contemporary connections made through the telephone) and the extent of Stephen's creative imagination. | indigoecho | 2015-03-27 06:25 | view |
5 | hyperborean | By using "hyperborean" in the sense of "disbeliever", Mulligan is alluding to the introduction of Nietzsche's "Antichrist", which was a very new book at that time. He will allude to Nietzsche once more at the end of the chapter. | Armagan Ekici | 2015-03-26 17:35 | view |
32 | foot and mouth disease | Gilbert (pp 112-3) purports that Deasy's interest in cattle relates to the association between the home of Nestor near the River Alpheus, commonly associated with oxen. | bbogle | 2015-03-26 13:51 | view |
32 | foot and mouth disease | Gilbert (pp 112-3) purports that Deasy's interest in cattle relates to the association between the home of Nestor near the River Alpheus, commonly associated with oxen. | bbogle | 2015-03-26 13:51 | view |
29 | Mr Deasy | A venerated geezer at the time of the Trojan War and a legendary horseman from days of yore, Nestor (Deasy) was a sort of Polonious-type, better known for dispensing outmoded advice than for achievements won in the execution thereof. Too old to fight at Troy himself, this master of war never failed to urge young men to do so. In seeking Odysseus, Telemachus (Stephen) first visited Nestor, where he heard a wealth of opinion and learned little information of use. | bbogle | 2015-03-26 13:22 | view |
29 | Mr Deasy | A venerated geezer at the time of the Trojan War and a legendary horseman from days of yore, Nestor (Deasy) was a sort of Polonious-type, better known for dispensing outmoded advice than for achievements won in the execution thereof. Too old to fight at Troy himself, this master of war never failed to urge young men to do so. In seeking Odysseus, Telemachus (Stephen) first visited Nestor, where he heard a wealth of opinion and learned little information of use. | bbogle | 2015-03-26 13:22 | view |
29 | illdyed | Illdyed ≈ Iliad? | bbogle | 2015-03-26 13:07 | view |
29 | illdyed | Illdyed ≈ Iliad? | bbogle | 2015-03-26 13:07 | view |
27 | Sargent | Gifford finds no source for the name Sargent. Perhaps it continues the military theme (i.e., "sergeant") begun in the history of Pyrrhus and echoing on in the battle-cries erupting from the hockey field as this episode plays out. | bbogle | 2015-03-26 12:11 | view |
27 | Sargent | Gifford finds no source for the name Sargent. Perhaps it continues the military theme (i.e., "sergeant") begun in the history of Pyrrhus and echoing on in the battle-cries erupting from the hockey field as this episode plays out. | bbogle | 2015-03-26 12:11 | view |
24 | Vico Road | Actual road, but also an allusion to Giambattista Vico who elaborated a cyclical view of history. See all of Finnegans Wake for more information. | bbogle | 2015-03-26 11:55 | view |
24 | Vico Road | Actual road, but also an allusion to Giambattista Vico who elaborated a cyclical view of history. See all of Finnegans Wake for more information. | bbogle | 2015-03-26 11:55 | view |
24 | gorescarred | That is, gorescarred precisely because it is a book of history, a parade of wars and crimes. At least, the word gorescarred signals to us Stephen's perspective. | bbogle | 2015-03-26 11:40 | view |
24 | gorescarred | That is, gorescarred precisely because it is a book of history, a parade of wars and crimes. At least, the word gorescarred signals to us Stephen's perspective. | bbogle | 2015-03-26 11:40 | view |
24 | — You, Cochrane, what city sent for him? | It seems history, we've already seen, is to blame; here, Stephen is obliged to teach history, toward which he holds a certain aversion, as will soon be established. A widespread re-evaluation of history and its significance concerned many modernist artists, including James Joyce. History therefore becomes an important motif in Ulysses. | bbogle | 2015-03-26 11:37 | view |
24 | — You, Cochrane, what city sent for him? | It seems history, we've already seen, is to blame; here, Stephen is obliged to teach history, toward which he holds a certain aversion, as will soon be established. A widespread re-evaluation of history and its significance concerned many modernist artists, including James Joyce. History therefore becomes an important motif in Ulysses. | bbogle | 2015-03-26 11:37 | view |
18 | Japhet in search of a father! | Japhet: son of Noah and progenitor of European nations. But also Telemachus (Stephen) in search of Odysseus (Bloom). Why should Mulligan compare Stephen to Japhet? Perhaps because Stephen had once declared his intention "to forge in the smithy of my soul the uncreated conscience of my race." | bbogle | 2015-03-26 08:21 | view |
18 | Japhet in search of a father! | Japhet: son of Noah and progenitor of European nations. But also Telemachus (Stephen) in search of Odysseus (Bloom). Why should Mulligan compare Stephen to Japhet? Perhaps because Stephen had once declared his intention "to forge in the smithy of my soul the uncreated conscience of my race." | bbogle | 2015-03-26 08:21 | view |
18 | a sail tacking by the Muglins | I can't help thinking this is also a reference to the perils of being caught between the Scylla and Charybdis; rather, the risk of tacking too close to Mulligan. | bbogle | 2015-03-26 08:16 | view |
18 | a sail tacking by the Muglins | I can't help thinking this is also a reference to the perils of being caught between the Scylla and Charybdis; rather, the risk of tacking too close to Mulligan. | bbogle | 2015-03-26 08:16 | view |
18 | The Father and the Son idea. The Son striving to be atoned with the Father. | Also an allusion to the Odyssean thrust of this episode: that the son Telemachus (Stephen) seeks atonement with Odysseus (Bloom). | bbogle | 2015-03-26 08:09 | view |
18 | The Father and the Son idea. The Son striving to be atoned with the Father. | Also an allusion to the Odyssean thrust of this episode: that the son Telemachus (Stephen) seeks atonement with Odysseus (Bloom). | bbogle | 2015-03-26 08:09 | view |
14 | maybe a messenger | E.g., as Athena was wont to come in disguise to goad mortals into action, as she encouraged Telemachus to depart his home in Ithaca in search of his long-lost father, Odysseus. | bbogle | 2015-03-26 07:56 | view |
14 | maybe a messenger | E.g., as Athena was wont to come in disguise to goad mortals into action, as she encouraged Telemachus to depart his home in Ithaca in search of his long-lost father, Odysseus. | bbogle | 2015-03-26 07:56 | view |
23 | I will not sleep here tonight. | Like Telemachus, Stephen (alternatively Hamlet/Shakespeare/Telemachus) has been thrust from his home and into his quest, thus initiating the dynamic action of the drama; unlike Telemachus, Stephen is not consciously aware that the object of his quest is a father-figure. | bbogle | 2015-03-26 07:47 | view |
23 | I will not sleep here tonight. | Like Telemachus, Stephen (alternatively Hamlet/Shakespeare/Telemachus) has been thrust from his home and into his quest, thus initiating the dynamic action of the drama; unlike Telemachus, Stephen is not consciously aware that the object of his quest is a father-figure. | bbogle | 2015-03-26 07:47 | view |
7 | Cough it up. | In keeping with the motif of phlegm and expectoration persistent in this episode. | bbogle | 2015-03-26 07:28 | view |
7 | Cough it up. | In keeping with the motif of phlegm and expectoration persistent in this episode. | bbogle | 2015-03-26 07:28 | view |
5 | The bard | Referring to Stephen's literary interest and talents, but also linking Stephen to Shakespeare. | bbogle | 2015-03-26 07:23 | view |
5 | The bard | Referring to Stephen's literary interest and talents, but also linking Stephen to Shakespeare. | bbogle | 2015-03-26 07:23 | view |
3 | the tower | As in Hamlet, the action commences as characters move among castle turrets, or their counterpart. Soon, as we shall see, thoughts of a ghost will preoccupy Stephen Dedalus, our broody prince. | bbogle | 2015-03-26 07:20 | view |
3 | the tower | As in Hamlet, the action commences as characters move among castle turrets, or their counterpart. Soon, as we shall see, thoughts of a ghost will preoccupy Stephen Dedalus, our broody prince. | bbogle | 2015-03-26 07:20 | view |
3 | untonsured | That is, Buck Mulligan is not very monk-like. In "The Dead," the Protestant Mr Browne is bewildered by the expressions of piety engaged in by the monks at the Mount Melleray monastery. | bbogle | 2015-03-26 07:09 | view |
3 | untonsured | That is, Buck Mulligan is not very monk-like. In "The Dead," the Protestant Mr Browne is bewildered by the expressions of piety engaged in by the monks at the Mount Melleray monastery. | bbogle | 2015-03-26 07:09 | view |
28 | subjective and objective genitive. | The ambiguous grammar can mean either a mother's love for a child, or a child's love for the mother | Tim Finnegan | 2015-03-26 04:38 | view |
34 | A shout in the street | Rather than an almighty judge, Stephen suggests 'God' might be just one more random set of opinions | Tim Finnegan | 2015-03-26 04:33 | view |
67 | Gretta Conroy | Character in Joyce's story "The Dead." | bbogle | 2015-03-24 17:08 | view |
67 | Gretta Conroy | Character in Joyce's story "The Dead." | bbogle | 2015-03-24 17:08 | view |
53 | : | Note how marked colonicity informs this episode. | bbogle | 2015-03-24 16:10 | view |
53 | : | Note how marked colonicity informs this episode. | bbogle | 2015-03-24 16:10 | view |
9 | A cloud began to cover the sun slowly | The same cloud observed by Bloom in Calypso (http://www.infiniteulysses.com/ulysses/58)., synchronizing the Telemachiad with the Wanderings of Ulysses. | bbogle | 2015-03-24 15:55 | view |
9 | A cloud began to cover the sun slowly | The same cloud observed by Bloom in Calypso (http://www.infiniteulysses.com/ulysses/58)., synchronizing the Telemachiad with the Wanderings of Ulysses. | bbogle | 2015-03-24 15:55 | view |
58 | A cloud began to cover the sun wholly slowly wholly. | The same cloud observed by Stephen in Telemachus (http://www.infiniteulysses.com/ulysses/9)., synchronizing the Telemachiad with the Wanderings of Ulysses. | bbogle | 2015-03-24 15:54 | view |
58 | A cloud began to cover the sun wholly slowly wholly. | The same cloud observed by Stephen in Telemachus (http://www.infiniteulysses.com/ulysses/9)., synchronizing the Telemachiad with the Wanderings of Ulysses. | bbogle | 2015-03-24 15:54 | view |
56 | Mine. Slieve Bloom. | "My" geography, "Slieve Bloom" being an Irish mountain range. | bbogle | 2015-03-24 15:17 | view |
56 | Mine. Slieve Bloom. | "My" geography, "Slieve Bloom" being an Irish mountain range. | bbogle | 2015-03-24 15:17 | view |
56 | joggerfry. | I.e., geography. | bbogle | 2015-03-24 15:13 | view |
56 | joggerfry. | I.e., geography. | bbogle | 2015-03-24 15:13 | view |
56 | Ahbeesee defeegee kelomen opeecue rustyouvee double you. | I.e., Abc dfg klomn opq rstouv w. | bbogle | 2015-03-24 15:12 | view |
56 | Ahbeesee defeegee kelomen opeecue rustyouvee double you. | I.e., Abc dfg klomn opq rstouv w. | bbogle | 2015-03-24 15:12 | view |
55 | But I couldn’t go in that light suit. | Parallelism with Stephen, who can't wear gray. | bbogle | 2015-03-24 15:07 | view |
55 | But I couldn’t go in that light suit. | Parallelism with Stephen, who can't wear gray. | bbogle | 2015-03-24 15:07 | view |
53 | with relish | With zest, or the condiment? | bbogle | 2015-03-24 14:30 | view |
53 | with relish | With zest, or the condiment? | bbogle | 2015-03-24 14:30 | view |
6 | Lead him not into temptation. | A reference to the Pater Noster, the original line reading 'lead us not into temptation'. Here it has potentially licentious connotations referring to how the aunt (apparently) seeks to keep Buck away from attractive women, and therefore continues his mocking of religious ritual. | indigoecho | 2015-03-24 07:30 | view |
50 | Moving through the air high spars of a threemaster, her sails brailed up on the crosstrees, homing, upstream, silently moving, a silent ship. | Joyce revisits the crosstrees in Stephen's internal mocking of the Apostles' Creed in Scylla and Charybdis (http://www.infiniteulysses.com/ulysses/189), and this silent ship, the threemaster Rosevean from Bridgwater with bricks, is mentioned at various times as well, including in Eumaeus (http://www.infiniteulysses.com/ulysses/580). | bbogle | 2015-03-23 19:09 | view |
50 | Moving through the air high spars of a threemaster, her sails brailed up on the crosstrees, homing, upstream, silently moving, a silent ship. | Joyce revisits the crosstrees in Stephen's internal mocking of the Apostles' Creed in Scylla and Charybdis (http://www.infiniteulysses.com/ulysses/189), and this silent ship, the threemaster Rosevean from Bridgwater with bricks, is mentioned at various times as well, including in Eumaeus (http://www.infiniteulysses.com/ulysses/580). | bbogle | 2015-03-23 19:09 | view |
48 | O, touch me soon, now. | See also Hades, when Bloom recalls probable occasion of conception of Rudy. http://www.infiniteulysses.com/ulysses/86 | bbogle | 2015-03-23 18:43 | view |
48 | O, touch me soon, now. | See also Hades, when Bloom recalls probable occasion of conception of Rudy. http://www.infiniteulysses.com/ulysses/86 | bbogle | 2015-03-23 18:43 | view |
48 | That's twice I forgot to take slips from the library counter. | As Leopold Bloom forgets his key. | bbogle | 2015-03-23 18:33 | view |
48 | That's twice I forgot to take slips from the library counter. | As Leopold Bloom forgets his key. | bbogle | 2015-03-23 18:33 | view |
46 | vulturing | Or a vulture. In any event, quite mutable, this dog. | bbogle | 2015-03-23 18:26 | view |
46 | vulturing | Or a vulture. In any event, quite mutable, this dog. | bbogle | 2015-03-23 18:26 | view |
46 | panther | Very much like a panther. | bbogle | 2015-03-23 18:25 | view |
46 | panther | Very much like a panther. | bbogle | 2015-03-23 18:25 | view |
46 | calf | Somewhat bovine as well. | bbogle | 2015-03-23 18:19 | view |
46 | calf | Somewhat bovine as well. | bbogle | 2015-03-23 18:19 | view |
46 | wolf | Or mayhap a wolf... | bbogle | 2015-03-23 18:19 | view |
46 | wolf | Or mayhap a wolf... | bbogle | 2015-03-23 18:19 | view |
46 | bearish | No,'tis like unto a bear. | bbogle | 2015-03-23 18:18 | view |
46 | bearish | No,'tis like unto a bear. | bbogle | 2015-03-23 18:18 | view |
46 | a buck | Or no; how like unto a buck. | bbogle | 2015-03-23 18:17 | view |
46 | a buck | Or no; how like unto a buck. | bbogle | 2015-03-23 18:17 | view |
46 | like a bounding hare | How like a hare this dog has become. | bbogle | 2015-03-23 18:16 | view |
46 | like a bounding hare | How like a hare this dog has become. | bbogle | 2015-03-23 18:16 | view |
45 | dog | Enter the protean dog. | bbogle | 2015-03-23 18:11 | view |
45 | dog | Enter the protean dog. | bbogle | 2015-03-23 18:11 | view |
38 | hushed in ruddy wool | Molly knit a woolen jacket or sweater in which Rudy was buried. | bbogle | 2015-03-23 17:27 | view |
38 | hushed in ruddy wool | Molly knit a woolen jacket or sweater in which Rudy was buried. | bbogle | 2015-03-23 17:27 | view |
37 | nacheinander | Nacheinander is associated with the sequentiality of time, while nebeneiander is associated with parallel paths through space; furthermore, Stephen associates time with hearing, because we hear one sound after another, and space with seeing, because we see in many directions at once. Working out these associations is one of the keys to unlocking Proteus. See also A Portrait of the Artist as a Young Man, p 212. | bbogle | 2015-03-23 17:13 | view |
37 | nacheinander | Nacheinander is associated with the sequentiality of time, while nebeneiander is associated with parallel paths through space; furthermore, Stephen associates time with hearing, because we hear one sound after another, and space with seeing, because we see in many directions at once. Working out these associations is one of the keys to unlocking Proteus. See also A Portrait of the Artist as a Young Man, p 212. | bbogle | 2015-03-23 17:13 | view |
37 | If I fell over a cliff that beetles o'er his base | Shakespeare, with allusion to both Hamlet and King Lear. | bbogle | 2015-03-23 17:06 | view |
37 | If I fell over a cliff that beetles o'er his base | Shakespeare, with allusion to both Hamlet and King Lear. | bbogle | 2015-03-23 17:06 | view |
29 | It is very simple | Stephen struggled with sums when he was Sargent's age, as shown in A Portrait of the Artist as a Young Man. | bbogle | 2015-03-23 17:00 | view |
29 | It is very simple | Stephen struggled with sums when he was Sargent's age, as shown in A Portrait of the Artist as a Young Man. | bbogle | 2015-03-23 17:00 | view |
3 | Chrysostomos | chrys[o] = (Greek) gold, golden, golden yellow; + -ostome = (Greek) mouth, orifice; therefore, goldenmouth. Suggests Buck's lofty rhetoric is ornamentation lavished to conceal a plainer soul. | bbogle | 2015-03-23 16:49 | view |
3 | Chrysostomos | chrys[o] = (Greek) gold, golden, golden yellow; + -ostome = (Greek) mouth, orifice; therefore, goldenmouth. Suggests Buck's lofty rhetoric is ornamentation lavished to conceal a plainer soul. | bbogle | 2015-03-23 16:49 | view |
27 | riddle | The mystification of the pupils at Stephen's riddle reminds one of the riddle that Athy did not quite share with young Stephen in A Portrait of the Artist as a Young Man, thereby bewildering that other once-upon-a-time young pupil. | bbogle | 2015-03-23 16:01 | view |
27 | riddle | The mystification of the pupils at Stephen's riddle reminds one of the riddle that Athy did not quite share with young Stephen in A Portrait of the Artist as a Young Man, thereby bewildering that other once-upon-a-time young pupil. | bbogle | 2015-03-23 16:01 | view |
542 | Time’s livid final flame leaps and, in the following darkness, ruin of all space, shattered glass and toppling masonry. | Compare this Blakean passage to Nestor, http://www.infiniteulysses.com/ulysses/24 | bbogle | 2015-03-23 15:36 | view |
542 | Time’s livid final flame leaps and, in the following darkness, ruin of all space, shattered glass and toppling masonry. | Compare this Blakean passage to Nestor, http://www.infiniteulysses.com/ulysses/24 | bbogle | 2015-03-23 15:36 | view |
24 | I hear the ruin of all space, shattered glass and toppling masonry, and time one livid final flame. | A Blakean vision destined to recur in Stephen's day, here in apocalyptic combination with the fall of Troy and of local autonomy to the encroaching Roman Empire (e.g., Pyrrhus). See also passage in Proteus http://www.infiniteulysses.com/ulysses/43 and, most dramatically, in Circe http://www.infiniteulysses.com/ulysses/542 | bbogle | 2015-03-23 15:36 | view |
24 | I hear the ruin of all space, shattered glass and toppling masonry, and time one livid final flame. | A Blakean vision destined to recur in Stephen's day, here in apocalyptic combination with the fall of Troy and of local autonomy to the encroaching Roman Empire (e.g., Pyrrhus). See also passage in Proteus http://www.infiniteulysses.com/ulysses/43 and, most dramatically, in Circe http://www.infiniteulysses.com/ulysses/542 | bbogle | 2015-03-23 15:36 | view |
31 | put on his topboots to ride to Dublin | This is one of the best in-jokes in the book. The actual MP, Sir John Blackwood reportedly *died* in the act of putting on his boots to go to vote *against* the act of Union. (see Jeri Johnson, p. 779) | Armagan Ekici | 2015-03-22 08:03 | view |
6 | g. p. i. | "General paralysis of the insane" was a form of madness specifically related to syphilis at that time. This discussion (whether Joyce/Stephen had syphilis) is continuing even today: http://goo.gl/1SWMAO | Armagan Ekici | 2015-03-22 07:44 | view |
20 | It is mine, I paid the rent. | One of the tricky points. The common interpretation is Stephen paid the rent to the tower, and Mulligan is "usurping" the tower from him by taking the key. In real life, it was Gogarty who paid the rent; perhaps Joyce was taking some kind of revenge by reversing the situation. An alternative explanation is that it is Mulligan who paid the rent, and what we read here is Mulligan's voice ringing in Stephen's mind. This would square better with the real-life situation, and the later revelation of Stephen's debt of nine pounds (more than twice his salary) to Mulligan. | Armagan Ekici | 2015-03-22 07:30 | view |
31 | guinea | A guinea was an old gold coin, worth slightly more than one pound sterling (21 shillings - 1.05 pound). The coin itself was not in circulation at that time but it was still used as a unit in betting on horses and in "aristocratic" contracts. Joyce himself made a point of borrowing in gentlemanly guineas, and so does Stephen. The subtlety of a contract in guineas being more upper class is also present in "A Mother" in Dubliners. | Armagan Ekici | 2015-03-22 07:23 | view |
11 | Janey Mack | Mulligan is repeatedly taking pains not to"swear" (by mentioning the name of Jesus) in the presence of Haines. It is more a question of polite manners than avoiding blasphemy, since he is extremely blasphemous throughout the book. | Armagan Ekici | 2015-03-21 14:11 | view |
10 | dancecards | A dancecard was a card used in a ball with a list of dance partners. | Armagan Ekici | 2015-03-21 14:09 | view |
9 | holding down the long dark chords | Was he playing the guitar or the piano? | Armagan Ekici | 2015-03-21 14:08 | view |
7 | jalap to Zulus | Mulligan is alliterating again. | Armagan Ekici | 2015-03-21 14:07 | view |
7 | To ourselves | "To ourselves" is the English translation of the slogan "Sinn Fein". | Armagan Ekici | 2015-03-21 14:06 | view |
4 | jejune jesuit | Mulligan is alliterating as well. | Armagan Ekici | 2015-03-21 12:44 | view |
4 | Malachi Mulligan | Gogarty commented that Joyce made him into a "stage Irish" as Malachi Mulligan. | Armagan Ekici | 2015-03-21 12:40 | view |
14 | Is there Gaelic on you | One of the examples of Gaelic grammar seeping into English. | Armagan Ekici | 2015-03-21 12:28 | view |
13 | collector | I interpret the sense of "collector" as the "tax collector" here - the Jewish god demands payment of prepuces. | Armagan Ekici | 2015-03-21 12:27 | view |
11 | Cockney accent | In "Circe", the King himself (Edward VII) sings this song, presumably without the Cockney accent. | Armagan Ekici | 2015-03-21 12:26 | view |
20 | brazen | Of bronze and insolent. | bbogle | 2015-03-21 12:23 | view |
20 | brazen | Of bronze and insolent. | bbogle | 2015-03-21 12:23 | view |
3 | Thanks, old chap, he cried briskly. That will do nicely. Switch off the current, will you? | Jorn Barger's interpretation: Mulligan is thanking God ("old chap") for the miracle of the shrill whistles answering from nowhere just in time for his Mass parody. | Armagan Ekici | 2015-03-21 12:22 | view |
3 | Chrysostomos. | Here's a picture of Chrysostomos (from Hagia Sophia in Istanbul): http://goo.gl/V30Bw5 | Armagan Ekici | 2015-03-21 12:20 | view |
20 | It seems history is to blame. | Haines' and Stephen's views of history are vastly different. See also the divergent philosophies of history spelled out in Nestor. | bbogle | 2015-03-21 12:16 | view |
20 | It seems history is to blame. | Haines' and Stephen's views of history are vastly different. See also the divergent philosophies of history spelled out in Nestor. | bbogle | 2015-03-21 12:16 | view |
158 | the vegetarian | I suspect that Bloom's ideas about consequences of vegetarian eating in this paragraph has to do with "Hiltl" in Zürich, "Europe's oldest vegetarian restaurant". | Armagan Ekici | 2015-03-21 12:10 | view |
3 | fearful | "fearful": Gifford reads this as "frightening" (people, including Mulligan, were afraid of the erudition of Jesuits), Thornton as "afraid" (with reference to Romeo and Juliet:``Romeo, come forth, come forth thou fearful man"). `"Afraid" is more in the spirit of other lines of Mulligan. Yet, in the French translation approved by Joyce it is "abominable" and it is unlikely that Joyce would miss something like that in the first page. Perhaps the double meaning was intentional. | Armagan Ekici | 2015-03-21 12:00 | view |
34 | History, Stephen said, is a nightmare from which I am trying to awake. | Depicted herein is the clash between visions of a theory, or philosophy, of progressive history and a Modernist conception of a more chaotic theory of history. See, for example, the ninth thesis of Walter Benjamin's "Theses on the Philosophy of History," which may be found here: http://pages.ucsd.edu/~rfrank/class_web/ES-200A/Week%202/benjamin_ps.pdf Here, at the critical crystallization of Stephen's thoughts on the matter, it's worth recalling that it was Haines' casual comment that "it seems history is to blame" has triggered most of Stephen's thinking in Nestor. | bbogle | 2015-03-21 10:47 | view |
34 | History, Stephen said, is a nightmare from which I am trying to awake. | Depicted herein is the clash between visions of a theory, or philosophy, of progressive history and a Modernist conception of a more chaotic theory of history. See, for example, the ninth thesis of Walter Benjamin's "Theses on the Philosophy of History," which may be found here: http://pages.ucsd.edu/~rfrank/class_web/ES-200A/Week%202/benjamin_ps.pdf Here, at the critical crystallization of Stephen's thoughts on the matter, it's worth recalling that it was Haines' casual comment that "it seems history is to blame" has triggered most of Stephen's thinking in Nestor. | bbogle | 2015-03-21 10:47 | view |
24 | Cochrane | Based on Ellmann's evidence, the boys are about 14 years old. | Tim Finnegan | 2015-03-19 04:11 | view |
79 | fifty pounds a year | Salary, not body weight | Amanda Visconti | 2015-03-18 09:57 | view |
79 | fifty pounds a year | Salary, not body weight | Amanda Visconti | 2015-03-18 09:57 | view |
79 | fifty pounds a year | Salary, not body weight | Amanda Visconti | 2015-03-18 09:57 | view |
85 | That’s a fine old custom | In his 'Muddest Thick' vignette for Finnegans Wake, Joyce hints that the custom is lifted hats: http://goo.gl/rXpGva | Tim Finnegan | 2015-03-17 18:53 | view |
72 | Love's Old Sweet Song Comes lo-ve’s old... | The centering with left-alignment, and lines not followed by periods here are from the first printing of the novel, viewable at http://goo.gl/P0uKtj | Amanda Visconti | 2015-03-17 11:43 | view |
72 | Love's Old Sweet Song Comes lo-ve’s old... | The centering with left-alignment, and lines not followed by periods here are from the first printing of the novel, viewable at http://goo.gl/P0uKtj | Amanda Visconti | 2015-03-17 11:43 | view |
72 | Love's Old Sweet Song Comes lo-ve’s old... | The centering with left-alignment, and lines not followed by periods here are from the first printing of the novel, viewable at http://goo.gl/P0uKtj | Amanda Visconti | 2015-03-17 11:43 | view |
684 | ? | The original printing of Ulysses on which this digital edition is based uses spaces between the ends of sentences and question marks in this episode. | Amanda Visconti | 2015-03-17 11:41 | view |
684 | ? | The original printing of Ulysses on which this digital edition is based uses spaces between the ends of sentences and question marks in this episode. | Amanda Visconti | 2015-03-17 11:41 | view |
684 | ? | The original printing of Ulysses on which this digital edition is based uses spaces between the ends of sentences and question marks in this episode. | Amanda Visconti | 2015-03-17 11:41 | view |
72 | Love's Old Sweet Song Comes lo-ve’s old... | Centered text (e.g. lyrics) throughout the book should be centered but with left-alignment within centering, like this. The Modenist Versions Project doesn't include this typographical choice, so I'll be manually fixing these as I progress through the book (see the news section on the front page to know which chapters have been fixed.) | Amanda Visconti | 2015-03-17 11:39 | view |
72 | Love's Old Sweet Song Comes lo-ve’s old... | Centered text (e.g. lyrics) throughout the book should be centered but with left-alignment within centering, like this. The Modenist Versions Project doesn't include this typographical choice, so I'll be manually fixing these as I progress through the book (see the news section on the front page to know which chapters have been fixed.) | Amanda Visconti | 2015-03-17 11:39 | view |
72 | Love's Old Sweet Song Comes lo-ve’s old... | Centered text (e.g. lyrics) throughout the book should be centered but with left-alignment within centering, like this. The Modenist Versions Project doesn't include this typographical choice, so I'll be manually fixing these as I progress through the book (see the news section on the front page to know which chapters have been fixed.) | Amanda Visconti | 2015-03-17 11:39 | view |
3 | Buck Mulligan | Buck Mulligan plays off the same rhythm of the name Oliver Gogarty. | healeywi | 2015-03-12 09:18 | view |
5 | Thalatta! Thalatta! | In Xenophon's Anabasis,'Thalatta! Thalatta!' (The sea! The sea!') is the cry of ecstasy uttered by the 10,000 Greeks upon summitting Mount Theches and seeing the Black Sea. The army had just come from Cyrus the Young's failed march on the Persian Empire. | bekconn | 2015-03-09 19:00 | view |
3 | Two strong shrill whistles answered through the calm. | The incoming mailboat | hugo truyens | 2015-03-09 17:04 | view |
3 | untonsured | So this is a nice touch to signal the absence of an absence | hugo truyens | 2015-03-09 16:54 | view |
4 | two dactyls. | A dactyl is a set of three syllables, where the first one is stressed, and the other two unstressed: MAL-a-chi, MULL-i-gan. 'Century', 'customer', 'devastate' etc are all dactyls: it's a way of describing stress and rhythm in poetry, especially classical verse. | HCE | 2015-03-09 16:54 | view |
3 | Stately | Some ingenious critics have shown how the first sentence begins with the state and ends with a cross, highlighting the tension between nationality and religion Stephen has trying to escape since A Portrait... Also, the first and last letters here are inverted in the last word of the book (don't worry, no spoilers!). Also, in the Random House edition of the book, the first letters of each of the three parts of the book were printed in huge font, drawing speculation that they stood for the most important person in the life of the main character in that section ('S' here is for narcissistic Stephen, M (in 'Mr Leopold Bloom ate with relish...') for Bloom's love of Molly, and, P (in 'Preparatory to anything else...') for Molly's pet name for husband, Poldy). | HCE | 2015-03-09 16:47 | view |
3 | Two strong shrill whistles answered through the calm. | Who is whistling back here? | HCE | 2015-03-09 16:37 | view |
3 | the dark winding stairs | Takes place at the Martello tower in Sandycove (outside of Dublin). Joyce briefly lived there with a friend, medical student Oliver St. John Gogarty) after whom Mulligan is modeled. In Dublin's Temple Bar district, there is a pub called the Oliver St. John Gogarty, and a statue of Joyce and Gogarty is outside of it commemorating their relationship. This particular stairway in the tower is an extremely narrow, dark, spiral staircase, that leads to the top of the tower. The view from the top overlooks the coastline and the town of Sandycove with Dublin in the distance. Martello towers were used for spotting incoming attacks; there are about 50 along Ireland's coast, many of which are used as locations in works of fiction. The Sandycove tower is now a museum called the James Joyce Tower. | laurapavlo | 2015-03-09 12:52 | view |
15 | Bill, sir? she said, halting. Well, it's seven mornings a pint at two pence is seven twos is a shilling and twopence over and these three mornings a quart at fourpence is three quarts is a shilling and one and two is two and two, sir. | Despite being characterized by the men that receive her as lowly, pedestrian, or unrefined, she is able to deftly perform complex computations. A statement, perhaps, on the capabilities of subject peoples underestimated by the more refined oppressors? | joseph.koivisto | 2015-03-08 21:39 | view |
37 | nebeneinander | German for "side-by-side" | KC | 2015-03-08 19:48 | view |
37 | nebeneinander | German for "side-by-side" | KC | 2015-03-08 19:48 | view |
37 | nacheinander. | German for "in succession" | KC | 2015-03-08 19:47 | view |
37 | nacheinander. | German for "in succession" | KC | 2015-03-08 19:47 | view |
37 | Limit of the diaphane in. Why in? Diaphane, adiaphane. | Here Stephen is contemplating Aristotle's theory of light and colour, which is found in two of Aristotle's works: On the Soul and Sense and Sensibilia. | KC | 2015-03-08 19:45 | view |
37 | Limit of the diaphane in. Why in? Diaphane, adiaphane. | Here Stephen is contemplating Aristotle's theory of light and colour, which is found in two of Aristotle's works: On the Soul and Sense and Sensibilia. | KC | 2015-03-08 19:45 | view |
37 | maestro di color che sanno | From Dante’s Inferno (4:130-131), meaning “master of those that know.” "Vidi il Maestro di color che sanno | Seder tra filosofica famiglia" - "I saw the master of those that know, | seated amid the philosophic family" Dante frequently acknowledges his debt to Aristotle whom he calls Maestro / Master and from whose writings and teachings Dante has based much of his works on. http://goo.gl/tGq4OB It is said that the play on the Italian use of ‘color’ and the English ‘colour’, is a connection that Joyce intended. | KC | 2015-03-08 11:58 | view |
37 | maestro di color che sanno | From Dante’s Inferno (4:130-131), meaning “master of those that know.” "Vidi il Maestro di color che sanno | Seder tra filosofica famiglia" - "I saw the master of those that know, | seated amid the philosophic family" Dante frequently acknowledges his debt to Aristotle whom he calls Maestro / Master and from whose writings and teachings Dante has based much of his works on. http://goo.gl/tGq4OB It is said that the play on the Italian use of ‘color’ and the English ‘colour’, is a connection that Joyce intended. | KC | 2015-03-08 11:58 | view |
37 | maestro di color che sanno | From Dante’s Inferno (4:131), meaning “master of those that know.” | KC | 2015-03-08 11:38 | view |
37 | maestro di color che sanno | From Dante’s Inferno (4:131), meaning “master of those that know.” | KC | 2015-03-08 11:38 | view |
37 | Ineluctable | This entire episode (Episode 3, "Proteus") is the inner monologue of Stephen Dedalus as he walks along a beach. | Amanda Visconti | 2015-03-05 09:44 | view |
37 | Ineluctable | This entire episode (Episode 3, "Proteus") is the inner monologue of Stephen Dedalus as he walks along a beach. | Amanda Visconti | 2015-03-05 09:44 | view |
37 | Ineluctable | This entire episode (Episode 3, "Proteus") is the inner monologue of Stephen Dedalus as he walks along a beach. | Amanda Visconti | 2015-03-05 09:44 | view |
37 | Ineluctable | Unescapable | Amanda Visconti | 2015-03-05 09:41 | view |
37 | Ineluctable | Unescapable | Amanda Visconti | 2015-03-05 09:41 | view |
37 | Ineluctable | Unescapable | Amanda Visconti | 2015-03-05 09:41 | view |
3 | a razor lay crossed | Cross imagery? | drlilithsternin | 2015-03-05 03:59 | view |
4 | absurd | Why absurd? | lewpot | 2015-03-05 02:35 | view |
3 | Introibo ad altare Dei | Translates to : I will go to the altar of G | CarTay | 2015-03-04 20:22 | view |
84 | Simon | Simon Dedalus, who is Stephen Dedalus' father | Amanda Visconti | 2015-03-04 20:15 | view |
84 | Simon | Simon Dedalus, who is Stephen Dedalus' father | Amanda Visconti | 2015-03-04 20:15 | view |
84 | Simon | Simon Dedalus, who is Stephen Dedalus' father | Amanda Visconti | 2015-03-04 20:15 | view |
245 | Rebound of garter. | Simply a cool way of saying re-dressing, or ending a sexual/seductive situation.. perhaps not actually re-dressing but the garter snapping back in place implies an ending of sexual possibility, the garter is back and not to be seen/removed | ariadne89 | 2015-03-04 19:49 | view |
245 | A jumping rose on satiny breasts of satin, | A very sort of classic, traditional, stereotypical way of describing the female body/female love interest.. think love sonnets etc. This is interesting. Really clashes with the other language here about the sirens? Horrid, picking nails etc (not exactly soft and beautiful) What is the meaning of this contrast? Surely it is intentional... | ariadne89 | 2015-03-04 19:48 | view |
177 | whether Hamlet is Shakespeare | Theories that Shakespeare was really some other known writer have been drifting around since the 1800s. Here he's jokingly extending those theories to apply to Hamlet as well. | Amanda Visconti | 2015-03-04 14:19 | view |
177 | whether Hamlet is Shakespeare | Theories that Shakespeare was really some other known writer have been drifting around since the 1800s. Here he's jokingly extending those theories to apply to Hamlet as well. | Amanda Visconti | 2015-03-04 14:19 | view |
177 | whether Hamlet is Shakespeare | Theories that Shakespeare was really some other known writer have been drifting around since the 1800s. Here he's jokingly extending those theories to apply to Hamlet as well. | Amanda Visconti | 2015-03-04 14:19 | view |
4 | a black panther | I don't think that the two exactly map; Bloom is alluded to with a variety of metaphors that suggest what a dark horse is (unexpected winner, no one bets on him) as well as an outsider or shadow (metaphors for darkness, dwelling on the outskirts of things). | Amanda Visconti | 2015-03-02 14:12 | view |
4 | a black panther | I don't think that the two exactly map; Bloom is alluded to with a variety of metaphors that suggest what a dark horse is (unexpected winner, no one bets on him) as well as an outsider or shadow (metaphors for darkness, dwelling on the outskirts of things). | Amanda Visconti | 2015-03-02 14:12 | view |
4 | a black panther | I don't think that the two exactly map; Bloom is alluded to with a variety of metaphors that suggest what a dark horse is (unexpected winner, no one bets on him) as well as an outsider or shadow (metaphors for darkness, dwelling on the outskirts of things). | Amanda Visconti | 2015-03-02 14:12 | view |
19 | ballad of Joking Jesu | These lyrics are directly taken from a longer poem by Oliver St-John Gogarty, the real-life basis for Mulligan. You can read the whole poem at http://goo.gl/Leylio | Amanda Visconti | 2015-02-23 12:27 | view |
19 | ballad of Joking Jesu | These lyrics are directly taken from a longer poem by Oliver St-John Gogarty, the real-life basis for Mulligan. You can read the whole poem at http://goo.gl/Leylio | Amanda Visconti | 2015-02-23 12:27 | view |
19 | ballad of Joking Jesu | These lyrics are directly taken from a longer poem by Oliver St-John Gogarty, the real-life basis for Mulligan. You can read the whole poem at http://goo.gl/Leylio | Amanda Visconti | 2015-02-23 12:27 | view |
18 | Elsinore. That beetles o'er his base into the sea | Description of the main setting of Shakespeare's play Hamlet, the castle Elsinore. | Amanda Visconti | 2015-02-23 12:09 | view |
18 | Elsinore. That beetles o'er his base into the sea | Description of the main setting of Shakespeare's play Hamlet, the castle Elsinore. | Amanda Visconti | 2015-02-23 12:09 | view |
18 | Elsinore. That beetles o'er his base into the sea | Description of the main setting of Shakespeare's play Hamlet, the castle Elsinore. | Amanda Visconti | 2015-02-23 12:09 | view |
17 | omphalos | "Navel" in Greek. In Greek myth, the omphalos was the center of the world as determined by Zeus sending two birds to fly in separate directions until they met again. The word can also mean a place that feels like the center of the universe because of its power. | Amanda Visconti | 2015-02-23 10:05 | view |
17 | omphalos | "Navel" in Greek. In Greek myth, the omphalos was the center of the world as determined by Zeus sending two birds to fly in separate directions until they met again. The word can also mean a place that feels like the center of the universe because of its power. | Amanda Visconti | 2015-02-23 10:05 | view |
17 | omphalos | "Navel" in Greek. In Greek myth, the omphalos was the center of the world as determined by Zeus sending two birds to fly in separate directions until they met again. The word can also mean a place that feels like the center of the universe because of its power. | Amanda Visconti | 2015-02-23 10:05 | view |
16 | play them as I do | Mulligan is comfortable with playing to those with power; Stephen isn't. | Amanda Visconti | 2015-02-23 09:40 | view |
16 | play them as I do | Mulligan is comfortable with playing to those with power; Stephen isn't. | Amanda Visconti | 2015-02-23 09:40 | view |
16 | play them as I do | Mulligan is comfortable with playing to those with power; Stephen isn't. | Amanda Visconti | 2015-02-23 09:40 | view |
16 | blow him out | Mulligan says he's been singing Stephen's praises to Haines. | Amanda Visconti | 2015-02-23 09:22 | view |
16 | blow him out | Mulligan says he's been singing Stephen's praises to Haines. | Amanda Visconti | 2015-02-23 09:22 | view |
16 | blow him out | Mulligan says he's been singing Stephen's praises to Haines. | Amanda Visconti | 2015-02-23 09:22 | view |
16 | Yet here's a spot | A reference to a scene in the Shakespeare play Macbeth, where Lady Macbeth has gone mad from guilt and obsessively washes her hands. | Amanda Visconti | 2015-02-22 15:34 | view |
16 | Yet here's a spot | A reference to a scene in the Shakespeare play Macbeth, where Lady Macbeth has gone mad from guilt and obsessively washes her hands. | Amanda Visconti | 2015-02-22 15:34 | view |
16 | Yet here's a spot | A reference to a scene in the Shakespeare play Macbeth, where Lady Macbeth has gone mad from guilt and obsessively washes her hands. | Amanda Visconti | 2015-02-22 15:34 | view |
16 | gulfstream | an ocean current (see http://en.wikipedia.org/wiki/Gulf_Stream) | Amanda Visconti | 2015-02-22 15:18 | view |
16 | gulfstream | an ocean current (see http://en.wikipedia.org/wiki/Gulf_Stream) | Amanda Visconti | 2015-02-22 15:18 | view |
16 | gulfstream | an ocean current (see http://en.wikipedia.org/wiki/Gulf_Stream) | Amanda Visconti | 2015-02-22 15:18 | view |
15 | visit your national library | See the Scylla and Charybdis episode | Amanda Visconti | 2015-02-22 13:29 | view |
15 | visit your national library | See the Scylla and Charybdis episode | Amanda Visconti | 2015-02-22 13:29 | view |
15 | visit your national library | See the Scylla and Charybdis episode | Amanda Visconti | 2015-02-22 13:29 | view |
13 | He watched her pour | The following passage are Stephen's thoughts as he watches the milkwoman—note how his mind turns to historical and literary references | Amanda Visconti | 2015-02-22 12:48 | view |
13 | He watched her pour | The following passage are Stephen's thoughts as he watches the milkwoman—note how his mind turns to historical and literary references | Amanda Visconti | 2015-02-22 12:48 | view |
13 | He watched her pour | The following passage are Stephen's thoughts as he watches the milkwoman—note how his mind turns to historical and literary references | Amanda Visconti | 2015-02-22 12:48 | view |
12 | Sandycove | A seaside area of Dublin | Amanda Visconti | 2015-02-22 12:32 | view |
12 | Sandycove | A seaside area of Dublin | Amanda Visconti | 2015-02-22 12:32 | view |
12 | Sandycove | A seaside area of Dublin | Amanda Visconti | 2015-02-22 12:32 | view |
12 | valise | suitcase | Amanda Visconti | 2015-02-22 12:30 | view |
12 | valise | suitcase | Amanda Visconti | 2015-02-22 12:30 | view |
12 | valise | suitcase | Amanda Visconti | 2015-02-22 12:30 | view |
11 | tall figure | Haines, the lodger who Stephen and Mulligan discussed earlier | Amanda Visconti | 2015-02-22 12:25 | view |
11 | tall figure | Haines, the lodger who Stephen and Mulligan discussed earlier | Amanda Visconti | 2015-02-22 12:25 | view |
11 | tall figure | Haines, the lodger who Stephen and Mulligan discussed earlier | Amanda Visconti | 2015-02-22 12:25 | view |
49 | diebus ac noctibus iniurias patiens ingemiscit | Latin for "All creation (sc. omnis creatura) groans enduring hardships days and nights". From St. Ambrose's commentary on St. Paul's Letter to the Romans, on verse 8:22 ("scimus enim quod omnis creatura ingemescit et parturit usque adhuc"). | diyclassics | 2015-02-17 18:40 | view |
49 | diebus ac noctibus iniurias patiens ingemiscit | Latin for "All creation (sc. omnis creatura) groans enduring hardships days and nights". From St. Ambrose's commentary on St. Paul's Letter to the Romans, on verse 8:22 ("scimus enim quod omnis creatura ingemescit et parturit usque adhuc"). | diyclassics | 2015-02-17 18:40 | view |
11 | sovereigns | a unit of money | Amanda Visconti | 2015-02-16 19:58 | view |
11 | sovereigns | a unit of money | Amanda Visconti | 2015-02-16 19:58 | view |
11 | sovereigns | a unit of money | Amanda Visconti | 2015-02-16 19:58 | view |
6 | secondleg | As they're on their second owner's legs, not hands | Amanda Visconti | 2015-02-15 10:58 | view |
6 | secondleg | As they're on their second owner's legs, not hands | Amanda Visconti | 2015-02-15 10:58 | view |
6 | secondleg | As they're on their second owner's legs, not hands | Amanda Visconti | 2015-02-15 10:58 | view |
6 | breeks | breeches (pants) | Amanda Visconti | 2015-02-15 10:57 | view |
6 | breeks | breeches (pants) | Amanda Visconti | 2015-02-15 10:57 | view |
6 | breeks | breeches (pants) | Amanda Visconti | 2015-02-15 10:57 | view |
37 | maestro di color che sanno | Could someone translate this and tag it with the name of the language (Italian?) | Amanda Visconti | 2015-02-14 13:18 | view |
37 | maestro di color che sanno | Could someone translate this and tag it with the name of the language (Italian?) | Amanda Visconti | 2015-02-14 13:18 | view |
37 | maestro di color che sanno | Could someone translate this and tag it with the name of the language (Italian?) | Amanda Visconti | 2015-02-14 13:18 | view |
4 | his watcher | Stephen | Amanda Visconti | 2015-02-14 11:38 | view |
4 | his watcher | Stephen | Amanda Visconti | 2015-02-14 11:38 | view |
4 | his watcher | Stephen | Amanda Visconti | 2015-02-14 11:38 | view |
3 | looked coldly | Stephen and Mulligan are friends, yet there's a tension between them. Stephen is an aspiring writer, while Mulligan is a medical student who also writes (mostly humorous works, it seems; he's modeled on Joyce's acquaintance Oliver St. John Gogarty, an actual Irish poet). There's tension between the two over their acceptance into Dublin's literary circle, in part because Stephen sees Mulligan as betraying Ireland by playing to what the English want. | Amanda Visconti | 2015-02-14 11:37 | view |
3 | looked coldly | Stephen and Mulligan are friends, yet there's a tension between them. Stephen is an aspiring writer, while Mulligan is a medical student who also writes (mostly humorous works, it seems; he's modeled on Joyce's acquaintance Oliver St. John Gogarty, an actual Irish poet). There's tension between the two over their acceptance into Dublin's literary circle, in part because Stephen sees Mulligan as betraying Ireland by playing to what the English want. | Amanda Visconti | 2015-02-14 11:37 | view |
3 | looked coldly | Stephen and Mulligan are friends, yet there's a tension between them. Stephen is an aspiring writer, while Mulligan is a medical student who also writes (mostly humorous works, it seems; he's modeled on Joyce's acquaintance Oliver St. John Gogarty, an actual Irish poet). There's tension between the two over their acceptance into Dublin's literary circle, in part because Stephen sees Mulligan as betraying Ireland by playing to what the English want. | Amanda Visconti | 2015-02-14 11:37 | view |
3 | Dedalus | Stephen's last name is similar to Daedalus, the architect of the minotaur's labyrinth in Greek myth. Ovid tells a story in which Daedalus is imprisoned by the king to prevent him from sharing the secrets of his labyrinth with anyone else. To escape, Daedalus fashions wings out of feathers and wax for himself and his son Icarus. During their escape flight Icarus becomes too excited about flying and soars high nearer the sun, which melts the wax in his wings and causes him to fall to his death. | Amanda Visconti | 2015-02-14 11:33 | view |
3 | Dedalus | Stephen's last name is similar to Daedalus, the architect of the minotaur's labyrinth in Greek myth. Ovid tells a story in which Daedalus is imprisoned by the king to prevent him from sharing the secrets of his labyrinth with anyone else. To escape, Daedalus fashions wings out of feathers and wax for himself and his son Icarus. During their escape flight Icarus becomes too excited about flying and soars high nearer the sun, which melts the wax in his wings and causes him to fall to his death. | Amanda Visconti | 2015-02-14 11:33 | view |
3 | Dedalus | Stephen's last name is similar to Daedalus, the architect of the minotaur's labyrinth in Greek myth. Ovid tells a story in which Daedalus is imprisoned by the king to prevent him from sharing the secrets of his labyrinth with anyone else. To escape, Daedalus fashions wings out of feathers and wax for himself and his son Icarus. During their escape flight Icarus becomes too excited about flying and soars high nearer the sun, which melts the wax in his wings and causes him to fall to his death. | Amanda Visconti | 2015-02-14 11:33 | view |
3 | Stephen Dedalus | Stephen Dedalus was the central character in an earlier book by James Joyce (his first novel, actually!), A Portrait of the Artist as a Young Man. In Portrait, Stephen follows a close parallel to Joyce's own youth. In Ulysses, Stephen still represents Joyce's youth, but it feels like Joyce has matured and distanced himself from Stephen since the previous novel and is now able treat the character more critically. | Amanda Visconti | 2015-02-14 11:29 | view |
3 | Stephen Dedalus | Stephen Dedalus was the central character in an earlier book by James Joyce (his first novel, actually!), A Portrait of the Artist as a Young Man. In Portrait, Stephen follows a close parallel to Joyce's own youth. In Ulysses, Stephen still represents Joyce's youth, but it feels like Joyce has matured and distanced himself from Stephen since the previous novel and is now able treat the character more critically. | Amanda Visconti | 2015-02-14 11:29 | view |
3 | Stephen Dedalus | Stephen Dedalus was the central character in an earlier book by James Joyce (his first novel, actually!), A Portrait of the Artist as a Young Man. In Portrait, Stephen follows a close parallel to Joyce's own youth. In Ulysses, Stephen still represents Joyce's youth, but it feels like Joyce has matured and distanced himself from Stephen since the previous novel and is now able treat the character more critically. | Amanda Visconti | 2015-02-14 11:29 | view |
3 | grained and hued like pale oak | The oak is also a symbol of England. | ghostprof | 2015-02-05 19:05 | view |
3 | grained and hued like pale oak | The oak is also a symbol of England. | ghostprof | 2015-02-05 19:05 | view |
3 | bearing a bowl | it may also indicate the holy grail, the chalice in which Jesus' blood was supposedly caught by Joseph of Arimethea so that the prophecy could be fulfilled, "Not a drop of his blood shall touch the ground." This would set Buck up as aligned with the feminine, and invoke Stephen/Jesus against the mother figure that will haunt in coming passages. | ghostprof | 2015-02-05 18:58 | view |
3 | bearing a bowl | it may also indicate the holy grail, the chalice in which Jesus' blood was supposedly caught by Joseph of Arimethea so that the prophecy could be fulfilled, "Not a drop of his blood shall touch the ground." This would set Buck up as aligned with the feminine, and invoke Stephen/Jesus against the mother figure that will haunt in coming passages. | ghostprof | 2015-02-05 18:58 | view |
3 | bearing a bowl | The bowl symbolises the chalice used in mass; introduces the "mockery of the mass" motif that will be present throughout the episode (and the book.) | skelley | 2015-02-05 17:13 | view |
3 | bearing a bowl | The bowl symbolises the chalice used in mass; introduces the "mockery of the mass" motif that will be present throughout the episode (and the book.) | skelley | 2015-02-05 17:13 | view |
5 | great sweet mother | From the Swinburne poem The Triumph of Time. | nfraistat | 2015-02-05 15:32 | view |
5 | great sweet mother | From the Swinburne poem The Triumph of Time. | nfraistat | 2015-02-05 15:32 | view |
5 | Algy | The phrase appears in Swineburne's The Triumph of Time (1866) | nfraistat | 2015-02-05 15:29 | view |
5 | Algy | The phrase appears in Swineburne's The Triumph of Time (1866) | nfraistat | 2015-02-05 15:29 | view |
4 | a black panther | I don't see how "dark horse" maps onto "black panther." | nfraistat | 2015-02-05 15:26 | view |
4 | a black panther | I don't see how "dark horse" maps onto "black panther." | nfraistat | 2015-02-05 15:26 | view |
24 | Blake's wings of excess | An allusion to two of the Devil's proverbs from Blake's "The Marriage of Heaven and Hell": http://goo.gl/CTwW0Z | ryanshaw | 2015-02-05 15:14 | view |
3 | ouns | Ouns is 'wounds', meaning, in the context, Christ's wounds. This info found here: http://goo.gl/Ikfyff | nfraistat | 2015-02-05 14:52 | view |
3 | ouns | Ouns is 'wounds', meaning, in the context, Christ's wounds. This info found here: http://goo.gl/Ikfyff | nfraistat | 2015-02-05 14:52 | view |
24 | Cochrane | One of Stephen's students (the setting has changed to the day school where Stephen teaches) | Amanda Visconti | 2015-02-01 13:24 | view |
24 | Cochrane | One of Stephen's students (the setting has changed to the day school where Stephen teaches) | Amanda Visconti | 2015-02-01 13:24 | view |
24 | Cochrane | One of Stephen's students (the setting has changed to the day school where Stephen teaches) | Amanda Visconti | 2015-02-01 13:24 | view |
24 | what city | Stephen is in the middle of quizzing the boys on ancient history, specifically a battle of the Greek Pyrrhus | Amanda Visconti | 2015-02-01 13:23 | view |
24 | what city | Stephen is in the middle of quizzing the boys on ancient history, specifically a battle of the Greek Pyrrhus | Amanda Visconti | 2015-02-01 13:23 | view |
24 | what city | Stephen is in the middle of quizzing the boys on ancient history, specifically a battle of the Greek Pyrrhus | Amanda Visconti | 2015-02-01 13:23 | view |
24 | Asculum | Site of Pyrrhus's ultimately disastrous (to Pyrrhus's cause) victory over the Romans | Amanda Visconti | 2015-02-01 13:23 | view |
24 | Asculum | Site of Pyrrhus's ultimately disastrous (to Pyrrhus's cause) victory over the Romans | Amanda Visconti | 2015-02-01 13:23 | view |
24 | Asculum | Site of Pyrrhus's ultimately disastrous (to Pyrrhus's cause) victory over the Romans | Amanda Visconti | 2015-02-01 13:23 | view |
24 | That phrase | ''Another victory like that and we are done for''; Stephen imagines the sentence being spoken. | Amanda Visconti | 2015-02-01 13:23 | view |
24 | That phrase | ''Another victory like that and we are done for''; Stephen imagines the sentence being spoken. | Amanda Visconti | 2015-02-01 13:23 | view |
24 | That phrase | ''Another victory like that and we are done for''; Stephen imagines the sentence being spoken. | Amanda Visconti | 2015-02-01 13:23 | view |
24 | Pyrrhus | The term ''Pyrrhic victory'' is named after him, as many of his battles were won only through heavy losses that were ultimately disastrous (''Another victory like that and we are done for''). | Amanda Visconti | 2015-02-01 13:23 | view |
24 | Pyrrhus | The term ''Pyrrhic victory'' is named after him, as many of his battles were won only through heavy losses that were ultimately disastrous (''Another victory like that and we are done for''). | Amanda Visconti | 2015-02-01 13:23 | view |
24 | Pyrrhus | The term ''Pyrrhic victory'' is named after him, as many of his battles were won only through heavy losses that were ultimately disastrous (''Another victory like that and we are done for''). | Amanda Visconti | 2015-02-01 13:23 | view |
24 | figrolls | sweet pastry containing figs | Amanda Visconti | 2015-02-01 13:22 | view |
24 | figrolls | sweet pastry containing figs | Amanda Visconti | 2015-02-01 13:22 | view |
24 | figrolls | sweet pastry containing figs | Amanda Visconti | 2015-02-01 13:22 | view |
24 | pier. | a dock or other walkway extending into water upon supports | Amanda Visconti | 2015-02-01 13:22 | view |
24 | pier. | a dock or other walkway extending into water upon supports | Amanda Visconti | 2015-02-01 13:22 | view |
24 | pier. | a dock or other walkway extending into water upon supports | Amanda Visconti | 2015-02-01 13:22 | view |
24 | Pyrrhus, a pier | Armstrong, not knowing the answer, jokes by declining the word as if it were a Latin noun. | Amanda Visconti | 2015-02-01 13:22 | view |
24 | Pyrrhus, a pier | Armstrong, not knowing the answer, jokes by declining the word as if it were a Latin noun. | Amanda Visconti | 2015-02-01 13:22 | view |
24 | Pyrrhus, a pier | Armstrong, not knowing the answer, jokes by declining the word as if it were a Latin noun. | Amanda Visconti | 2015-02-01 13:22 | view |
25 | pier | a dock or other walkway extending into water upon supports | Amanda Visconti | 2015-02-01 13:21 | view |
25 | pier | a dock or other walkway extending into water upon supports | Amanda Visconti | 2015-02-01 13:21 | view |
25 | pier | a dock or other walkway extending into water upon supports | Amanda Visconti | 2015-02-01 13:21 | view |
25 | Kingstown pier | From the boys' laughter, obviously a popular place for spooning with girls. | Amanda Visconti | 2015-02-01 13:21 | view |
25 | Kingstown pier | From the boys' laughter, obviously a popular place for spooning with girls. | Amanda Visconti | 2015-02-01 13:21 | view |
25 | Kingstown pier | From the boys' laughter, obviously a popular place for spooning with girls. | Amanda Visconti | 2015-02-01 13:21 | view |
25 | mirthless but with meaning | Though they might not enjoy the joke, the boys do enjoy being able to laugh condescendingly at their teacher | Amanda Visconti | 2015-02-01 13:21 | view |
25 | mirthless but with meaning | Though they might not enjoy the joke, the boys do enjoy being able to laugh condescendingly at their teacher | Amanda Visconti | 2015-02-01 13:21 | view |
25 | mirthless but with meaning | Though they might not enjoy the joke, the boys do enjoy being able to laugh condescendingly at their teacher | Amanda Visconti | 2015-02-01 13:21 | view |
25 | They knew | The boys, despite their relative youth, have all had or know about sexual encounters. | Amanda Visconti | 2015-02-01 13:21 | view |
25 | They knew | The boys, despite their relative youth, have all had or know about sexual encounters. | Amanda Visconti | 2015-02-01 13:21 | view |
25 | They knew | The boys, despite their relative youth, have all had or know about sexual encounters. | Amanda Visconti | 2015-02-01 13:21 | view |
25 | Edith, Ethel, Gerty, Lily. | Gerty possibly refers to the Gerty who is the focus of the ''Nausicaa'' episode later in the book. | Amanda Visconti | 2015-02-01 13:20 | view |
25 | Edith, Ethel, Gerty, Lily. | Gerty possibly refers to the Gerty who is the focus of the ''Nausicaa'' episode later in the book. | Amanda Visconti | 2015-02-01 13:20 | view |
25 | Edith, Ethel, Gerty, Lily. | Gerty possibly refers to the Gerty who is the focus of the ''Nausicaa'' episode later in the book. | Amanda Visconti | 2015-02-01 13:20 | view |
25 | Edith, Ethel, Gerty, Lily | Girls the boys know | Amanda Visconti | 2015-02-01 13:20 | view |
25 | Edith, Ethel, Gerty, Lily | Girls the boys know | Amanda Visconti | 2015-02-01 13:20 | view |
25 | Edith, Ethel, Gerty, Lily | Girls the boys know | Amanda Visconti | 2015-02-01 13:20 | view |
25 | a disappointed bridge | disappointed in that doesn't cross any water | Amanda Visconti | 2015-02-01 13:19 | view |
25 | a disappointed bridge | disappointed in that doesn't cross any water | Amanda Visconti | 2015-02-01 13:19 | view |
25 | a disappointed bridge | disappointed in that doesn't cross any water | Amanda Visconti | 2015-02-01 13:19 | view |
25 | For Haines's chapbook | Stephen remarks that his joke on Kingstown Pier would probably please Haines enough to record, as with his earlier words on the cracked mirror as ''the symbol of Irish art''. | Amanda Visconti | 2015-02-01 13:19 | view |
25 | For Haines's chapbook | Stephen remarks that his joke on Kingstown Pier would probably please Haines enough to record, as with his earlier words on the cracked mirror as ''the symbol of Irish art''. | Amanda Visconti | 2015-02-01 13:19 | view |
25 | For Haines's chapbook | Stephen remarks that his joke on Kingstown Pier would probably please Haines enough to record, as with his earlier words on the cracked mirror as ''the symbol of Irish art''. | Amanda Visconti | 2015-02-01 13:19 | view |
25 | No-one here to hear | Stephen considers that since no one who heard his joke was able to appreciate it, he should save it for a witticism during tonight's drinking with Mulligan and Haines. | Amanda Visconti | 2015-02-01 13:19 | view |
25 | No-one here to hear | Stephen considers that since no one who heard his joke was able to appreciate it, he should save it for a witticism during tonight's drinking with Mulligan and Haines. | Amanda Visconti | 2015-02-01 13:19 | view |
25 | No-one here to hear | Stephen considers that since no one who heard his joke was able to appreciate it, he should save it for a witticism during tonight's drinking with Mulligan and Haines. | Amanda Visconti | 2015-02-01 13:19 | view |
25 | What then | Repeating his witticism for Haines and Mulligan would only make Stephen into a jester or servant, offering up his mind in return for a little laughter. | Amanda Visconti | 2015-02-01 13:18 | view |
25 | What then | Repeating his witticism for Haines and Mulligan would only make Stephen into a jester or servant, offering up his mind in return for a little laughter. | Amanda Visconti | 2015-02-01 13:18 | view |
25 | What then | Repeating his witticism for Haines and Mulligan would only make Stephen into a jester or servant, offering up his mind in return for a little laughter. | Amanda Visconti | 2015-02-01 13:18 | view |
25 | chosen all that part | Stephen feels that all the Irish have taken on the role of jesters or servants to others, perhaps because their land had been so long run under by foreign people. | Amanda Visconti | 2015-02-01 13:18 | view |
25 | chosen all that part | Stephen feels that all the Irish have taken on the role of jesters or servants to others, perhaps because their land had been so long run under by foreign people. | Amanda Visconti | 2015-02-01 13:18 | view |
25 | chosen all that part | Stephen feels that all the Irish have taken on the role of jesters or servants to others, perhaps because their land had been so long run under by foreign people. | Amanda Visconti | 2015-02-01 13:18 | view |
25 | Had Pyrrhus not fallen | Stephen wonders what would have happened if significant moments history had ended differently. Had Pyrrhus not fallen, Greece might have remained a free country. | Amanda Visconti | 2015-02-01 13:18 | view |
25 | Had Pyrrhus not fallen | Stephen wonders what would have happened if significant moments history had ended differently. Had Pyrrhus not fallen, Greece might have remained a free country. | Amanda Visconti | 2015-02-01 13:18 | view |
25 | Had Pyrrhus not fallen | Stephen wonders what would have happened if significant moments history had ended differently. Had Pyrrhus not fallen, Greece might have remained a free country. | Amanda Visconti | 2015-02-01 13:18 | view |
25 | beldam | old woman, crone | Amanda Visconti | 2015-02-01 13:17 | view |
25 | beldam | old woman, crone | Amanda Visconti | 2015-02-01 13:17 | view |
25 | beldam | old woman, crone | Amanda Visconti | 2015-02-01 13:17 | view |
25 | infinite possibilities | all the other events in history that didn't occur because another event did; Stephen wonders if it's even worth thinking of these alternate realities as existing, since they never came to pass | Amanda Visconti | 2015-02-01 13:17 | view |
25 | infinite possibilities | all the other events in history that didn't occur because another event did; Stephen wonders if it's even worth thinking of these alternate realities as existing, since they never came to pass | Amanda Visconti | 2015-02-01 13:17 | view |
25 | infinite possibilities | all the other events in history that didn't occur because another event did; Stephen wonders if it's even worth thinking of these alternate realities as existing, since they never came to pass | Amanda Visconti | 2015-02-01 13:17 | view |
25 | here do you begin | Stephen ignores the students' request and moves on to their recitation lesson, asking for the line the students were supposed to begin from | Amanda Visconti | 2015-02-01 13:17 | view |
25 | here do you begin | Stephen ignores the students' request and moves on to their recitation lesson, asking for the line the students were supposed to begin from | Amanda Visconti | 2015-02-01 13:17 | view |
25 | here do you begin | Stephen ignores the students' request and moves on to their recitation lesson, asking for the line the students were supposed to begin from | Amanda Visconti | 2015-02-01 13:17 | view |
25 | swarthy | having dark, olive-toned skin | Amanda Visconti | 2015-02-01 13:16 | view |
25 | swarthy | having dark, olive-toned skin | Amanda Visconti | 2015-02-01 13:16 | view |
25 | swarthy | having dark, olive-toned skin | Amanda Visconti | 2015-02-01 13:16 | view |
25 | breastwork | fortification | Amanda Visconti | 2015-02-01 13:16 | view |
25 | breastwork | fortification | Amanda Visconti | 2015-02-01 13:16 | view |
25 | breastwork | fortification | Amanda Visconti | 2015-02-01 13:16 | view |
26 | Weep no more | Lines from a Milton poem | Amanda Visconti | 2015-02-01 13:15 | view |
26 | Weep no more | Lines from a Milton poem | Amanda Visconti | 2015-02-01 13:15 | view |
26 | Weep no more | Lines from a Milton poem | Amanda Visconti | 2015-02-01 13:15 | view |
26 | studious silence | Stephen remembers his recent studies in Paris; he was called home from these by the nearing death of his mother | Amanda Visconti | 2015-02-01 13:15 | view |
26 | studious silence | Stephen remembers his recent studies in Paris; he was called home from these by the nearing death of his mother | Amanda Visconti | 2015-02-01 13:15 | view |
26 | studious silence | Stephen remembers his recent studies in Paris; he was called home from these by the nearing death of his mother | Amanda Visconti | 2015-02-01 13:15 | view |
26 | candescent | glowing (incandescent) | Amanda Visconti | 2015-02-01 13:15 | view |
26 | candescent | glowing (incandescent) | Amanda Visconti | 2015-02-01 13:15 | view |
26 | candescent | glowing (incandescent) | Amanda Visconti | 2015-02-01 13:15 | view |
26 | Turn over | Stephen knows the boy is sneaking glances at the text he was supposed to have memorized, and allows him to turn the page when he needs to; the boy pretends to not know what Stephen is talking about | Amanda Visconti | 2015-02-01 13:15 | view |
26 | Turn over | Stephen knows the boy is sneaking glances at the text he was supposed to have memorized, and allows him to turn the page when he needs to; the boy pretends to not know what Stephen is talking about | Amanda Visconti | 2015-02-01 13:15 | view |
26 | Turn over | Stephen knows the boy is sneaking glances at the text he was supposed to have memorized, and allows him to turn the page when he needs to; the boy pretends to not know what Stephen is talking about | Amanda Visconti | 2015-02-01 13:15 | view |
26 | his shadow | the shadow of Jesus, who is ''him who walked the waves'' (walked on water) | Amanda Visconti | 2015-02-01 13:14 | view |
26 | his shadow | the shadow of Jesus, who is ''him who walked the waves'' (walked on water) | Amanda Visconti | 2015-02-01 13:14 | view |
26 | his shadow | the shadow of Jesus, who is ''him who walked the waves'' (walked on water) | Amanda Visconti | 2015-02-01 13:14 | view |
26 | To Caesar what is Caesar's | "Render unto Caesar the things which are Caesar's, and unto God the things that are God's" (Matthew 22:21), Jesus's recommended method for dealing with secular and divine authorities | Amanda Visconti | 2015-02-01 13:14 | view |
26 | To Caesar what is Caesar's | "Render unto Caesar the things which are Caesar's, and unto God the things that are God's" (Matthew 22:21), Jesus's recommended method for dealing with secular and divine authorities | Amanda Visconti | 2015-02-01 13:14 | view |
26 | To Caesar what is Caesar's | "Render unto Caesar the things which are Caesar's, and unto God the things that are God's" (Matthew 22:21), Jesus's recommended method for dealing with secular and divine authorities | Amanda Visconti | 2015-02-01 13:14 | view |
27 | Hockey | Field (not ice) hockey | Amanda Visconti | 2015-02-01 13:13 | view |
27 | Hockey | Field (not ice) hockey | Amanda Visconti | 2015-02-01 13:13 | view |
27 | Hockey | Field (not ice) hockey | Amanda Visconti | 2015-02-01 13:13 | view |
27 | fox burying his grandmother under a hollybush | The fox imagery references Stephen, who is cunning like a fox and has also recently buried his mother (not quite grandmother, as in the riddle). | Amanda Visconti | 2015-02-01 13:12 | view |
27 | fox burying his grandmother under a hollybush | The fox imagery references Stephen, who is cunning like a fox and has also recently buried his mother (not quite grandmother, as in the riddle). | Amanda Visconti | 2015-02-01 13:12 | view |
27 | fox burying his grandmother under a hollybush | The fox imagery references Stephen, who is cunning like a fox and has also recently buried his mother (not quite grandmother, as in the riddle). | Amanda Visconti | 2015-02-01 13:12 | view |
27 | Futility | Stephen recognizes the futility of the weak student's attempt to learn. | Amanda Visconti | 2015-02-01 13:11 | view |
27 | Futility | Stephen recognizes the futility of the weak student's attempt to learn. | Amanda Visconti | 2015-02-01 13:11 | view |
27 | Futility | Stephen recognizes the futility of the weak student's attempt to learn. | Amanda Visconti | 2015-02-01 13:11 | view |
28 | Yet someone had loved him | Stephen muses on the wonder of the love of mothers for their children, even children as weak and ill-favored as Sargent, as ''the only true thing in life''; he obviously has an uneasiness over his relationship to his deceased mother, whose last wish he slighted in order to feel free. | Amanda Visconti | 2015-02-01 13:10 | view |
28 | Yet someone had loved him | Stephen muses on the wonder of the love of mothers for their children, even children as weak and ill-favored as Sargent, as ''the only true thing in life''; he obviously has an uneasiness over his relationship to his deceased mother, whose last wish he slighted in order to feel free. | Amanda Visconti | 2015-02-01 13:10 | view |
28 | Yet someone had loved him | Stephen muses on the wonder of the love of mothers for their children, even children as weak and ill-favored as Sargent, as ''the only true thing in life''; he obviously has an uneasiness over his relationship to his deceased mother, whose last wish he slighted in order to feel free. | Amanda Visconti | 2015-02-01 13:10 | view |
28 | algebra | Echo of Mulligan's early explanation of Stephen's Hamlet paradox | Amanda Visconti | 2015-02-01 13:09 | view |
28 | algebra | Echo of Mulligan's early explanation of Stephen's Hamlet paradox | Amanda Visconti | 2015-02-01 13:09 | view |
28 | algebra | Echo of Mulligan's early explanation of Stephen's Hamlet paradox | Amanda Visconti | 2015-02-01 13:09 | view |
28 | morrice | Like ''morris'', a medieval, slow country dance remotely like American square dancing | Amanda Visconti | 2015-02-01 13:09 | view |
28 | morrice | Like ''morris'', a medieval, slow country dance remotely like American square dancing | Amanda Visconti | 2015-02-01 13:09 | view |
28 | morrice | Like ''morris'', a medieval, slow country dance remotely like American square dancing | Amanda Visconti | 2015-02-01 13:09 | view |
28 | Give hands | directions for the dancing of a morris | Amanda Visconti | 2015-02-01 13:09 | view |
28 | Give hands | directions for the dancing of a morris | Amanda Visconti | 2015-02-01 13:09 | view |
28 | Give hands | directions for the dancing of a morris | Amanda Visconti | 2015-02-01 13:09 | view |
28 | Moors | Algebra is an Arabic (archaic "Moorish") invention | Amanda Visconti | 2015-02-01 13:08 | view |
28 | Moors | Algebra is an Arabic (archaic "Moorish") invention | Amanda Visconti | 2015-02-01 13:08 | view |
28 | Moors | Algebra is an Arabic (archaic "Moorish") invention | Amanda Visconti | 2015-02-01 13:08 | view |
28 | mien | appearance/countenance /complexion | Amanda Visconti | 2015-02-01 13:07 | view |
28 | mien | appearance/countenance /complexion | Amanda Visconti | 2015-02-01 13:07 | view |
28 | mien | appearance/countenance /complexion | Amanda Visconti | 2015-02-01 13:07 | view |
28 | Amor matris | ''amor matris'' is Latin for ''a mother's love'' | Amanda Visconti | 2015-02-01 13:07 | view |
28 | Amor matris | ''amor matris'' is Latin for ''a mother's love'' | Amanda Visconti | 2015-02-01 13:07 | view |
28 | Amor matris | ''amor matris'' is Latin for ''a mother's love'' | Amanda Visconti | 2015-02-01 13:07 | view |
28 | subjective and objective genitive | subjective and objective genitive are the declensions of the Latin nouns (declensions are to nouns sort of what conjugations are to verbs; the declension of a noun indicates how it is being used in a sentence) | Amanda Visconti | 2015-02-01 13:06 | view |
28 | subjective and objective genitive | subjective and objective genitive are the declensions of the Latin nouns (declensions are to nouns sort of what conjugations are to verbs; the declension of a noun indicates how it is being used in a sentence) | Amanda Visconti | 2015-02-01 13:06 | view |
28 | subjective and objective genitive | subjective and objective genitive are the declensions of the Latin nouns (declensions are to nouns sort of what conjugations are to verbs; the declension of a noun indicates how it is being used in a sentence) | Amanda Visconti | 2015-02-01 13:06 | view |
29 | gaitered | wearing gaiters, an accessory that protected the ankles, and sometimes the shins, from mud | Amanda Visconti | 2015-02-01 12:33 | view |
29 | gaitered | wearing gaiters, an accessory that protected the ankles, and sometimes the shins, from mud | Amanda Visconti | 2015-02-01 12:33 | view |
29 | gaitered | wearing gaiters, an accessory that protected the ankles, and sometimes the shins, from mud | Amanda Visconti | 2015-02-01 12:33 | view |
29 | Stuart coins | Stuart refers to the family that ruled England during the 1600s. Despite the Stuart's Catholicism and Irish ancestry, the family brought grief to Ireland by the backlash against their Catholicism following their rule. The treasure of their wealth is ''base'', as it has been taken from the Irish people | Amanda Visconti | 2015-02-01 12:33 | view |
29 | Stuart coins | Stuart refers to the family that ruled England during the 1600s. Despite the Stuart's Catholicism and Irish ancestry, the family brought grief to Ireland by the backlash against their Catholicism following their rule. The treasure of their wealth is ''base'', as it has been taken from the Irish people | Amanda Visconti | 2015-02-01 12:33 | view |
29 | Stuart coins | Stuart refers to the family that ruled England during the 1600s. Despite the Stuart's Catholicism and Irish ancestry, the family brought grief to Ireland by the backlash against their Catholicism following their rule. The treasure of their wealth is ''base'', as it has been taken from the Irish people | Amanda Visconti | 2015-02-01 12:33 | view |
30 | emir | a noble in a Middle Eastern country | Amanda Visconti | 2015-02-01 12:33 | view |
30 | emir | a noble in a Middle Eastern country | Amanda Visconti | 2015-02-01 12:33 | view |
30 | emir | a noble in a Middle Eastern country | Amanda Visconti | 2015-02-01 12:33 | view |
30 | sovereign | unit of British money | Amanda Visconti | 2015-02-01 12:33 | view |
30 | sovereign | unit of British money | Amanda Visconti | 2015-02-01 12:33 | view |
30 | sovereign | unit of British money | Amanda Visconti | 2015-02-01 12:33 | view |
30 | shillings, sixpences, halfcrowns | units of British money | Amanda Visconti | 2015-02-01 12:33 | view |
30 | shillings, sixpences, halfcrowns | units of British money | Amanda Visconti | 2015-02-01 12:33 | view |
30 | shillings, sixpences, halfcrowns | units of British money | Amanda Visconti | 2015-02-01 12:33 | view |
30 | Three nooses | Again, Stephen is conscious of being a servant; the three nooses are the three times he has accepted money for his work as a teacher | Amanda Visconti | 2015-02-01 12:32 | view |
30 | Three nooses | Again, Stephen is conscious of being a servant; the three nooses are the three times he has accepted money for his work as a teacher | Amanda Visconti | 2015-02-01 12:32 | view |
30 | Three nooses | Again, Stephen is conscious of being a servant; the three nooses are the three times he has accepted money for his work as a teacher | Amanda Visconti | 2015-02-01 12:32 | view |
30 | Iago | Mr. Deasy's line ironically comes from the villain of Othello. This makes him not a mentor, like his Odysseyan counterpart Nestor, but another usurper; like Mulligan and Cranly, his words tempt Stephen to abandon his personal integrity. | Amanda Visconti | 2015-02-01 12:32 | view |
30 | Iago | Mr. Deasy's line ironically comes from the villain of Othello. This makes him not a mentor, like his Odysseyan counterpart Nestor, but another usurper; like Mulligan and Cranly, his words tempt Stephen to abandon his personal integrity. | Amanda Visconti | 2015-02-01 12:32 | view |
30 | Iago | Mr. Deasy's line ironically comes from the villain of Othello. This makes him not a mentor, like his Odysseyan counterpart Nestor, but another usurper; like Mulligan and Cranly, his words tempt Stephen to abandon his personal integrity. | Amanda Visconti | 2015-02-01 12:32 | view |
30 | The seas' ruler | an epithet used earlier on Haines, referring to the British imperialist control of the seas | Amanda Visconti | 2015-02-01 12:32 | view |
30 | The seas' ruler | an epithet used earlier on Haines, referring to the British imperialist control of the seas | Amanda Visconti | 2015-02-01 12:32 | view |
30 | The seas' ruler | an epithet used earlier on Haines, referring to the British imperialist control of the seas | Amanda Visconti | 2015-02-01 12:32 | view |
31 | Good man | Stephen ironically mentally congratulates Deasy's choice of maxims | Amanda Visconti | 2015-02-01 12:31 | view |
31 | Good man | Stephen ironically mentally congratulates Deasy's choice of maxims | Amanda Visconti | 2015-02-01 12:31 | view |
31 | Good man | Stephen ironically mentally congratulates Deasy's choice of maxims | Amanda Visconti | 2015-02-01 12:31 | view |
31 | Mulligan, nine pounds | Stephen mentally lists all his debts (it is interesting that he lists himself as indebted to Mulligan, although Stephen has paid the rent for their tower and given Mulligan drinking money) | Amanda Visconti | 2015-02-01 12:31 | view |
31 | Mulligan, nine pounds | Stephen mentally lists all his debts (it is interesting that he lists himself as indebted to Mulligan, although Stephen has paid the rent for their tower and given Mulligan drinking money) | Amanda Visconti | 2015-02-01 12:31 | view |
31 | Mulligan, nine pounds | Stephen mentally lists all his debts (it is interesting that he lists himself as indebted to Mulligan, although Stephen has paid the rent for their tower and given Mulligan drinking money) | Amanda Visconti | 2015-02-01 12:31 | view |
31 | lump | the cash Stephen has on hand | Amanda Visconti | 2015-02-01 12:30 | view |
31 | lump | the cash Stephen has on hand | Amanda Visconti | 2015-02-01 12:30 | view |
31 | lump | the cash Stephen has on hand | Amanda Visconti | 2015-02-01 12:30 | view |
31 | tartan | plaid | Amanda Visconti | 2015-02-01 12:30 | view |
31 | tartan | plaid | Amanda Visconti | 2015-02-01 12:30 | view |
31 | tartan | plaid | Amanda Visconti | 2015-02-01 12:30 | view |
31 | fillibegs | kilt | Amanda Visconti | 2015-02-01 12:30 | view |
31 | fillibegs | kilt | Amanda Visconti | 2015-02-01 12:30 | view |
31 | fillibegs | kilt | Amanda Visconti | 2015-02-01 12:30 | view |
31 | Albert Edward | King Edward VII's official title while his mother, the long-lived Queen Victoria, held the throne. | Amanda Visconti | 2015-02-01 12:30 | view |
31 | Albert Edward | King Edward VII's official title while his mother, the long-lived Queen Victoria, held the throne. | Amanda Visconti | 2015-02-01 12:30 | view |
31 | Albert Edward | King Edward VII's official title while his mother, the long-lived Queen Victoria, held the throne. | Amanda Visconti | 2015-02-01 12:30 | view |
31 | tory | a conservative | Amanda Visconti | 2015-02-01 12:30 | view |
31 | tory | a conservative | Amanda Visconti | 2015-02-01 12:30 | view |
31 | tory | a conservative | Amanda Visconti | 2015-02-01 12:30 | view |
31 | O'Connell | Daniel O'Connell, an Irish political leader from roughly a century before the time of the story; he was a champion of Irish Catholics and worked for them to be admitted to the British Parliament | Amanda Visconti | 2015-02-01 12:29 | view |
31 | O'Connell | Daniel O'Connell, an Irish political leader from roughly a century before the time of the story; he was a champion of Irish Catholics and worked for them to be admitted to the British Parliament | Amanda Visconti | 2015-02-01 12:29 | view |
31 | O'Connell | Daniel O'Connell, an Irish political leader from roughly a century before the time of the story; he was a champion of Irish Catholics and worked for them to be admitted to the British Parliament | Amanda Visconti | 2015-02-01 12:29 | view |
31 | orange | ''Orange'' Irish were Protestants; the term comes from William of Orange (William III, of the house of Orange), a champion of Protestantism over Catholicism | Amanda Visconti | 2015-02-01 12:29 | view |
31 | orange | ''Orange'' Irish were Protestants; the term comes from William of Orange (William III, of the house of Orange), a champion of Protestantism over Catholicism | Amanda Visconti | 2015-02-01 12:29 | view |
31 | orange | ''Orange'' Irish were Protestants; the term comes from William of Orange (William III, of the house of Orange), a champion of Protestantism over Catholicism | Amanda Visconti | 2015-02-01 12:29 | view |
31 | demagogue | a leader who inspires cultish devotion among their followers | Amanda Visconti | 2015-02-01 12:29 | view |
31 | demagogue | a leader who inspires cultish devotion among their followers | Amanda Visconti | 2015-02-01 12:29 | view |
31 | demagogue | a leader who inspires cultish devotion among their followers | Amanda Visconti | 2015-02-01 12:29 | view |
31 | fenians | members of organizations focusing on freeing Ireland from British rule | Amanda Visconti | 2015-02-01 12:29 | view |
31 | fenians | members of organizations focusing on freeing Ireland from British rule | Amanda Visconti | 2015-02-01 12:29 | view |
31 | fenians | members of organizations focusing on freeing Ireland from British rule | Amanda Visconti | 2015-02-01 12:29 | view |
31 | papishes | Catholics (from papacy, in reference to their allegiance to the Pope); an image of the Catholic-Protestant violence | Amanda Visconti | 2015-02-01 12:28 | view |
31 | papishes | Catholics (from papacy, in reference to their allegiance to the Pope); an image of the Catholic-Protestant violence | Amanda Visconti | 2015-02-01 12:28 | view |
31 | papishes | Catholics (from papacy, in reference to their allegiance to the Pope); an image of the Catholic-Protestant violence | Amanda Visconti | 2015-02-01 12:28 | view |
31 | planters covenant | many of the pro-British Protestants were well-off planters, so this probably refers to some anti-Catholic resolution | Amanda Visconti | 2015-02-01 12:28 | view |
31 | planters covenant | many of the pro-British Protestants were well-off planters, so this probably refers to some anti-Catholic resolution | Amanda Visconti | 2015-02-01 12:28 | view |
31 | planters covenant | many of the pro-British Protestants were well-off planters, so this probably refers to some anti-Catholic resolution | Amanda Visconti | 2015-02-01 12:28 | view |
31 | black north | the north of Ireland was notorious for its religious and native Irish vs. British violence (thus, ''black'') | Amanda Visconti | 2015-02-01 12:28 | view |
31 | black north | the north of Ireland was notorious for its religious and native Irish vs. British violence (thus, ''black'') | Amanda Visconti | 2015-02-01 12:28 | view |
31 | black north | the north of Ireland was notorious for its religious and native Irish vs. British violence (thus, ''black'') | Amanda Visconti | 2015-02-01 12:28 | view |
31 | Croppies | a derogatory name for Irish rebels against British rule, in reference to their cropped (short) hair | Amanda Visconti | 2015-02-01 12:27 | view |
31 | Croppies | a derogatory name for Irish rebels against British rule, in reference to their cropped (short) hair | Amanda Visconti | 2015-02-01 12:27 | view |
31 | Croppies | a derogatory name for Irish rebels against British rule, in reference to their cropped (short) hair | Amanda Visconti | 2015-02-01 12:27 | view |
31 | spindle side | maternally | Amanda Visconti | 2015-02-01 12:27 | view |
31 | spindle side | maternally | Amanda Visconti | 2015-02-01 12:27 | view |
31 | spindle side | maternally | Amanda Visconti | 2015-02-01 12:27 | view |
31 | Per vias rectas | Latin for ''by the righteous paths'' | Amanda Visconti | 2015-02-01 12:27 | view |
31 | Per vias rectas | Latin for ''by the righteous paths'' | Amanda Visconti | 2015-02-01 12:27 | view |
31 | Per vias rectas | Latin for ''by the righteous paths'' | Amanda Visconti | 2015-02-01 12:27 | view |
32 | the dictates of common sense | Deasy reads portions of the letter he is typing aloud, which is full of trite but high-sounding phrases | Amanda Visconti | 2015-02-01 12:26 | view |
32 | the dictates of common sense | Deasy reads portions of the letter he is typing aloud, which is full of trite but high-sounding phrases | Amanda Visconti | 2015-02-01 12:26 | view |
32 | the dictates of common sense | Deasy reads portions of the letter he is typing aloud, which is full of trite but high-sounding phrases | Amanda Visconti | 2015-02-01 12:26 | view |
32 | princely presence | refers to the portrait of Albert Edward, not Mr. Deasy | Amanda Visconti | 2015-02-01 12:26 | view |
32 | princely presence | refers to the portrait of Albert Edward, not Mr. Deasy | Amanda Visconti | 2015-02-01 12:26 | view |
32 | princely presence | refers to the portrait of Albert Edward, not Mr. Deasy | Amanda Visconti | 2015-02-01 12:26 | view |
32 | Where Cranly led me | The race courses; Cranly is a friend from Stephen's younger days (and a character in Joyce's Portrait of the Artist as a Young Man) | Amanda Visconti | 2015-02-01 12:25 | view |
32 | Where Cranly led me | The race courses; Cranly is a friend from Stephen's younger days (and a character in Joyce's Portrait of the Artist as a Young Man) | Amanda Visconti | 2015-02-01 12:25 | view |
32 | Where Cranly led me | The race courses; Cranly is a friend from Stephen's younger days (and a character in Joyce's Portrait of the Artist as a Young Man) | Amanda Visconti | 2015-02-01 12:25 | view |
32 | foot and mouth disease | a plague affecting cattle and other animals | Amanda Visconti | 2015-02-01 12:21 | view |
32 | foot and mouth disease | a plague affecting cattle and other animals | Amanda Visconti | 2015-02-01 12:21 | view |
32 | foot and mouth disease | a plague affecting cattle and other animals | Amanda Visconti | 2015-02-01 12:21 | view |
33 | Foot and mouth disease | a plague affecting cattle and other animals | Amanda Visconti | 2015-02-01 12:19 | view |
33 | Foot and mouth disease | a plague affecting cattle and other animals | Amanda Visconti | 2015-02-01 12:19 | view |
33 | Foot and mouth disease | a plague affecting cattle and other animals | Amanda Visconti | 2015-02-01 12:19 | view |
33 | pluterperfect | Deasy combines two terms related to past tenses, ''pluperfect'' and ''preterperfect'' | Amanda Visconti | 2015-02-01 12:18 | view |
33 | pluterperfect | Deasy combines two terms related to past tenses, ''pluperfect'' and ''preterperfect'' | Amanda Visconti | 2015-02-01 12:18 | view |
33 | pluterperfect | Deasy combines two terms related to past tenses, ''pluperfect'' and ''preterperfect'' | Amanda Visconti | 2015-02-01 12:18 | view |
33 | May I | Stephen's interior monologue contains phrases from the letter he is skimming | Amanda Visconti | 2015-02-01 12:18 | view |
33 | May I | Stephen's interior monologue contains phrases from the letter he is skimming | Amanda Visconti | 2015-02-01 12:18 | view |
33 | May I | Stephen's interior monologue contains phrases from the letter he is skimming | Amanda Visconti | 2015-02-01 12:18 | view |
33 | Cassandra | A princess of Troy before its downfall. Apollo loved her and made her a seer; when his love was not returned, he cursed her so that her predictions would be accurate but always unheeded (for example, her prediction of Troy's sacking). | Amanda Visconti | 2015-02-01 12:17 | view |
33 | Cassandra | A princess of Troy before its downfall. Apollo loved her and made her a seer; when his love was not returned, he cursed her so that her predictions would be accurate but always unheeded (for example, her prediction of Troy's sacking). | Amanda Visconti | 2015-02-01 12:17 | view |
33 | Cassandra | A princess of Troy before its downfall. Apollo loved her and made her a seer; when his love was not returned, he cursed her so that her predictions would be accurate but always unheeded (for example, her prediction of Troy's sacking). | Amanda Visconti | 2015-02-01 12:17 | view |
33 | Rinderpest | another type of cattle plague | Amanda Visconti | 2015-02-01 12:17 | view |
33 | Rinderpest | another type of cattle plague | Amanda Visconti | 2015-02-01 12:17 | view |
33 | Rinderpest | another type of cattle plague | Amanda Visconti | 2015-02-01 12:17 | view |
33 | embargo | a ban on shipping or commerce | Amanda Visconti | 2015-02-01 12:17 | view |
33 | embargo | a ban on shipping or commerce | Amanda Visconti | 2015-02-01 12:17 | view |
33 | embargo | a ban on shipping or commerce | Amanda Visconti | 2015-02-01 12:17 | view |
33 | England | Note how Deasy considers Ireland just a part of England. | Amanda Visconti | 2015-02-01 12:17 | view |
33 | England | Note how Deasy considers Ireland just a part of England. | Amanda Visconti | 2015-02-01 12:17 | view |
33 | England | Note how Deasy considers Ireland just a part of England. | Amanda Visconti | 2015-02-01 12:17 | view |
33 | The harlot's cry from street to streetShall weave old England's winding sheet. | from William Blake's ''Auguries of Innocence'' | Amanda Visconti | 2015-02-01 12:16 | view |
33 | The harlot's cry from street to streetShall weave old England's winding sheet. | from William Blake's ''Auguries of Innocence'' | Amanda Visconti | 2015-02-01 12:16 | view |
33 | The harlot's cry from street to streetShall weave old England's winding sheet. | from William Blake's ''Auguries of Innocence'' | Amanda Visconti | 2015-02-01 12:16 | view |
34 | merchant | Stephen gently suggests that the hatred of unscrupulous merchants should be directed against the merchants themselves, not against a race | Amanda Visconti | 2015-02-01 12:15 | view |
34 | merchant | Stephen gently suggests that the hatred of unscrupulous merchants should be directed against the merchants themselves, not against a race | Amanda Visconti | 2015-02-01 12:15 | view |
34 | merchant | Stephen gently suggests that the hatred of unscrupulous merchants should be directed against the merchants themselves, not against a race | Amanda Visconti | 2015-02-01 12:15 | view |
34 | sinned against the light | Some modern-day Christians blamed modern-day Jews for the execution of Jesus | Amanda Visconti | 2015-02-01 12:15 | view |
34 | sinned against the light | Some modern-day Christians blamed modern-day Jews for the execution of Jesus | Amanda Visconti | 2015-02-01 12:15 | view |
34 | sinned against the light | Some modern-day Christians blamed modern-day Jews for the execution of Jesus | Amanda Visconti | 2015-02-01 12:15 | view |
34 | Who has not? | i.e. Who has not sinned in some way? | Amanda Visconti | 2015-02-01 12:14 | view |
34 | Who has not? | i.e. Who has not sinned in some way? | Amanda Visconti | 2015-02-01 12:14 | view |
34 | Who has not? | i.e. Who has not sinned in some way? | Amanda Visconti | 2015-02-01 12:14 | view |
35 | Telegraph. Irish Homestead | two Dublin papers with which Stephen has connections | Amanda Visconti | 2015-02-01 12:13 | view |
35 | Telegraph. Irish Homestead | two Dublin papers with which Stephen has connections | Amanda Visconti | 2015-02-01 12:13 | view |
35 | Telegraph. Irish Homestead | two Dublin papers with which Stephen has connections | Amanda Visconti | 2015-02-01 12:13 | view |
35 | couchant | heraldic term for lying down (like a lion on a knight's shield) | Amanda Visconti | 2015-02-01 12:12 | view |
35 | couchant | heraldic term for lying down (like a lion on a knight's shield) | Amanda Visconti | 2015-02-01 12:12 | view |
35 | couchant | heraldic term for lying down (like a lion on a knight's shield) | Amanda Visconti | 2015-02-01 12:12 | view |
4 | Saxon | Antiquated term for an English person (England was populated by Saxons before the William of Normandy introduced the French) | Amanda Visconti | 2015-02-01 12:07 | view |
4 | Saxon | Antiquated term for an English person (England was populated by Saxons before the William of Normandy introduced the French) | Amanda Visconti | 2015-02-01 12:07 | view |
4 | Saxon | Antiquated term for an English person (England was populated by Saxons before the William of Normandy introduced the French) | Amanda Visconti | 2015-02-01 12:07 | view |
4 | jesuit | youthful, lacking knowledge or experience | Amanda Visconti | 2015-02-01 12:07 | view |
4 | jesuit | youthful, lacking knowledge or experience | Amanda Visconti | 2015-02-01 12:07 | view |
4 | jesuit | youthful, lacking knowledge or experience | Amanda Visconti | 2015-02-01 12:07 | view |
4 | Hellenic | Related to the ancient Greeks, around the time when their culture and learning most flourished | Amanda Visconti | 2015-02-01 12:07 | view |
4 | Hellenic | Related to the ancient Greeks, around the time when their culture and learning most flourished | Amanda Visconti | 2015-02-01 12:07 | view |
4 | Hellenic | Related to the ancient Greeks, around the time when their culture and learning most flourished | Amanda Visconti | 2015-02-01 12:07 | view |
4 | dactyls | Words consisting of one long (or accented) syllable followed by two short (or unaccented) syllables, such as MUL-li-gan | Amanda Visconti | 2015-02-01 12:07 | view |
4 | dactyls | Words consisting of one long (or accented) syllable followed by two short (or unaccented) syllables, such as MUL-li-gan | Amanda Visconti | 2015-02-01 12:07 | view |
4 | dactyls | Words consisting of one long (or accented) syllable followed by two short (or unaccented) syllables, such as MUL-li-gan | Amanda Visconti | 2015-02-01 12:07 | view |
4 | Your absurd name | Stephen's last name, Dedalus, is an unusual name for an Irish person. The name comes from the mythical Greek Daedalus, the great inventor who created the labyrinth for King Minos and escaped from Crete using wings he made from birds' feathers; Daedalus' son, Icarus, was given a similar set of wings for escaping, but flew so near the sun that the wings disintegrated and he drowned. Daedalus is often used as a symbol of the rational, unemotive, scientific mind, while Icarus represents the unrestrained artist; Stephen bears far more resemblance to the latter | Amanda Visconti | 2015-02-01 12:06 | view |
4 | Your absurd name | Stephen's last name, Dedalus, is an unusual name for an Irish person. The name comes from the mythical Greek Daedalus, the great inventor who created the labyrinth for King Minos and escaped from Crete using wings he made from birds' feathers; Daedalus' son, Icarus, was given a similar set of wings for escaping, but flew so near the sun that the wings disintegrated and he drowned. Daedalus is often used as a symbol of the rational, unemotive, scientific mind, while Icarus represents the unrestrained artist; Stephen bears far more resemblance to the latter | Amanda Visconti | 2015-02-01 12:06 | view |
4 | Your absurd name | Stephen's last name, Dedalus, is an unusual name for an Irish person. The name comes from the mythical Greek Daedalus, the great inventor who created the labyrinth for King Minos and escaped from Crete using wings he made from birds' feathers; Daedalus' son, Icarus, was given a similar set of wings for escaping, but flew so near the sun that the wings disintegrated and he drowned. Daedalus is often used as a symbol of the rational, unemotive, scientific mind, while Icarus represents the unrestrained artist; Stephen bears far more resemblance to the latter | Amanda Visconti | 2015-02-01 12:06 | view |
4 | prelate | Person of high rank and influence within the church, such as a bishop | Amanda Visconti | 2015-01-31 23:45 | view |
4 | prelate | Person of high rank and influence within the church, such as a bishop | Amanda Visconti | 2015-01-31 23:45 | view |
4 | prelate | Person of high rank and influence within the church, such as a bishop | Amanda Visconti | 2015-01-31 23:45 | view |
3 | Kinch | Mulligan's nickname for Stephen, who he describes as a "knife-blade" (the OED defines a kinch as a type of knot and I've never been able to find the word defined as a knife, but for the purposes of the novel it makes the most sense to go with Mulligan's definition). This nickname, which alludes to the sharpness of Stephen's intellect, is used somewhat patronizingly–Mulligan recognizes that Stephen has greater intellectual powers than him and is passively-aggressively jealous, but is also aware that Stephen does not use his mind to as great a social advantage as Mulligan does. | Amanda Visconti | 2015-01-31 23:45 | view |
3 | Kinch | Mulligan's nickname for Stephen, who he describes as a "knife-blade" (the OED defines a kinch as a type of knot and I've never been able to find the word defined as a knife, but for the purposes of the novel it makes the most sense to go with Mulligan's definition). This nickname, which alludes to the sharpness of Stephen's intellect, is used somewhat patronizingly–Mulligan recognizes that Stephen has greater intellectual powers than him and is passively-aggressively jealous, but is also aware that Stephen does not use his mind to as great a social advantage as Mulligan does. | Amanda Visconti | 2015-01-31 23:45 | view |
3 | Kinch | Mulligan's nickname for Stephen, who he describes as a "knife-blade" (the OED defines a kinch as a type of knot and I've never been able to find the word defined as a knife, but for the purposes of the novel it makes the most sense to go with Mulligan's definition). This nickname, which alludes to the sharpness of Stephen's intellect, is used somewhat patronizingly–Mulligan recognizes that Stephen has greater intellectual powers than him and is passively-aggressively jealous, but is also aware that Stephen does not use his mind to as great a social advantage as Mulligan does. | Amanda Visconti | 2015-01-31 23:45 | view |
3 | Jesuit | A Catholic order that organized many schools in Ireland. The Jesuits were characterized as skilled equivocators, using craftiness to answer unanswerable religious questions and also protecting the order during the time it was suppressed by the Pope. Stephen has been taught by Jesuits; Mulligan fears his subtle intellect, which often allows him to provide answers through roundabout logic (see his discussion of Hamlet, mentioned later in this episode and explored more fully in the episode Scylla and Charybdis). | Amanda Visconti | 2015-01-31 23:44 | view |
3 | Jesuit | A Catholic order that organized many schools in Ireland. The Jesuits were characterized as skilled equivocators, using craftiness to answer unanswerable religious questions and also protecting the order during the time it was suppressed by the Pope. Stephen has been taught by Jesuits; Mulligan fears his subtle intellect, which often allows him to provide answers through roundabout logic (see his discussion of Hamlet, mentioned later in this episode and explored more fully in the episode Scylla and Charybdis). | Amanda Visconti | 2015-01-31 23:44 | view |
3 | Jesuit | A Catholic order that organized many schools in Ireland. The Jesuits were characterized as skilled equivocators, using craftiness to answer unanswerable religious questions and also protecting the order during the time it was suppressed by the Pope. Stephen has been taught by Jesuits; Mulligan fears his subtle intellect, which often allows him to provide answers through roundabout logic (see his discussion of Hamlet, mentioned later in this episode and explored more fully in the episode Scylla and Charybdis). | Amanda Visconti | 2015-01-31 23:44 | view |
3 | preacher's tone | Mulligan continues to mock the mass | Amanda Visconti | 2015-01-31 23:44 | view |
3 | preacher's tone | Mulligan continues to mock the mass | Amanda Visconti | 2015-01-31 23:44 | view |
3 | preacher's tone | Mulligan continues to mock the mass | Amanda Visconti | 2015-01-31 23:44 | view |
5 | The aunt | Mulligan's aunt, like Mulligan, is an Anglicized Irishwoman; she looks askance at the unkempt Stephen and his family | Amanda Visconti | 2015-01-31 23:44 | view |
5 | The aunt | Mulligan's aunt, like Mulligan, is an Anglicized Irishwoman; she looks askance at the unkempt Stephen and his family | Amanda Visconti | 2015-01-31 23:44 | view |
5 | The aunt | Mulligan's aunt, like Mulligan, is an Anglicized Irishwoman; she looks askance at the unkempt Stephen and his family | Amanda Visconti | 2015-01-31 23:44 | view |
4 | Haines | Haines is an Englishman from Oxford who is boarding in the tower with Stephen and Mulligan, apparently with the goal of researching Irish folk tradition. The previous evening he had a nightmare involving shooting a black panther; the dream disturbed Stephen, who feared Haines would try to shoot his gun while half-awake. This story parallels a story from Joyce's own life (see Ellmann's biography of Joyce for details). | Amanda Visconti | 2015-01-31 23:43 | view |
4 | Haines | Haines is an Englishman from Oxford who is boarding in the tower with Stephen and Mulligan, apparently with the goal of researching Irish folk tradition. The previous evening he had a nightmare involving shooting a black panther; the dream disturbed Stephen, who feared Haines would try to shoot his gun while half-awake. This story parallels a story from Joyce's own life (see Ellmann's biography of Joyce for details). | Amanda Visconti | 2015-01-31 23:43 | view |
4 | Haines | Haines is an Englishman from Oxford who is boarding in the tower with Stephen and Mulligan, apparently with the goal of researching Irish folk tradition. The previous evening he had a nightmare involving shooting a black panther; the dream disturbed Stephen, who feared Haines would try to shoot his gun while half-awake. This story parallels a story from Joyce's own life (see Ellmann's biography of Joyce for details). | Amanda Visconti | 2015-01-31 23:43 | view |
4 | a black panther | Haines' dream foreshadows the arrival of main character Leopold Bloom in the story; Bloom, a Jewish Dubliner, social misfit, and outcast from his own home, is often described as a sort of "dark horse" | Amanda Visconti | 2015-01-31 23:43 | view |
4 | a black panther | Haines' dream foreshadows the arrival of main character Leopold Bloom in the story; Bloom, a Jewish Dubliner, social misfit, and outcast from his own home, is often described as a sort of "dark horse" | Amanda Visconti | 2015-01-31 23:43 | view |
4 | a black panther | Haines' dream foreshadows the arrival of main character Leopold Bloom in the story; Bloom, a Jewish Dubliner, social misfit, and outcast from his own home, is often described as a sort of "dark horse" | Amanda Visconti | 2015-01-31 23:43 | view |
4 | saved men from drowning | Mulligan's rescue of a drowning man will be discussed later in the novel; for all that Stephen feels morally superior to the British-toadying Mulligan, he recognizes he would not have been brave enough to save the man's life. I believe Mulligan's real-life counter-part Gogarty might have similarly piqued Joyce with heroics, though I need to track down a reference to this. | Amanda Visconti | 2015-01-31 23:42 | view |
4 | saved men from drowning | Mulligan's rescue of a drowning man will be discussed later in the novel; for all that Stephen feels morally superior to the British-toadying Mulligan, he recognizes he would not have been brave enough to save the man's life. I believe Mulligan's real-life counter-part Gogarty might have similarly piqued Joyce with heroics, though I need to track down a reference to this. | Amanda Visconti | 2015-01-31 23:42 | view |
4 | saved men from drowning | Mulligan's rescue of a drowning man will be discussed later in the novel; for all that Stephen feels morally superior to the British-toadying Mulligan, he recognizes he would not have been brave enough to save the man's life. I believe Mulligan's real-life counter-part Gogarty might have similarly piqued Joyce with heroics, though I need to track down a reference to this. | Amanda Visconti | 2015-01-31 23:42 | view |
5 | Algy | Algernon Charles Swinburne, a controversial Victorian poet | Amanda Visconti | 2015-01-31 23:41 | view |
5 | Algy | Algernon Charles Swinburne, a controversial Victorian poet | Amanda Visconti | 2015-01-31 23:41 | view |
5 | Algy | Algernon Charles Swinburne, a controversial Victorian poet | Amanda Visconti | 2015-01-31 23:41 | view |
5 | great sweet mother | From a Swinburne poem: "I will go back to the great sweet mother, / Mother and lover of men, the sea" | Amanda Visconti | 2015-01-31 23:41 | view |
5 | great sweet mother | From a Swinburne poem: "I will go back to the great sweet mother, / Mother and lover of men, the sea" | Amanda Visconti | 2015-01-31 23:41 | view |
5 | great sweet mother | From a Swinburne poem: "I will go back to the great sweet mother, / Mother and lover of men, the sea" | Amanda Visconti | 2015-01-31 23:41 | view |
5 | Epi oinopa ponton | Greek for "the wine-dark sea", as Homer terms it in the Odyssey; afterwards paralleled by Mulligan with "the snot-green sea" | Amanda Visconti | 2015-01-31 23:41 | view |
5 | Epi oinopa ponton | Greek for "the wine-dark sea", as Homer terms it in the Odyssey; afterwards paralleled by Mulligan with "the snot-green sea" | Amanda Visconti | 2015-01-31 23:41 | view |
5 | Epi oinopa ponton | Greek for "the wine-dark sea", as Homer terms it in the Odyssey; afterwards paralleled by Mulligan with "the snot-green sea" | Amanda Visconti | 2015-01-31 23:41 | view |
5 | Thalatta | Greek for "the sea" | Amanda Visconti | 2015-01-31 23:40 | view |
5 | Thalatta | Greek for "the sea" | Amanda Visconti | 2015-01-31 23:40 | view |
5 | Thalatta | Greek for "the sea" | Amanda Visconti | 2015-01-31 23:40 | view |
5 | you killed your mother | Stephen, who recently abandoned his previously devout Catholicism, refused to kneel down and pray with his dying mother May (a young Joyce had done the same). He is berated both by Mulligan and his conscience, visited by dreams and visions of a reproachful ghost | Amanda Visconti | 2015-01-31 23:40 | view |
5 | you killed your mother | Stephen, who recently abandoned his previously devout Catholicism, refused to kneel down and pray with his dying mother May (a young Joyce had done the same). He is berated both by Mulligan and his conscience, visited by dreams and visions of a reproachful ghost | Amanda Visconti | 2015-01-31 23:40 | view |
5 | you killed your mother | Stephen, who recently abandoned his previously devout Catholicism, refused to kneel down and pray with his dying mother May (a young Joyce had done the same). He is berated both by Mulligan and his conscience, visited by dreams and visions of a reproachful ghost | Amanda Visconti | 2015-01-31 23:40 | view |
5 | hyperborean | living in or from the far north; from a mythical race that lived beyond the north wind | Amanda Visconti | 2015-01-31 23:40 | view |
5 | hyperborean | living in or from the far north; from a mythical race that lived beyond the north wind | Amanda Visconti | 2015-01-31 23:40 | view |
5 | hyperborean | living in or from the far north; from a mythical race that lived beyond the north wind | Amanda Visconti | 2015-01-31 23:40 | view |
5 | mummer | a low actor, such as might perform at a parade or carnival | Amanda Visconti | 2015-01-31 23:40 | view |
5 | mummer | a low actor, such as might perform at a parade or carnival | Amanda Visconti | 2015-01-31 23:40 | view |
5 | mummer | a low actor, such as might perform at a parade or carnival | Amanda Visconti | 2015-01-31 23:40 | view |
5 | in a dream | Stephen's recently deceased mother appears to Stephen in his dreams | Amanda Visconti | 2015-01-31 23:40 | view |
5 | in a dream | Stephen's recently deceased mother appears to Stephen in his dreams | Amanda Visconti | 2015-01-31 23:40 | view |
5 | in a dream | Stephen's recently deceased mother appears to Stephen in his dreams | Amanda Visconti | 2015-01-31 23:40 | view |
6 | threadbare cuffedge | Mulligan has given Stephen some of his old clothing and shoes. | Amanda Visconti | 2015-01-31 23:39 | view |
6 | threadbare cuffedge | Mulligan has given Stephen some of his old clothing and shoes. | Amanda Visconti | 2015-01-31 23:39 | view |
6 | threadbare cuffedge | Mulligan has given Stephen some of his old clothing and shoes. | Amanda Visconti | 2015-01-31 23:39 | view |
6 | I can't wear them | Despite his refusal to pray with his dying mother, Stephen is observing the social custom of displaying one's mourning by wearing only black clothing | Amanda Visconti | 2015-01-31 23:39 | view |
6 | I can't wear them | Despite his refusal to pray with his dying mother, Stephen is observing the social custom of displaying one's mourning by wearing only black clothing | Amanda Visconti | 2015-01-31 23:39 | view |
6 | I can't wear them | Despite his refusal to pray with his dying mother, Stephen is observing the social custom of displaying one's mourning by wearing only black clothing | Amanda Visconti | 2015-01-31 23:39 | view |
6 | smokeblue | note this change from "grey searching eyes"; Mulligan is mercurial, willing to change any part of himself to make the most gain | Amanda Visconti | 2015-01-31 23:39 | view |
6 | smokeblue | note this change from "grey searching eyes"; Mulligan is mercurial, willing to change any part of himself to make the most gain | Amanda Visconti | 2015-01-31 23:39 | view |
6 | smokeblue | note this change from "grey searching eyes"; Mulligan is mercurial, willing to change any part of himself to make the most gain | Amanda Visconti | 2015-01-31 23:39 | view |
6 | g. p. i. | short for "general paralysis of the insane," the old term for schizophrenia; Stephen's descent from prize-winning, hyper-devout student to unwashed artist who refused to pray for his dying mother suggests a mental instability to people who observe him | Amanda Visconti | 2015-01-31 23:39 | view |
6 | g. p. i. | short for "general paralysis of the insane," the old term for schizophrenia; Stephen's descent from prize-winning, hyper-devout student to unwashed artist who refused to pray for his dying mother suggests a mental instability to people who observe him | Amanda Visconti | 2015-01-31 23:39 | view |
6 | g. p. i. | short for "general paralysis of the insane," the old term for schizophrenia; Stephen's descent from prize-winning, hyper-devout student to unwashed artist who refused to pray for his dying mother suggests a mental instability to people who observe him | Amanda Visconti | 2015-01-31 23:39 | view |
6 | Dottyville | nickname for an insane asylum | Amanda Visconti | 2015-01-31 23:38 | view |
6 | Dottyville | nickname for an insane asylum | Amanda Visconti | 2015-01-31 23:38 | view |
6 | Dottyville | nickname for an insane asylum | Amanda Visconti | 2015-01-31 23:38 | view |
6 | skivvy | servant/maid | Amanda Visconti | 2015-01-31 23:38 | view |
6 | skivvy | servant/maid | Amanda Visconti | 2015-01-31 23:38 | view |
6 | skivvy | servant/maid | Amanda Visconti | 2015-01-31 23:38 | view |
6 | Ursula | Ursula is also the name of a saint, renowned for her chastity; Mulligan implies that she is chaste because she is so plain-looking. | Amanda Visconti | 2015-01-31 23:38 | view |
6 | Ursula | Ursula is also the name of a saint, renowned for her chastity; Mulligan implies that she is chaste because she is so plain-looking. | Amanda Visconti | 2015-01-31 23:38 | view |
6 | Ursula | Ursula is also the name of a saint, renowned for her chastity; Mulligan implies that she is chaste because she is so plain-looking. | Amanda Visconti | 2015-01-31 23:38 | view |
6 | Caliban | The wild native creature, a tragic fool-villain, from Shakespeare's The Tempest. In the prologue to The Picture of Dorian Gray, Oscar Wilde wrote, "The nineteenth-century dislike of realism is the rage of Caliban seeing his own face in a glass. The nineteenth-century dislike of romanticism is the rage of Caliban not seeing his own face in a glass." Mulligan uses the quotation to mock Stephen's obvious discomfort with difference between the image of himself that the mirror presents and his own idea of himself. | Amanda Visconti | 2015-01-31 23:38 | view |
6 | Caliban | The wild native creature, a tragic fool-villain, from Shakespeare's The Tempest. In the prologue to The Picture of Dorian Gray, Oscar Wilde wrote, "The nineteenth-century dislike of realism is the rage of Caliban seeing his own face in a glass. The nineteenth-century dislike of romanticism is the rage of Caliban not seeing his own face in a glass." Mulligan uses the quotation to mock Stephen's obvious discomfort with difference between the image of himself that the mirror presents and his own idea of himself. | Amanda Visconti | 2015-01-31 23:38 | view |
6 | Caliban | The wild native creature, a tragic fool-villain, from Shakespeare's The Tempest. In the prologue to The Picture of Dorian Gray, Oscar Wilde wrote, "The nineteenth-century dislike of realism is the rage of Caliban seeing his own face in a glass. The nineteenth-century dislike of romanticism is the rage of Caliban not seeing his own face in a glass." Mulligan uses the quotation to mock Stephen's obvious discomfort with difference between the image of himself that the mirror presents and his own idea of himself. | Amanda Visconti | 2015-01-31 23:38 | view |
7 | a symbol of Irish art | Stephen sees Irish art is an attempt to mirror the real, marred by the Irish artist's toadying to the British ideal of art. | Amanda Visconti | 2015-01-31 23:37 | view |
7 | a symbol of Irish art | Stephen sees Irish art is an attempt to mirror the real, marred by the Irish artist's toadying to the British ideal of art. | Amanda Visconti | 2015-01-31 23:37 | view |
7 | a symbol of Irish art | Stephen sees Irish art is an attempt to mirror the real, marred by the Irish artist's toadying to the British ideal of art. | Amanda Visconti | 2015-01-31 23:37 | view |
7 | He fears the lancet of my art | Stephen, the unhygienic, is superstitiously fearful of modern medicine (he is also afraid of thunder--ironic, given his apostasy-- and dogs). Mulligan fears Stephen's superior wit, and thus keeps his jealousy and dislike hidden. | Amanda Visconti | 2015-01-31 23:37 | view |
7 | He fears the lancet of my art | Stephen, the unhygienic, is superstitiously fearful of modern medicine (he is also afraid of thunder--ironic, given his apostasy-- and dogs). Mulligan fears Stephen's superior wit, and thus keeps his jealousy and dislike hidden. | Amanda Visconti | 2015-01-31 23:37 | view |
7 | He fears the lancet of my art | Stephen, the unhygienic, is superstitiously fearful of modern medicine (he is also afraid of thunder--ironic, given his apostasy-- and dogs). Mulligan fears Stephen's superior wit, and thus keeps his jealousy and dislike hidden. | Amanda Visconti | 2015-01-31 23:37 | view |
7 | oxy | from Oxford College | Amanda Visconti | 2015-01-31 23:36 | view |
7 | oxy | from Oxford College | Amanda Visconti | 2015-01-31 23:36 | view |
7 | oxy | from Oxford College | Amanda Visconti | 2015-01-31 23:36 | view |
7 | tin | money/fortune | Amanda Visconti | 2015-01-31 23:36 | view |
7 | tin | money/fortune | Amanda Visconti | 2015-01-31 23:36 | view |
7 | tin | money/fortune | Amanda Visconti | 2015-01-31 23:36 | view |
7 | Hellenise | make into something appreciative of and producing arts and culture similar to that of Golden Age Greece | Amanda Visconti | 2015-01-31 23:36 | view |
7 | Hellenise | make into something appreciative of and producing arts and culture similar to that of Golden Age Greece | Amanda Visconti | 2015-01-31 23:36 | view |
7 | Hellenise | make into something appreciative of and producing arts and culture similar to that of Golden Age Greece | Amanda Visconti | 2015-01-31 23:36 | view |
7 | Cranly | Cranly, like Mulligan, was once (in Portrait of the Artist as a Young Man) one of Stephen's best friends, but since fell out of favor after Stephen questions his integrity (a pattern with Stephen; like Mulligan, Cranly had counseled Stephen to complete an Easter ritual to please his mother even though Stephen is no longer sure he is a believer). | Amanda Visconti | 2015-01-31 23:36 | view |
7 | Cranly | Cranly, like Mulligan, was once (in Portrait of the Artist as a Young Man) one of Stephen's best friends, but since fell out of favor after Stephen questions his integrity (a pattern with Stephen; like Mulligan, Cranly had counseled Stephen to complete an Easter ritual to please his mother even though Stephen is no longer sure he is a believer). | Amanda Visconti | 2015-01-31 23:36 | view |
7 | Cranly | Cranly, like Mulligan, was once (in Portrait of the Artist as a Young Man) one of Stephen's best friends, but since fell out of favor after Stephen questions his integrity (a pattern with Stephen; like Mulligan, Cranly had counseled Stephen to complete an Easter ritual to please his mother even though Stephen is no longer sure he is a believer). | Amanda Visconti | 2015-01-31 23:36 | view |
7 | only one that knows what you are | Mulligan, for all his willingness to do anything for gain, is one of the few people who recognize that Stephen is intelligent and not insane or useless. However, Stephen cannot reconcile himself with Mulligan's willingness to serve up Ireland to make a dollar, and Mulligan knows Stephen sees this side of him and is angered. | Amanda Visconti | 2015-01-31 23:36 | view |
7 | only one that knows what you are | Mulligan, for all his willingness to do anything for gain, is one of the few people who recognize that Stephen is intelligent and not insane or useless. However, Stephen cannot reconcile himself with Mulligan's willingness to serve up Ireland to make a dollar, and Mulligan knows Stephen sees this side of him and is angered. | Amanda Visconti | 2015-01-31 23:36 | view |
7 | only one that knows what you are | Mulligan, for all his willingness to do anything for gain, is one of the few people who recognize that Stephen is intelligent and not insane or useless. However, Stephen cannot reconcile himself with Mulligan's willingness to serve up Ireland to make a dollar, and Mulligan knows Stephen sees this side of him and is angered. | Amanda Visconti | 2015-01-31 23:36 | view |
7 | ragging | Stephen imagines a schoolboy being humiliated by his fellow classmates, a story he has probably heard from Mulligan before. | Amanda Visconti | 2015-01-31 23:35 | view |
7 | ragging | Stephen imagines a schoolboy being humiliated by his fellow classmates, a story he has probably heard from Mulligan before. | Amanda Visconti | 2015-01-31 23:35 | view |
7 | ragging | Stephen imagines a schoolboy being humiliated by his fellow classmates, a story he has probably heard from Mulligan before. | Amanda Visconti | 2015-01-31 23:35 | view |
7 | Magdalen | Magdalen College, part of the University of Oxford | Amanda Visconti | 2015-01-31 23:35 | view |
7 | Magdalen | Magdalen College, part of the University of Oxford | Amanda Visconti | 2015-01-31 23:35 | view |
7 | Magdalen | Magdalen College, part of the University of Oxford | Amanda Visconti | 2015-01-31 23:35 | view |
7 | Matthew Arnold | A popular Victorian poet; the gardener, though masked with the face of culture, is deaf to the violence going on among the nearby students | Amanda Visconti | 2015-01-31 23:35 | view |
7 | Matthew Arnold | A popular Victorian poet; the gardener, though masked with the face of culture, is deaf to the violence going on among the nearby students | Amanda Visconti | 2015-01-31 23:35 | view |
7 | Matthew Arnold | A popular Victorian poet; the gardener, though masked with the face of culture, is deaf to the violence going on among the nearby students | Amanda Visconti | 2015-01-31 23:35 | view |
7 | To ourselves... new paganism... omphalos. | Stephen moves from thoughts of Matthew Arnold's writings to the idea of of the omphalos, or navel (Martello Tower is referred to as the omphalos). Disturbed by the image of violence, Stephen is moved to forgive Haines. | Amanda Visconti | 2015-01-31 23:34 | view |
7 | To ourselves... new paganism... omphalos. | Stephen moves from thoughts of Matthew Arnold's writings to the idea of of the omphalos, or navel (Martello Tower is referred to as the omphalos). Disturbed by the image of violence, Stephen is moved to forgive Haines. | Amanda Visconti | 2015-01-31 23:34 | view |
7 | To ourselves... new paganism... omphalos. | Stephen moves from thoughts of Matthew Arnold's writings to the idea of of the omphalos, or navel (Martello Tower is referred to as the omphalos). Disturbed by the image of violence, Stephen is moved to forgive Haines. | Amanda Visconti | 2015-01-31 23:34 | view |
8 | the Mater and Richmond | Irish hospitals (Mulligan is a medical student) | Amanda Visconti | 2015-01-31 23:34 | view |
8 | the Mater and Richmond | Irish hospitals (Mulligan is a medical student) | Amanda Visconti | 2015-01-31 23:34 | view |
8 | the Mater and Richmond | Irish hospitals (Mulligan is a medical student) | Amanda Visconti | 2015-01-31 23:34 | view |
8 | jesuit strain | Stephen retains the Jesuit love of logic and reason without the accompanying religion or affection | Amanda Visconti | 2015-01-31 23:34 | view |
8 | jesuit strain | Stephen retains the Jesuit love of logic and reason without the accompanying religion or affection | Amanda Visconti | 2015-01-31 23:34 | view |
8 | jesuit strain | Stephen retains the Jesuit love of logic and reason without the accompanying religion or affection | Amanda Visconti | 2015-01-31 23:34 | view |
8 | Her cerebral lobes are not functioning | Mulligan imagines an old woman gradually losing her mental abilities, trying to show Stephen that one should humor the dying. | Amanda Visconti | 2015-01-31 23:34 | view |
8 | Her cerebral lobes are not functioning | Mulligan imagines an old woman gradually losing her mental abilities, trying to show Stephen that one should humor the dying. | Amanda Visconti | 2015-01-31 23:34 | view |
8 | Her cerebral lobes are not functioning | Mulligan imagines an old woman gradually losing her mental abilities, trying to show Stephen that one should humor the dying. | Amanda Visconti | 2015-01-31 23:34 | view |
8 | hired mute | a person hired to appear as a mourner at a funeral (Lalouette's is assumedly a funeral parlor) | Amanda Visconti | 2015-01-31 23:33 | view |
8 | hired mute | a person hired to appear as a mourner at a funeral (Lalouette's is assumedly a funeral parlor) | Amanda Visconti | 2015-01-31 23:33 | view |
8 | hired mute | a person hired to appear as a mourner at a funeral (Lalouette's is assumedly a funeral parlor) | Amanda Visconti | 2015-01-31 23:33 | view |
9 | Loyola | founder of the Catholic Jesuit order; here, a symbol of rigid belief | Amanda Visconti | 2015-01-31 23:33 | view |
9 | Loyola | founder of the Catholic Jesuit order; here, a symbol of rigid belief | Amanda Visconti | 2015-01-31 23:33 | view |
9 | Loyola | founder of the Catholic Jesuit order; here, a symbol of rigid belief | Amanda Visconti | 2015-01-31 23:33 | view |
9 | Sassenach | Scottish vernacular for an Englishman | Amanda Visconti | 2015-01-31 23:32 | view |
9 | Sassenach | Scottish vernacular for an Englishman | Amanda Visconti | 2015-01-31 23:32 | view |
9 | Sassenach | Scottish vernacular for an Englishman | Amanda Visconti | 2015-01-31 23:32 | view |
9 | And no more | Mulligan is ironically singing the song Stephen mother asked him to sing for her on her deathbed. | Amanda Visconti | 2015-01-31 23:32 | view |
9 | And no more | Mulligan is ironically singing the song Stephen mother asked him to sing for her on her deathbed. | Amanda Visconti | 2015-01-31 23:32 | view |
9 | And no more | Mulligan is ironically singing the song Stephen mother asked him to sing for her on her deathbed. | Amanda Visconti | 2015-01-31 23:32 | view |
9 | The twining stresses | The lines of the song are built of pairs of unstressed-stressed syllables. | Amanda Visconti | 2015-01-31 23:32 | view |
9 | The twining stresses | The lines of the song are built of pairs of unstressed-stressed syllables. | Amanda Visconti | 2015-01-31 23:32 | view |
9 | The twining stresses | The lines of the song are built of pairs of unstressed-stressed syllables. | Amanda Visconti | 2015-01-31 23:32 | view |
9 | Fergus' song | the Yeats song Mulligan was singing | Amanda Visconti | 2015-01-31 23:31 | view |
9 | Fergus' song | the Yeats song Mulligan was singing | Amanda Visconti | 2015-01-31 23:31 | view |
9 | Fergus' song | the Yeats song Mulligan was singing | Amanda Visconti | 2015-01-31 23:31 | view |
9 | Where now? | Stephen, who no longer is certain of an afterlife, wonders what has become of his dead mother. | Amanda Visconti | 2015-01-31 23:31 | view |
9 | Where now? | Stephen, who no longer is certain of an afterlife, wonders what has become of his dead mother. | Amanda Visconti | 2015-01-31 23:31 | view |
9 | Where now? | Stephen, who no longer is certain of an afterlife, wonders what has become of his dead mother. | Amanda Visconti | 2015-01-31 23:31 | view |
10 | Her secrets | Stephen moves from images of the trifles May left behind (e.g. dancecards hinting at a life before she was a mother) to imagined memories from May's childhood. | Amanda Visconti | 2015-01-31 23:30 | view |
10 | Her secrets | Stephen moves from images of the trifles May left behind (e.g. dancecards hinting at a life before she was a mother) to imagined memories from May's childhood. | Amanda Visconti | 2015-01-31 23:30 | view |
10 | Her secrets | Stephen moves from images of the trifles May left behind (e.g. dancecards hinting at a life before she was a mother) to imagined memories from May's childhood. | Amanda Visconti | 2015-01-31 23:30 | view |
10 | blood of squashed lice | Stephen transitions from imagining May's pleasant childhood memories to the hardships she faced as a mother of many children living in poverty (Stephen's father, while charismatic and popular, is a drinker and not a consistent breadwinner) | Amanda Visconti | 2015-01-31 23:30 | view |
10 | blood of squashed lice | Stephen transitions from imagining May's pleasant childhood memories to the hardships she faced as a mother of many children living in poverty (Stephen's father, while charismatic and popular, is a drinker and not a consistent breadwinner) | Amanda Visconti | 2015-01-31 23:30 | view |
10 | blood of squashed lice | Stephen transitions from imagining May's pleasant childhood memories to the hardships she faced as a mother of many children living in poverty (Stephen's father, while charismatic and popular, is a drinker and not a consistent breadwinner) | Amanda Visconti | 2015-01-31 23:30 | view |
10 | Liliata rutilantium | Part of the Catholic liturgy for the dying, spoken at May's deathbed | Amanda Visconti | 2015-01-31 23:30 | view |
10 | Liliata rutilantium | Part of the Catholic liturgy for the dying, spoken at May's deathbed | Amanda Visconti | 2015-01-31 23:30 | view |
10 | Liliata rutilantium | Part of the Catholic liturgy for the dying, spoken at May's deathbed | Amanda Visconti | 2015-01-31 23:30 | view |
10 | No, mother | Stephen revolts against the image of his reproachful mother, whose guilt threatens Stephen's sense of independence from the stultifying confines of religion and Irish tradition. | Amanda Visconti | 2015-01-31 23:29 | view |
10 | No, mother | Stephen revolts against the image of his reproachful mother, whose guilt threatens Stephen's sense of independence from the stultifying confines of religion and Irish tradition. | Amanda Visconti | 2015-01-31 23:29 | view |
10 | No, mother | Stephen revolts against the image of his reproachful mother, whose guilt threatens Stephen's sense of independence from the stultifying confines of religion and Irish tradition. | Amanda Visconti | 2015-01-31 23:29 | view |
11 | your symbol of Irish art | Mulligan has offered up the "cracked looking glass of a servant" image Stephen created earlier to Haines in hope of cadging a few coins for a drink; he is willing to sell off Stephen's art (and by extension, all Ireland) to the English for gain, if Stephen won't do it himself, but feigns shock when Stephen later facetiously asks Haines if he can make any money off his wit | Amanda Visconti | 2015-01-31 23:29 | view |
11 | your symbol of Irish art | Mulligan has offered up the "cracked looking glass of a servant" image Stephen created earlier to Haines in hope of cadging a few coins for a drink; he is willing to sell off Stephen's art (and by extension, all Ireland) to the English for gain, if Stephen won't do it himself, but feigns shock when Stephen later facetiously asks Haines if he can make any money off his wit | Amanda Visconti | 2015-01-31 23:29 | view |
11 | your symbol of Irish art | Mulligan has offered up the "cracked looking glass of a servant" image Stephen created earlier to Haines in hope of cadging a few coins for a drink; he is willing to sell off Stephen's art (and by extension, all Ireland) to the English for gain, if Stephen won't do it himself, but feigns shock when Stephen later facetiously asks Haines if he can make any money off his wit | Amanda Visconti | 2015-01-31 23:29 | view |
11 | I get paid | Stephen has regular work teaching at a boy's school, as will be seen in Episode 2 (Nestor); Mulligan, a medical student, seems to get his money from his aunt | Amanda Visconti | 2015-01-31 23:29 | view |
11 | I get paid | Stephen has regular work teaching at a boy's school, as will be seen in Episode 2 (Nestor); Mulligan, a medical student, seems to get his money from his aunt | Amanda Visconti | 2015-01-31 23:29 | view |
11 | I get paid | Stephen has regular work teaching at a boy's school, as will be seen in Episode 2 (Nestor); Mulligan, a medical student, seems to get his money from his aunt | Amanda Visconti | 2015-01-31 23:29 | view |
11 | Clongowes | A Jesuit boarding school attended by a young Stephen; the scene of Stephen's most devout Catholicism. | Amanda Visconti | 2015-01-31 23:28 | view |
11 | Clongowes | A Jesuit boarding school attended by a young Stephen; the scene of Stephen's most devout Catholicism. | Amanda Visconti | 2015-01-31 23:28 | view |
11 | Clongowes | A Jesuit boarding school attended by a young Stephen; the scene of Stephen's most devout Catholicism. | Amanda Visconti | 2015-01-31 23:28 | view |
11 | A server of a servant | By serving Mulligan in bringing his shaving bowl, since Mulligan is himself a servant to society's demands. | Amanda Visconti | 2015-01-31 23:28 | view |
11 | A server of a servant | By serving Mulligan in bringing his shaving bowl, since Mulligan is himself a servant to society's demands. | Amanda Visconti | 2015-01-31 23:28 | view |
11 | A server of a servant | By serving Mulligan in bringing his shaving bowl, since Mulligan is himself a servant to society's demands. | Amanda Visconti | 2015-01-31 23:28 | view |
11 | barbacans | castle towers (often spelled barbicans) | Amanda Visconti | 2015-01-31 23:28 | view |
11 | barbacans | castle towers (often spelled barbicans) | Amanda Visconti | 2015-01-31 23:28 | view |
11 | barbacans | castle towers (often spelled barbicans) | Amanda Visconti | 2015-01-31 23:28 | view |
12 | What sort of a kip is this | Mulligan is peeved that the milkwoman has not appeared at the appointed time. | Amanda Visconti | 2015-01-31 23:27 | view |
12 | What sort of a kip is this | Mulligan is peeved that the milkwoman has not appeared at the appointed time. | Amanda Visconti | 2015-01-31 23:27 | view |
12 | What sort of a kip is this | Mulligan is peeved that the milkwoman has not appeared at the appointed time. | Amanda Visconti | 2015-01-31 23:27 | view |
12 | In nomine Patris et Filii et Spiritus Sancti | Latin Catholic blessing usually spoken while making the sign of the cross: "In the name of the Father, the Son, and the Holy Spirit." | Amanda Visconti | 2015-01-31 23:27 | view |
12 | In nomine Patris et Filii et Spiritus Sancti | Latin Catholic blessing usually spoken while making the sign of the cross: "In the name of the Father, the Son, and the Holy Spirit." | Amanda Visconti | 2015-01-31 23:27 | view |
12 | In nomine Patris et Filii et Spiritus Sancti | Latin Catholic blessing usually spoken while making the sign of the cross: "In the name of the Father, the Son, and the Holy Spirit." | Amanda Visconti | 2015-01-31 23:27 | view |
12 | When I makes tea I makes tea | A humorous Irish folkloric figure, possibly created by Mulligan, but presented to Haines half-mockingly as valid cultural material for his book. Mulligan couches vulgar anecdotes as Irish folklore, subtly mocking Ireland's ability to produce any nobel or heroic mythology. | Amanda Visconti | 2015-01-31 23:26 | view |
12 | When I makes tea I makes tea | A humorous Irish folkloric figure, possibly created by Mulligan, but presented to Haines half-mockingly as valid cultural material for his book. Mulligan couches vulgar anecdotes as Irish folklore, subtly mocking Ireland's ability to produce any nobel or heroic mythology. | Amanda Visconti | 2015-01-31 23:26 | view |
12 | When I makes tea I makes tea | A humorous Irish folkloric figure, possibly created by Mulligan, but presented to Haines half-mockingly as valid cultural material for his book. Mulligan couches vulgar anecdotes as Irish folklore, subtly mocking Ireland's ability to produce any nobel or heroic mythology. | Amanda Visconti | 2015-01-31 23:26 | view |
13 | That's folk | Haines is apparently in Ireland to collect folk tales or culture for a book. | Amanda Visconti | 2015-01-31 23:26 | view |
13 | That's folk | Haines is apparently in Ireland to collect folk tales or culture for a book. | Amanda Visconti | 2015-01-31 23:26 | view |
13 | That's folk | Haines is apparently in Ireland to collect folk tales or culture for a book. | Amanda Visconti | 2015-01-31 23:26 | view |
13 | Mabinogion | The Mabinogion is a collection of old Welsh stories | Amanda Visconti | 2015-01-31 23:26 | view |
13 | Mabinogion | The Mabinogion is a collection of old Welsh stories | Amanda Visconti | 2015-01-31 23:26 | view |
13 | Mabinogion | The Mabinogion is a collection of old Welsh stories | Amanda Visconti | 2015-01-31 23:26 | view |
13 | the Upanishads | The Upanishads are Hindu writings | Amanda Visconti | 2015-01-31 23:25 | view |
13 | the Upanishads | The Upanishads are Hindu writings | Amanda Visconti | 2015-01-31 23:25 | view |
13 | the Upanishads | The Upanishads are Hindu writings | Amanda Visconti | 2015-01-31 23:25 | view |
13 | collector of prepuces | Mulligan continues to speak in an elevated anthropological style, mocking the milkwoman's simplicity and religion. Collector of prepuces: A reference to the Old Testament God's law that Jewish men be circumcised. | Amanda Visconti | 2015-01-31 23:25 | view |
13 | collector of prepuces | Mulligan continues to speak in an elevated anthropological style, mocking the milkwoman's simplicity and religion. Collector of prepuces: A reference to the Old Testament God's law that Jewish men be circumcised. | Amanda Visconti | 2015-01-31 23:25 | view |
13 | collector of prepuces | Mulligan continues to speak in an elevated anthropological style, mocking the milkwoman's simplicity and religion. Collector of prepuces: A reference to the Old Testament God's law that Jewish men be circumcised. | Amanda Visconti | 2015-01-31 23:25 | view |
13 | He watched her pour | Stephen sees the "uncivilized" milkwoman as personifying the Irish spirit, her very oldness and lack of breeding suggesting she is a "messenger" or otherwise supernatural | Amanda Visconti | 2015-01-31 23:24 | view |
13 | He watched her pour | Stephen sees the "uncivilized" milkwoman as personifying the Irish spirit, her very oldness and lack of breeding suggesting she is a "messenger" or otherwise supernatural | Amanda Visconti | 2015-01-31 23:24 | view |
13 | He watched her pour | Stephen sees the "uncivilized" milkwoman as personifying the Irish spirit, her very oldness and lack of breeding suggesting she is a "messenger" or otherwise supernatural | Amanda Visconti | 2015-01-31 23:24 | view |
14 | Silk of the kine and poor old woman | epithets for Ireland | Amanda Visconti | 2015-01-31 23:24 | view |
14 | Silk of the kine and poor old woman | epithets for Ireland | Amanda Visconti | 2015-01-31 23:24 | view |
14 | Silk of the kine and poor old woman | epithets for Ireland | Amanda Visconti | 2015-01-31 23:24 | view |
14 | To serve or to upbraid | Seeing the milkwoman as a mythic Kathleen-Ni-Houlihan figure protecting Ireland, Stephen wonders whether she is there to help him in his fight against British tyranny, or to chasten him for failing Ireland. Though initially soothed by the site of a "real" (i.e. not Anglicized) Irish milkwoman, he quickly sees in her the faults he sees in all the modern Irish: ignorance of national history (she doesn't speak or even recognize Gaelic) and quickness to be impressed with foreign learning and cultivation (e.g. Mulligan's status as a medical student). | Amanda Visconti | 2015-01-31 23:23 | view |
14 | To serve or to upbraid | Seeing the milkwoman as a mythic Kathleen-Ni-Houlihan figure protecting Ireland, Stephen wonders whether she is there to help him in his fight against British tyranny, or to chasten him for failing Ireland. Though initially soothed by the site of a "real" (i.e. not Anglicized) Irish milkwoman, he quickly sees in her the faults he sees in all the modern Irish: ignorance of national history (she doesn't speak or even recognize Gaelic) and quickness to be impressed with foreign learning and cultivation (e.g. Mulligan's status as a medical student). | Amanda Visconti | 2015-01-31 23:23 | view |
14 | To serve or to upbraid | Seeing the milkwoman as a mythic Kathleen-Ni-Houlihan figure protecting Ireland, Stephen wonders whether she is there to help him in his fight against British tyranny, or to chasten him for failing Ireland. Though initially soothed by the site of a "real" (i.e. not Anglicized) Irish milkwoman, he quickly sees in her the faults he sees in all the modern Irish: ignorance of national history (she doesn't speak or even recognize Gaelic) and quickness to be impressed with foreign learning and cultivation (e.g. Mulligan's status as a medical student). | Amanda Visconti | 2015-01-31 23:23 | view |
14 | me she slights | Like Stephen's picture of most Irish, the milkwoman is impressed with Anglicized learning but wouldn't be impressed with the works of an Irish artist (such as Stephen hopes to be), even though artistic abilities are closer to Ireland's cultural bequest than scientific ones | Amanda Visconti | 2015-01-31 23:23 | view |
14 | me she slights | Like Stephen's picture of most Irish, the milkwoman is impressed with Anglicized learning but wouldn't be impressed with the works of an Irish artist (such as Stephen hopes to be), even though artistic abilities are closer to Ireland's cultural bequest than scientific ones | Amanda Visconti | 2015-01-31 23:23 | view |
14 | me she slights | Like Stephen's picture of most Irish, the milkwoman is impressed with Anglicized learning but wouldn't be impressed with the works of an Irish artist (such as Stephen hopes to be), even though artistic abilities are closer to Ireland's cultural bequest than scientific ones | Amanda Visconti | 2015-01-31 23:23 | view |
14 | Do you understand | Haines, the English boarder, is trying out his Gaelic on the milkwoman, who not only does not speak Irish but isn't aware that is what he is speaking | Amanda Visconti | 2015-01-31 23:22 | view |
14 | Do you understand | Haines, the English boarder, is trying out his Gaelic on the milkwoman, who not only does not speak Irish but isn't aware that is what he is speaking | Amanda Visconti | 2015-01-31 23:22 | view |
14 | Do you understand | Haines, the English boarder, is trying out his Gaelic on the milkwoman, who not only does not speak Irish but isn't aware that is what he is speaking | Amanda Visconti | 2015-01-31 23:22 | view |
14 | the loud voice | Haines tries some of his Irish out on the old woman, who doesn't speak Irish | Amanda Visconti | 2015-01-31 23:21 | view |
14 | the loud voice | Haines tries some of his Irish out on the old woman, who doesn't speak Irish | Amanda Visconti | 2015-01-31 23:21 | view |
14 | the loud voice | Haines tries some of his Irish out on the old woman, who doesn't speak Irish | Amanda Visconti | 2015-01-31 23:21 | view |
15 | stony | Mulligan is "as dry as stone" and needs a drink | Amanda Visconti | 2015-01-31 23:21 | view |
15 | stony | Mulligan is "as dry as stone" and needs a drink | Amanda Visconti | 2015-01-31 23:21 | view |
15 | stony | Mulligan is "as dry as stone" and needs a drink | Amanda Visconti | 2015-01-31 23:21 | view |
16 | Agenbite of inwit | "Agenbite of inwit" is Middle English, translating to "prick of remorse". Stephen is referring sarcastically to those who bathe more often than he does --perhaps they are trying to whiten their unclean consciences? "Yet here's a spot" refers to Shakespeare's Macbeth, in which the crazed Lady Macbeth comes to believe that she cannot wash the blood of her murders off her hands. | Amanda Visconti | 2015-01-31 23:21 | view |
16 | Agenbite of inwit | "Agenbite of inwit" is Middle English, translating to "prick of remorse". Stephen is referring sarcastically to those who bathe more often than he does --perhaps they are trying to whiten their unclean consciences? "Yet here's a spot" refers to Shakespeare's Macbeth, in which the crazed Lady Macbeth comes to believe that she cannot wash the blood of her murders off her hands. | Amanda Visconti | 2015-01-31 23:21 | view |
16 | Agenbite of inwit | "Agenbite of inwit" is Middle English, translating to "prick of remorse". Stephen is referring sarcastically to those who bathe more often than he does --perhaps they are trying to whiten their unclean consciences? "Yet here's a spot" refers to Shakespeare's Macbeth, in which the crazed Lady Macbeth comes to believe that she cannot wash the blood of her murders off her hands. | Amanda Visconti | 2015-01-31 23:21 | view |
16 | Would I make money by it | Stephen, who is poor but feels that his art is above being traded for money from the English, voices what Mulligan is probably thinking (Mulligan sees his abilities -- and by extension, the abilities of the Irish -- as fungible goods to be traded for benefits form the English) | Amanda Visconti | 2015-01-31 23:20 | view |
16 | Would I make money by it | Stephen, who is poor but feels that his art is above being traded for money from the English, voices what Mulligan is probably thinking (Mulligan sees his abilities -- and by extension, the abilities of the Irish -- as fungible goods to be traded for benefits form the English) | Amanda Visconti | 2015-01-31 23:20 | view |
16 | Would I make money by it | Stephen, who is poor but feels that his art is above being traded for money from the English, voices what Mulligan is probably thinking (Mulligan sees his abilities -- and by extension, the abilities of the Irish -- as fungible goods to be traded for benefits form the English) | Amanda Visconti | 2015-01-31 23:20 | view |
17 | Latin quarter hat | Stephen wears an unfashionable hat, possibly obtained while studying in the student area of Paris | Amanda Visconti | 2015-01-31 23:19 | view |
17 | Latin quarter hat | Stephen wears an unfashionable hat, possibly obtained while studying in the student area of Paris | Amanda Visconti | 2015-01-31 23:19 | view |
17 | Latin quarter hat | Stephen wears an unfashionable hat, possibly obtained while studying in the student area of Paris | Amanda Visconti | 2015-01-31 23:19 | view |
17 | And going forth he met Butterly. | Notice how this Christian reference sets up Mulligan to betray Stephen. | Amanda Visconti | 2015-01-31 23:19 | view |
17 | And going forth he met Butterly. | Notice how this Christian reference sets up Mulligan to betray Stephen. | Amanda Visconti | 2015-01-31 23:19 | view |
17 | And going forth he met Butterly. | Notice how this Christian reference sets up Mulligan to betray Stephen. | Amanda Visconti | 2015-01-31 23:19 | view |
17 | And going forth he met Butterly | Mulligan plays with sound, mimicking the description of Peter after he betrays Jesus three times ("And going forth, he wept bitterly".) | Amanda Visconti | 2015-01-31 23:18 | view |
17 | And going forth he met Butterly | Mulligan plays with sound, mimicking the description of Peter after he betrays Jesus three times ("And going forth, he wept bitterly".) | Amanda Visconti | 2015-01-31 23:18 | view |
17 | And going forth he met Butterly | Mulligan plays with sound, mimicking the description of Peter after he betrays Jesus three times ("And going forth, he wept bitterly".) | Amanda Visconti | 2015-01-31 23:18 | view |
17 | ashplant | a walking-stick | Amanda Visconti | 2015-01-31 23:18 | view |
17 | ashplant | a walking-stick | Amanda Visconti | 2015-01-31 23:18 | view |
17 | ashplant | a walking-stick | Amanda Visconti | 2015-01-31 23:18 | view |
17 | To the secretary of state for war | The Martello tower shared by Stephen, Mulligan, and Haines was originally a defensive structure --thus the strange landlord. | Amanda Visconti | 2015-01-31 23:18 | view |
17 | To the secretary of state for war | The Martello tower shared by Stephen, Mulligan, and Haines was originally a defensive structure --thus the strange landlord. | Amanda Visconti | 2015-01-31 23:18 | view |
17 | To the secretary of state for war | The Martello tower shared by Stephen, Mulligan, and Haines was originally a defensive structure --thus the strange landlord. | Amanda Visconti | 2015-01-31 23:18 | view |
17 | Billy Pitt | Many towers like Stephen's were built around the coasts of Great Britain during the Napoleonic wars. | Amanda Visconti | 2015-01-31 23:17 | view |
17 | Billy Pitt | Many towers like Stephen's were built around the coasts of Great Britain during the Napoleonic wars. | Amanda Visconti | 2015-01-31 23:17 | view |
17 | Billy Pitt | Many towers like Stephen's were built around the coasts of Great Britain during the Napoleonic wars. | Amanda Visconti | 2015-01-31 23:17 | view |
17 | Thomas Aquinas | Doctor of the Catholic Church and subtle logician (Mulligan is referring to Stephen) | Amanda Visconti | 2015-01-31 23:17 | view |
17 | Thomas Aquinas | Doctor of the Catholic Church and subtle logician (Mulligan is referring to Stephen) | Amanda Visconti | 2015-01-31 23:17 | view |
17 | Thomas Aquinas | Doctor of the Catholic Church and subtle logician (Mulligan is referring to Stephen) | Amanda Visconti | 2015-01-31 23:17 | view |
18 | O, shade of Kinch the elder! | Mulligan laughs, picturing the differences between Stephen's charismatic father and Stephen; Japhet, one of Noah's sons, reinforces the father-son relationship motif | Amanda Visconti | 2015-01-31 23:16 | view |
18 | O, shade of Kinch the elder! | Mulligan laughs, picturing the differences between Stephen's charismatic father and Stephen; Japhet, one of Noah's sons, reinforces the father-son relationship motif | Amanda Visconti | 2015-01-31 23:16 | view |
18 | O, shade of Kinch the elder! | Mulligan laughs, picturing the differences between Stephen's charismatic father and Stephen; Japhet, one of Noah's sons, reinforces the father-son relationship motif | Amanda Visconti | 2015-01-31 23:16 | view |
18 | The seas' ruler | Haines is English, and at that time Great Britain's impressive fleet had virtual sovereignty of the seas | Amanda Visconti | 2015-01-31 23:16 | view |
18 | The seas' ruler | Haines is English, and at that time Great Britain's impressive fleet had virtual sovereignty of the seas | Amanda Visconti | 2015-01-31 23:16 | view |
18 | The seas' ruler | Haines is English, and at that time Great Britain's impressive fleet had virtual sovereignty of the seas | Amanda Visconti | 2015-01-31 23:16 | view |
18 | a blithe broadly smiling face | Mulligan hints at his bad side by mocking a serious theme of the book (the father/Son relationship will be paralleled in Bloom/Stephen) | Amanda Visconti | 2015-01-31 23:15 | view |
18 | a blithe broadly smiling face | Mulligan hints at his bad side by mocking a serious theme of the book (the father/Son relationship will be paralleled in Bloom/Stephen) | Amanda Visconti | 2015-01-31 23:15 | view |
18 | a blithe broadly smiling face | Mulligan hints at his bad side by mocking a serious theme of the book (the father/Son relationship will be paralleled in Bloom/Stephen) | Amanda Visconti | 2015-01-31 23:15 | view |
20 | grim displeasure | Stephen's displeasure may be caused both by memory of his refusal to pray with his dying mother, and by the failure of his free-willed self to be as successful as those who serve other masters | Amanda Visconti | 2015-01-31 23:15 | view |
20 | grim displeasure | Stephen's displeasure may be caused both by memory of his refusal to pray with his dying mother, and by the failure of his free-willed self to be as successful as those who serve other masters | Amanda Visconti | 2015-01-31 23:15 | view |
20 | grim displeasure | Stephen's displeasure may be caused both by memory of his refusal to pray with his dying mother, and by the failure of his free-willed self to be as successful as those who serve other masters | Amanda Visconti | 2015-01-31 23:15 | view |
20 | the servant of two masters | the English master is England's pernicious influence on Ireland ("The imperial British state"); the Italian master is the Catholic Church and Pope, jealous of modern independent thought, demanding "kneel down before me" | Amanda Visconti | 2015-01-31 23:13 | view |
20 | the servant of two masters | the English master is England's pernicious influence on Ireland ("The imperial British state"); the Italian master is the Catholic Church and Pope, jealous of modern independent thought, demanding "kneel down before me" | Amanda Visconti | 2015-01-31 23:13 | view |
20 | the servant of two masters | the English master is England's pernicious influence on Ireland ("The imperial British state"); the Italian master is the Catholic Church and Pope, jealous of modern independent thought, demanding "kneel down before me" | Amanda Visconti | 2015-01-31 23:13 | view |
20 | We feel in England | Haines believes that English have historically treated the Irish wrongly, but is blind to the current effect Britain has on Ireland | Amanda Visconti | 2015-01-31 23:12 | view |
20 | We feel in England | Haines believes that English have historically treated the Irish wrongly, but is blind to the current effect Britain has on Ireland | Amanda Visconti | 2015-01-31 23:12 | view |
20 | We feel in England | Haines believes that English have historically treated the Irish wrongly, but is blind to the current effect Britain has on Ireland | Amanda Visconti | 2015-01-31 23:12 | view |
20 | et unam sanctam catholicam et apostolicam ecclesiam | Latin: "The one, holy, universal and apostolic Church" | Amanda Visconti | 2015-01-31 23:12 | view |
20 | et unam sanctam catholicam et apostolicam ecclesiam | Latin: "The one, holy, universal and apostolic Church" | Amanda Visconti | 2015-01-31 23:12 | view |
20 | et unam sanctam catholicam et apostolicam ecclesiam | Latin: "The one, holy, universal and apostolic Church" | Amanda Visconti | 2015-01-31 23:12 | view |
22 | Seymour | a friend of Mulligan's, mentioned earlier when Mulligan offered to rag Haines for bothering Stephen | Amanda Visconti | 2015-01-31 23:06 | view |
22 | Seymour | a friend of Mulligan's, mentioned earlier when Mulligan offered to rag Haines for bothering Stephen | Amanda Visconti | 2015-01-31 23:06 | view |
22 | Seymour | a friend of Mulligan's, mentioned earlier when Mulligan offered to rag Haines for bothering Stephen | Amanda Visconti | 2015-01-31 23:06 | view |
22 | key | Mulligan succeeds in getting the key from Stephen, effectively shutting him out of his home. | Amanda Visconti | 2015-01-31 23:05 | view |
22 | key | Mulligan succeeds in getting the key from Stephen, effectively shutting him out of his home. | Amanda Visconti | 2015-01-31 23:05 | view |
22 | key | Mulligan succeeds in getting the key from Stephen, effectively shutting him out of his home. | Amanda Visconti | 2015-01-31 23:05 | view |
22 | Zarathustra | An ancient religious poet; Thus Spake Zarathustra is the name of a late-19th-century book by Nietzsche | Amanda Visconti | 2015-01-31 23:05 | view |
22 | Zarathustra | An ancient religious poet; Thus Spake Zarathustra is the name of a late-19th-century book by Nietzsche | Amanda Visconti | 2015-01-31 23:05 | view |
22 | Zarathustra | An ancient religious poet; Thus Spake Zarathustra is the name of a late-19th-century book by Nietzsche | Amanda Visconti | 2015-01-31 23:05 | view |
23 | smiling at wild Irish | Stephen imagines that Haines condescends to him because he is an Irishman -- more of a curious freak than a genius. The text, though, shows nothing of Haines to suggest he is not sincere in his offer of friendship. | Amanda Visconti | 2015-01-31 23:04 | view |
23 | smiling at wild Irish | Stephen imagines that Haines condescends to him because he is an Irishman -- more of a curious freak than a genius. The text, though, shows nothing of Haines to suggest he is not sincere in his offer of friendship. | Amanda Visconti | 2015-01-31 23:04 | view |
23 | smiling at wild Irish | Stephen imagines that Haines condescends to him because he is an Irishman -- more of a curious freak than a genius. The text, though, shows nothing of Haines to suggest he is not sincere in his offer of friendship. | Amanda Visconti | 2015-01-31 23:04 | view |
23 | Liliata rutilantium.Turma circumdet.Jubilantium te virginum. | Part of the Catholic liturgy for the dying, spoken at the deathbed of May, Stephen's mother | Amanda Visconti | 2015-01-31 23:04 | view |
23 | Liliata rutilantium.Turma circumdet.Jubilantium te virginum. | Part of the Catholic liturgy for the dying, spoken at the deathbed of May, Stephen's mother | Amanda Visconti | 2015-01-31 23:04 | view |
23 | Liliata rutilantium.Turma circumdet.Jubilantium te virginum. | Part of the Catholic liturgy for the dying, spoken at the deathbed of May, Stephen's mother | Amanda Visconti | 2015-01-31 23:04 | view |
23 | A voice | Mulligan's, whose voice is "sweettoned": he's able to be "golden-mouthed" or honey-tongued when he wishes | Amanda Visconti | 2015-01-31 23:02 | view |
23 | A voice | Mulligan's, whose voice is "sweettoned": he's able to be "golden-mouthed" or honey-tongued when he wishes | Amanda Visconti | 2015-01-31 23:02 | view |
23 | A voice | Mulligan's, whose voice is "sweettoned": he's able to be "golden-mouthed" or honey-tongued when he wishes | Amanda Visconti | 2015-01-31 23:02 | view |
18 | The Father and the Son idea | An interpretation of Hamlet in which Hamlet and the murdered king correspond to Jesus and the Father image of God; both Hamlet and God's Father/Son relationship are paralleled in this book | Amanda Visconti | 2015-01-31 23:01 | view |
18 | The Father and the Son idea | An interpretation of Hamlet in which Hamlet and the murdered king correspond to Jesus and the Father image of God; both Hamlet and God's Father/Son relationship are paralleled in this book | Amanda Visconti | 2015-01-31 23:01 | view |
18 | The Father and the Son idea | An interpretation of Hamlet in which Hamlet and the murdered king correspond to Jesus and the Father image of God; both Hamlet and God's Father/Son relationship are paralleled in this book | Amanda Visconti | 2015-01-31 23:01 | view |
18 | He himself | Haines confused as to whether Hamlet or Stephen is referred to as the ghost of his own father | Amanda Visconti | 2015-01-31 22:58 | view |
18 | He himself | Haines confused as to whether Hamlet or Stephen is referred to as the ghost of his own father | Amanda Visconti | 2015-01-31 22:58 | view |
18 | He himself | Haines confused as to whether Hamlet or Stephen is referred to as the ghost of his own father | Amanda Visconti | 2015-01-31 22:58 | view |
18 | He proves by algebra that Hamlet's grandson is Shakespeare's grandfather and that he himself is the ghost of his own father | Mulligan sarcastically makes a muddle of Stephen's Hamlet theory, making Haines confused as to whether Hamlet or Stephen is referred to as the ghost of his own father. | Amanda Visconti | 2015-01-31 22:57 | view |
18 | He proves by algebra that Hamlet's grandson is Shakespeare's grandfather and that he himself is the ghost of his own father | Mulligan sarcastically makes a muddle of Stephen's Hamlet theory, making Haines confused as to whether Hamlet or Stephen is referred to as the ghost of his own father. | Amanda Visconti | 2015-01-31 22:57 | view |
18 | He proves by algebra that Hamlet's grandson is Shakespeare's grandfather and that he himself is the ghost of his own father | Mulligan sarcastically makes a muddle of Stephen's Hamlet theory, making Haines confused as to whether Hamlet or Stephen is referred to as the ghost of his own father. | Amanda Visconti | 2015-01-31 22:57 | view |
18 | the Muglins | dangerous rocks in the waters | Amanda Visconti | 2015-01-31 22:56 | view |
18 | the Muglins | dangerous rocks in the waters | Amanda Visconti | 2015-01-31 22:56 | view |
18 | the Muglins | dangerous rocks in the waters | Amanda Visconti | 2015-01-31 22:56 | view |
18 | My mother's a jew, my father's a bird | Jesus's mother Mary; the dove form of the Holy Spirit | Amanda Visconti | 2015-01-31 22:55 | view |
18 | My mother's a jew, my father's a bird | Jesus's mother Mary; the dove form of the Holy Spirit | Amanda Visconti | 2015-01-31 22:55 | view |
18 | My mother's a jew, my father's a bird | Jesus's mother Mary; the dove form of the Holy Spirit | Amanda Visconti | 2015-01-31 22:55 | view |
18 | Joseph the joiner | In Christianity, Mary's husband Joseph is a carpenter | Amanda Visconti | 2015-01-31 22:54 | view |
18 | Joseph the joiner | In Christianity, Mary's husband Joseph is a carpenter | Amanda Visconti | 2015-01-31 22:54 | view |
18 | Joseph the joiner | In Christianity, Mary's husband Joseph is a carpenter | Amanda Visconti | 2015-01-31 22:54 | view |
19 | when I'm making the wine | the miracle at Cana, when Jesus turned water into wine for wedding guests | Amanda Visconti | 2015-01-31 22:53 | view |
19 | when I'm making the wine | the miracle at Cana, when Jesus turned water into wine for wedding guests | Amanda Visconti | 2015-01-31 22:53 | view |
19 | when I'm making the wine | the miracle at Cana, when Jesus turned water into wine for wedding guests | Amanda Visconti | 2015-01-31 22:53 | view |
19 | Olivet | The Mount of Olives, at the foot of which is the Garden of Gethsemane, where Jesus spent the night of his betrayal | Amanda Visconti | 2015-01-31 22:53 | view |
19 | Olivet | The Mount of Olives, at the foot of which is the Garden of Gethsemane, where Jesus spent the night of his betrayal | Amanda Visconti | 2015-01-31 22:53 | view |
19 | Olivet | The Mount of Olives, at the foot of which is the Garden of Gethsemane, where Jesus spent the night of his betrayal | Amanda Visconti | 2015-01-31 22:53 | view |
19 | a smooth silver case in which twinkled a green stone | a little metaphor: Haines, the Englishman, offers Stephen an image of Ireland (the emerald) as a decoration in England's pocket | Amanda Visconti | 2015-01-31 22:52 | view |
19 | a smooth silver case in which twinkled a green stone | a little metaphor: Haines, the Englishman, offers Stephen an image of Ireland (the emerald) as a decoration in England's pocket | Amanda Visconti | 2015-01-31 22:52 | view |
19 | a smooth silver case in which twinkled a green stone | a little metaphor: Haines, the Englishman, offers Stephen an image of Ireland (the emerald) as a decoration in England's pocket | Amanda Visconti | 2015-01-31 22:52 | view |
19 | Mercury's hat | The description of Mulligan's hat as Mercury's points both to the fleetness of his capering, but also to his willingness to behave mercurially (i.e. changefully) in order to remain in control of situations | Amanda Visconti | 2015-01-31 22:51 | view |
19 | Mercury's hat | The description of Mulligan's hat as Mercury's points both to the fleetness of his capering, but also to his willingness to behave mercurially (i.e. changefully) in order to remain in control of situations | Amanda Visconti | 2015-01-31 22:51 | view |
19 | Mercury's hat | The description of Mulligan's hat as Mercury's points both to the fleetness of his capering, but also to his willingness to behave mercurially (i.e. changefully) in order to remain in control of situations | Amanda Visconti | 2015-01-31 22:51 | view |
20 | He wants that key | The tower has only one key, which Stephen has kept so far (with his regular teaching job, he has been the one to pay the rent). He senses now the Mulligan will ask for the key, effectively usurping his home. | Amanda Visconti | 2015-01-31 22:46 | view |
20 | He wants that key | The tower has only one key, which Stephen has kept so far (with his regular teaching job, he has been the one to pay the rent). He senses now the Mulligan will ask for the key, effectively usurping his home. | Amanda Visconti | 2015-01-31 22:46 | view |
20 | He wants that key | The tower has only one key, which Stephen has kept so far (with his regular teaching job, he has been the one to pay the rent). He senses now the Mulligan will ask for the key, effectively usurping his home. | Amanda Visconti | 2015-01-31 22:46 | view |
20 | ferrule | a protective cap around the end of Stephen's walking stick | Amanda Visconti | 2015-01-31 22:46 | view |
20 | ferrule | a protective cap around the end of Stephen's walking stick | Amanda Visconti | 2015-01-31 22:46 | view |
20 | ferrule | a protective cap around the end of Stephen's walking stick | Amanda Visconti | 2015-01-31 22:46 | view |
20 | They | Haines and Mulligan on their way home | Amanda Visconti | 2015-01-31 22:46 | view |
20 | They | Haines and Mulligan on their way home | Amanda Visconti | 2015-01-31 22:46 | view |
20 | They | Haines and Mulligan on their way home | Amanda Visconti | 2015-01-31 22:46 | view |
20 | familiar | a witch's animal companion | Amanda Visconti | 2015-01-31 22:46 | view |
20 | familiar | a witch's animal companion | Amanda Visconti | 2015-01-31 22:46 | view |
20 | familiar | a witch's animal companion | Amanda Visconti | 2015-01-31 22:46 | view |
21 | terrene | earthly | Amanda Visconti | 2015-01-31 22:45 | view |
21 | terrene | earthly | Amanda Visconti | 2015-01-31 22:45 | view |
21 | terrene | earthly | Amanda Visconti | 2015-01-31 22:45 | view |
21 | The void awaits | Hell awaits all who try to bend religion's truth with strange logic. | Amanda Visconti | 2015-01-31 22:45 | view |
21 | The void awaits | Hell awaits all who try to bend religion's truth with strange logic. | Amanda Visconti | 2015-01-31 22:45 | view |
21 | The void awaits | Hell awaits all who try to bend religion's truth with strange logic. | Amanda Visconti | 2015-01-31 22:45 | view |
21 | Michael | an archangel often depicted as militant | Amanda Visconti | 2015-01-31 22:44 | view |
21 | Michael | an archangel often depicted as militant | Amanda Visconti | 2015-01-31 22:44 | view |
21 | Michael | an archangel often depicted as militant | Amanda Visconti | 2015-01-31 22:44 | view |
21 | Hear, hear. Prolonged applause | Coming out of his revery, Stephen imagines fake applause. As a would-be poet, he is ever aware that despite the intelligence that lets him have such interior monologues, he has produced no great work to share with others) | Amanda Visconti | 2015-01-31 22:44 | view |
21 | Hear, hear. Prolonged applause | Coming out of his revery, Stephen imagines fake applause. As a would-be poet, he is ever aware that despite the intelligence that lets him have such interior monologues, he has produced no great work to share with others) | Amanda Visconti | 2015-01-31 22:44 | view |
21 | Hear, hear. Prolonged applause | Coming out of his revery, Stephen imagines fake applause. As a would-be poet, he is ever aware that despite the intelligence that lets him have such interior monologues, he has produced no great work to share with others) | Amanda Visconti | 2015-01-31 22:44 | view |
21 | Zut! Nom de Dieu! | mild French oaths ("Well, shoot! Name of God!") of amazement | Amanda Visconti | 2015-01-31 22:43 | view |
21 | Zut! Nom de Dieu! | mild French oaths ("Well, shoot! Name of God!") of amazement | Amanda Visconti | 2015-01-31 22:43 | view |
21 | Zut! Nom de Dieu! | mild French oaths ("Well, shoot! Name of God!") of amazement | Amanda Visconti | 2015-01-31 22:43 | view |
21 | Two men | Two men are watching the water, looking for the body of a man who drowned about nine days ago. | Amanda Visconti | 2015-01-31 22:43 | view |
21 | Two men | Two men are watching the water, looking for the body of a man who drowned about nine days ago. | Amanda Visconti | 2015-01-31 22:43 | view |
21 | Two men | Two men are watching the water, looking for the body of a man who drowned about nine days ago. | Amanda Visconti | 2015-01-31 22:43 | view |
21 | Bullock harbour | a harbor southeast of Dublin | Amanda Visconti | 2015-01-31 22:41 | view |
21 | Bullock harbour | a harbor southeast of Dublin | Amanda Visconti | 2015-01-31 22:41 | view |
21 | Bullock harbour | a harbor southeast of Dublin | Amanda Visconti | 2015-01-31 22:41 | view |
21 | five fathoms | unit of nautical measurement; five fathoms recalls Ariel's "full fathom five thy father lies" song in Shakespeare's The Tempest | Amanda Visconti | 2015-01-31 22:40 | view |
21 | five fathoms | unit of nautical measurement; five fathoms recalls Ariel's "full fathom five thy father lies" song in Shakespeare's The Tempest | Amanda Visconti | 2015-01-31 22:40 | view |
21 | five fathoms | unit of nautical measurement; five fathoms recalls Ariel's "full fathom five thy father lies" song in Shakespeare's The Tempest | Amanda Visconti | 2015-01-31 22:40 | view |
21 | Westmeath | an area in the middle of Ireland | Amanda Visconti | 2015-01-31 22:39 | view |
21 | Westmeath | an area in the middle of Ireland | Amanda Visconti | 2015-01-31 22:39 | view |
21 | Westmeath | an area in the middle of Ireland | Amanda Visconti | 2015-01-31 22:39 | view |
21 | the Bannons | A family name | Amanda Visconti | 2015-01-31 22:39 | view |
21 | the Bannons | A family name | Amanda Visconti | 2015-01-31 22:39 | view |
21 | the Bannons | A family name | Amanda Visconti | 2015-01-31 22:39 | view |
21 | Photo girl | Milly (Bloom's daughter) is working as a photographer's assistant. | Amanda Visconti | 2015-01-31 22:38 | view |
21 | Photo girl | Milly (Bloom's daughter) is working as a photographer's assistant. | Amanda Visconti | 2015-01-31 22:38 | view |
21 | Photo girl | Milly (Bloom's daughter) is working as a photographer's assistant. | Amanda Visconti | 2015-01-31 22:38 | view |
21 | a sweet young thing | Bannon's female find happens to be the young Milly Bloom, daughter of not-yet-introduced protagonist Leopold Bloom | Amanda Visconti | 2015-01-31 22:38 | view |
21 | a sweet young thing | Bannon's female find happens to be the young Milly Bloom, daughter of not-yet-introduced protagonist Leopold Bloom | Amanda Visconti | 2015-01-31 22:38 | view |
21 | a sweet young thing | Bannon's female find happens to be the young Milly Bloom, daughter of not-yet-introduced protagonist Leopold Bloom | Amanda Visconti | 2015-01-31 22:38 | view |
22 | Uebermensch | Nietzsche's "Superman" or ideal for all humanity | Amanda Visconti | 2015-01-31 22:37 | view |
22 | Uebermensch | Nietzsche's "Superman" or ideal for all humanity | Amanda Visconti | 2015-01-31 22:37 | view |
22 | Uebermensch | Nietzsche's "Superman" or ideal for all humanity | Amanda Visconti | 2015-01-31 22:37 | view |
22 | up the pole | Pregnant | Amanda Visconti | 2015-01-31 22:36 | view |
22 | up the pole | Pregnant | Amanda Visconti | 2015-01-31 22:36 | view |
22 | up the pole | Pregnant | Amanda Visconti | 2015-01-31 22:36 | view |
23 | Horn of a bull, hoof of a horse, smile of a Saxon. | Stephen thinks his own version of a saying for three things a person should never trust. | Amanda Visconti | 2015-01-31 22:35 | view |
23 | Horn of a bull, hoof of a horse, smile of a Saxon. | Stephen thinks his own version of a saying for three things a person should never trust. | Amanda Visconti | 2015-01-31 22:35 | view |
23 | Horn of a bull, hoof of a horse, smile of a Saxon. | Stephen thinks his own version of a saying for three things a person should never trust. | Amanda Visconti | 2015-01-31 22:35 | view |
23 | The Ship | A tavern | Amanda Visconti | 2015-01-31 22:34 | view |
23 | The Ship | A tavern | Amanda Visconti | 2015-01-31 22:34 | view |
23 | The Ship | A tavern | Amanda Visconti | 2015-01-31 22:34 | view |
23 | Home also I cannot go. | Stephen has about had it with Mulligan, and does not feel he could return to the tower to sleep (there is also the problem of no longer having the key); "home", now referring to the place his immediate family lives, is also not an option -- the family has broken up after May's death, and there is possibly some anger there over Stephen's refusal to pray for her. | Amanda Visconti | 2015-01-31 22:33 | view |
23 | Home also I cannot go. | Stephen has about had it with Mulligan, and does not feel he could return to the tower to sleep (there is also the problem of no longer having the key); "home", now referring to the place his immediate family lives, is also not an option -- the family has broken up after May's death, and there is possibly some anger there over Stephen's refusal to pray for her. | Amanda Visconti | 2015-01-31 22:33 | view |
23 | Home also I cannot go. | Stephen has about had it with Mulligan, and does not feel he could return to the tower to sleep (there is also the problem of no longer having the key); "home", now referring to the place his immediate family lives, is also not an option -- the family has broken up after May's death, and there is possibly some anger there over Stephen's refusal to pray for her. | Amanda Visconti | 2015-01-31 22:33 | view |
23 | Home also I cannot go | See Ellmann's biography of Joyce for parallels to Joyce's exit from the Martello tower. | Amanda Visconti | 2015-01-31 22:32 | view |
23 | Home also I cannot go | See Ellmann's biography of Joyce for parallels to Joyce's exit from the Martello tower. | Amanda Visconti | 2015-01-31 22:32 | view |
23 | Home also I cannot go | See Ellmann's biography of Joyce for parallels to Joyce's exit from the Martello tower. | Amanda Visconti | 2015-01-31 22:32 | view |
23 | Usurper | Ulysses parallels the problem of Penelope's suitors in the Odyssey with a series of similarly morally-suspect "usurper"s: the British (usurping Ireland's culture), various men who have dubious relationships with Leopold Bloom's wife Molly (e.g. Hugh Boylan) and Mulligan (who subtly tries to break Stephen's determination to be a free-willed artist, and also ultimately usurps his home). | Amanda Visconti | 2015-01-31 22:31 | view |
23 | Usurper | Ulysses parallels the problem of Penelope's suitors in the Odyssey with a series of similarly morally-suspect "usurper"s: the British (usurping Ireland's culture), various men who have dubious relationships with Leopold Bloom's wife Molly (e.g. Hugh Boylan) and Mulligan (who subtly tries to break Stephen's determination to be a free-willed artist, and also ultimately usurps his home). | Amanda Visconti | 2015-01-31 22:31 | view |
23 | Usurper | Ulysses parallels the problem of Penelope's suitors in the Odyssey with a series of similarly morally-suspect "usurper"s: the British (usurping Ireland's culture), various men who have dubious relationships with Leopold Bloom's wife Molly (e.g. Hugh Boylan) and Mulligan (who subtly tries to break Stephen's determination to be a free-willed artist, and also ultimately usurps his home). | Amanda Visconti | 2015-01-31 22:31 | view |
3 | grained and hued like pale oak | Harry Blamires' The New Bloomsday Book suggests this is an allusion to the Trojan Horse meant to clue us to Mulligan's duplicitous nature. | Amanda Visconti | 2015-01-30 17:37 | view |
3 | grained and hued like pale oak | Harry Blamires' The New Bloomsday Book suggests this is an allusion to the Trojan Horse meant to clue us to Mulligan's duplicitous nature. | Amanda Visconti | 2015-01-30 17:37 | view |
3 | grained and hued like pale oak | Harry Blamires' The New Bloomsday Book suggests this is an allusion to the Trojan Horse meant to clue us to Mulligan's duplicitous nature. | Amanda Visconti | 2015-01-30 17:37 | view |
3 | Chrysostomos | Reference to Saint John Chrysostom, nicknamed "the golden-mouthed" for his speaking ability; Stephen links Mulligan's glibness to his gold-capped teeth | Amanda Visconti | 2015-01-29 13:09 | view |
3 | Chrysostomos | Reference to Saint John Chrysostom, nicknamed "the golden-mouthed" for his speaking ability; Stephen links Mulligan's glibness to his gold-capped teeth | Amanda Visconti | 2015-01-29 13:09 | view |
3 | Chrysostomos | Reference to Saint John Chrysostom, nicknamed "the golden-mouthed" for his speaking ability; Stephen links Mulligan's glibness to his gold-capped teeth | Amanda Visconti | 2015-01-29 13:09 | view |
3 | untonsured | Tonsuring is the practice of shaving off the crown of a priest or monk's hair (e.g. to show humility and/or religious devotion) | Amanda Visconti | 2015-01-29 13:09 | view |
3 | untonsured | Tonsuring is the practice of shaving off the crown of a priest or monk's hair (e.g. to show humility and/or religious devotion) | Amanda Visconti | 2015-01-29 13:09 | view |
3 | untonsured | Tonsuring is the practice of shaving off the crown of a priest or monk's hair (e.g. to show humility and/or religious devotion) | Amanda Visconti | 2015-01-29 13:09 | view |
3 | Christine | A jokingly female version of Christ | Amanda Visconti | 2015-01-29 13:09 | view |
3 | Christine | A jokingly female version of Christ | Amanda Visconti | 2015-01-29 13:09 | view |
3 | Christine | A jokingly female version of Christ | Amanda Visconti | 2015-01-29 13:09 | view |
3 | — | Spoken lines are indicated with an em dash | Amanda Visconti | 2015-01-29 13:08 | view |
3 | — | Spoken lines are indicated with an em dash | Amanda Visconti | 2015-01-29 13:08 | view |
3 | — | Spoken lines are indicated with an em dash | Amanda Visconti | 2015-01-29 13:08 | view |
3 | made rapid crosses | Mulligan continues to mock the Mass by making the sign of the cross (a Catholic hand gesture) | Amanda Visconti | 2015-01-29 13:08 | view |
3 | made rapid crosses | Mulligan continues to mock the Mass by making the sign of the cross (a Catholic hand gesture) | Amanda Visconti | 2015-01-29 13:08 | view |
3 | made rapid crosses | Mulligan continues to mock the Mass by making the sign of the cross (a Catholic hand gesture) | Amanda Visconti | 2015-01-29 13:08 | view |
3 | Introibo ad altare Dei. | With his morning shave, Mulligan begins a mockery of the mass that is sustained for much of the episode, complete with blessings and the shaving bowl as holy incense. This mockery is a subtle taunt to Stephen, who was extremely devout as a boy. | Amanda Visconti | 2015-01-29 13:07 | view |
3 | Introibo ad altare Dei. | With his morning shave, Mulligan begins a mockery of the mass that is sustained for much of the episode, complete with blessings and the shaving bowl as holy incense. This mockery is a subtle taunt to Stephen, who was extremely devout as a boy. | Amanda Visconti | 2015-01-29 13:07 | view |
3 | Introibo ad altare Dei. | With his morning shave, Mulligan begins a mockery of the mass that is sustained for much of the episode, complete with blessings and the shaving bowl as holy incense. This mockery is a subtle taunt to Stephen, who was extremely devout as a boy. | Amanda Visconti | 2015-01-29 13:07 | view |
3 | Introibo ad altare Dei | A line spoken by a priest during a Latin Catholic mass, meaning "I will go to the altar of God". | Amanda Visconti | 2015-01-29 13:07 | view |
3 | Introibo ad altare Dei | A line spoken by a priest during a Latin Catholic mass, meaning "I will go to the altar of God". | Amanda Visconti | 2015-01-29 13:07 | view |
3 | Introibo ad altare Dei | A line spoken by a priest during a Latin Catholic mass, meaning "I will go to the altar of God". | Amanda Visconti | 2015-01-29 13:07 | view |